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Others do not stop even before that to deny the possibility of some movies.It would seem, should not cause disputes the fact that Michelangelo Antonioni adheres to a certain cinematic language. However, some do not agree with this, as revealed in the discussion mezhdui Galvano Della Volpe, Luigi Kyarini, Alberto and Carlo I Karochchi Salinari. I.In Salinari irritating that this film I directed constantly resorts to allegory. AH1 tonioni hear him Kyarini can not from it refused | I out to be, "politeraturnomu" pour their povestvovaI tion hints - is taking it, so he hardly ever I do not use separate installation pieces.Antonioni, I whose work dates back to the neo-realism, but I did not learned a lesson from such films as "Payza", "Rome - I 1 Open City", "Shusha", devoid of all the conventions I, download the film Interstate
and designed in a slow rhythm. Anto ', to Nyon, on the contrary, declined to assembling individual kussch Cove because of its vocation of the writer;internal monsch TAR, ie installation, based on the movements semoch; u tion movie camera, having worked in his films rather 'F carefully. Therefore the behavior of the characters almost always u deliberately, and they find themselves in those positions, and against this background, that have an allegorical meaning. The view Kyarini essentially this:changing in a sense, the movie as a means of artistic expression and wanting to get it to do what it w В«ContemporaneoВ», a. V, 1962, N 280 A is not capable, Antonioni forgets synthetic imaging features, differ greatly from the opportunities of prisoners in the word.When, for example, Antonioni shows the exchange, says Kyarini, quite a few frames to predstayit us know what the writer is not able to achieve on many pages. But when he needs to articulate a some political thought, it appears that the word has the elusive ability to synthesis.And Antonioni, who is trying to express the thoughts and reflections through literary analysis, forced unthinkable way stretch effect."Eclipse," says Karochchi - this is a film built entirely on a number of thoughts, and I do not think the film is an ideal means of artistic expression to convey thoughts. " Salinari the same opinion, though it focuses on a different issue.At the end of the discussion, he asked whether the criticism to which Antonioni exposes bourgeois society, simplistic, that is, if the director does not want too much to simplify the problem of alienation in capitalist society, not trying to expose the mechanics of this phenomenon, a complex web of different generating its elements;Does not this also explains sometimes the "poverty of artistic expression" of his films. Watch the film Interstate online
. In the book, Krakauer is no mention of the trilogy Antonioni. However, we know from a letter addressed to us Krakauer that "Night" to "not satisfied", "...na its theme, this picture is pretty close to the movie "Adventure", which was a really great product. In New York has also download the film Interstate
and announced "Eclipse", but I doubt that it is better to "Night." What explains this dissatisfaction, and this doubt, it is easy to understand.Thinking about moving pictures РґРѕРєСѓРјРµРЅС‚Р°Р»СЊРЅРѕРєРёРЅРµРјР°С‚РѕРіСЂР°С„РёС‡РµСЃРєРёС… properties, Krakauer says that differ in the type of content in different degrees for such a means of artistic expression, as is the movie.