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Fairy tales of the Viennese wood
WATCH THE FILM IN CONJUNCTION ONLINE And where did the whole scene could be a capture life piece, unifying the viewer with the artist, if he did not introduce the audience - before, say, a scene from Charlotte's letters - in terms of his creative life on stage?We give the studio curtain with the first chords of the third act. December 24 evening, waiting for Charlotte Werther. She kept her eyes spotted watching out the window. Every footstep makes it back to rush to the window, her imagination paints a Werther in last meeting, when the eyes of her soul assembled abyss of despair in it.It is all being in the memory. Hence the struggle of Charlotte and its bifurcation. Heavy duty of marriage, boring, routine, in which she can not put your heart - and the walls of prejudice.Finally, at the climax of the musical introduction of her despair, to merge with a cry of grief in music, makes her rush to grab the box office and with the sole of her precious letter Werther. Now I, the viewer, too, remember you, Charlotte and Werther that was going to be for Christmas, that Christmas has come and it is not.The whole gamut of suspense until you read his letters drew me not as an opera stage, and the suffering of the young Charlotte, that I could not tear myself away. Not the action is important, but the gradual development of your own, actor chelovekoroli, increasing strength.If you need to enhance the action kakimto huge gesture, once you throw it with the word? No gesture is living in you, in your circle, from the very beginning of your monologue, as the final chord of the song, if all the tasks you have to choose.Your attention is increasing gradually by order of the will, and the word of the entrained role at this moment, a piece of your heart, a piece of your flesh and blood. If your feeling was right, the correct gesture resulted sculptural end of your monologue. Pp.TALK 135 XXVII The most slender and logical system, no matter how justified it flowed all the prerequisites from one another, can not do anything to give the artist, if he does not see it as just one of the tools to help him get in the way of creativity.My system is probably still a lot of systems in the world, can only help to reveal strength in itself, to teach them to observe a work, to understand the chaos that is created in the passions and thoughts of the artist, and, as I have said many times, clean the creative fire of ash and debris. But to see it as center and sense of creativity.- It means to seek outside guidance for the current work. All currents doers forces - it is you. And seek help for their awakening outside - it destroy itself as an artistic force and never find the entrance to the rhythm that lives all around you.When you familiar with all the internal stages of the creative ladder, which we call РѕР±С‰РµС‡РµР»РѕРІРµС‡РµСЃРєРёС‚РІРѕСЂС‡РµСЃРєРёРјРё, you started to notice that most of the meaning of your life is already owned by the studio.
FILM IN CONJUNCTION What seemed to be the center of your life yesterday, today has been for you secondary.It takes another a while, and the center of your attention is focused more on the studio and your work there.