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The head of the Rough defiant theater itself is so mundane, that about any flight out of the question.Op all ready to reject the need for the flight, except heaven suitable place to travel. It is in this regard the Holy Rude and theaters are the most antagonistic. Sacred House is dealing with the invisible, and it contains all the invisible hidden impulses of man.Rough House is dealing with acts Luden and the fact that he landed and straightforward, and the fact that he recognizes and laughter and anger, rude, and it is certainly affordable theater better than insincere download the film Joshikyôei hanrangun
and sacred.It is impossible to further examine this question, focusing on the considerations of the most powerful, most influential and most radical person in the modern theater - Brecht. None of the serious interest in theater can not pass by Brecht.Brecht - a key figure of our time, and all work in the theater at some point refers to its conclusions and achievements. Referring directly to the word he coined,-alienation. Brecht's place as the founder of the term "alienation" must be download the film Joshikyôei hanrangun
and viewed in historical perspective.He began his work in the days when most of the theaters in Germany were either download the film Joshikyôei hanrangun
and filled naturalism, or have been the onslaught of the grand total theater, whose task was to captivate the viewer so that it completely forgot that's what.Whatever is happening on the stage - all this is offset by the passivity required of what are download the film Joshikyôei hanrangun
and called public. For Brecht, the theater, which is necessary - it is theater, E1I a moment of touch with the society it serves.No more fourth wall between the performers and the audience - the only problem the actor cause a reaction of the audience to which he feels boundless respect. It was out of respect for the audience Brecht introduced the idea alienation. After conviction - it is a call to stop: alienation interrupts, brings to light, forcing a look again.Alienation - is primarily to the viewer the most work. Thus grows its responsibility to do with what he sees, so he will take only what it really convinces. Brecht rejected romantic assertion that in the theater it we become children again.Alienation effect and the effect is happening n similar, called opposite. Shock of the happenings, are intended to crush her barriers erected by reason, whereas the shock of conviction, urges reason to join in the work. Alienation works in different ways and at different levels.The usual stage action will seem real, if it convincingly and we are temporarily sew it as an objective truth.
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Deceived girl walks across the stage in tears, and if the game is an actress rather touching, we automatically we give to the conclusion that she was the victim and that she was unhappy.But suppose that after her walking clown, mimic her sobs, and also assume that the power of his talent he can amuse us. His mockery destroy our first impression. Who, then, will be the object of our sympathy? Indeed the character of the heroine, and assessment of its position - all now taken clown in question and at the same time accusing us and sentimentality.