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Fairy tales of the Viennese wood
LOOK ONLINE (It is not necessary it has to create images of the workers and peasants;After all, even showing the representatives of the bourgeoisie - see " misguided youth" - today's sensitive and intelligent prepared to do it with a critical eye, yesterday it knows and which therefore could not share as share it today, or at any rate, it "counts".) So "narodnonatsionalny" - is not only the definition or quality, but above all - and this is most important - means thematic enrichment. With all the long-term benefits that are already evident and lead us to anticipate that there will be long-lasting and yavyatsya inexhaustible source of inspiration for the new Italian cinema.Form or content? It may seem that all this gives grounds to reproach us that in the first place we put the content. Of course, we're not going to deny that have focused primarily on the elements of the content.But it is clear that the new category of Italian cinema has led to new forms of - or at least had to do it. In the sense that in this direction is now being sought.A deeper analysis would require an aesthetic consideration of individual works, but you need to stand firm on the position of the " unified" research in the field of the form to avoid the risk of spread and drown in the purely technical details. Not to mention the fact that it is generally not an easy task:language of modern cinema rather hybrid, and it complicates the theoretical determination of its shape. Perhaps no one in modern film can not find a form that would not contain mixed elements. This study is yet to be download the film Joshikyôei hanrangun and implemented, and the material of each product to be deemed worthy of such an analysis.It seems there are no such solutions in the form as in Italian, and in general in modern cinema, which in itself would have been perfect and observable.But it seems quite revealing the very fact that in the years when the French cinema is in crisis, as well as all the great members of the generation that has made an art of cinema, Italian cinema, perhaps the only one that says new, vibrant and fresh words.What language it uses to say it - old or more previously unknown? That's the question at the moment we do not want to rush to answer.General research, besides fragmentary as this article shall be limited to such allegations, however, is very promising, very promising and offers great opportunities for fruitful debate.Bohemian translation Felix Morlion Philosophical Foundations of the Italian neorealism cinema Even now we can say that in the history of post-war period saw the movie critically important fact:next to the American, British, French schools, continues to work today without kakihlibo substantial innovations, as well as Russian and German schools, has been a dozen years as belonging to the past, a new school, a message that excited the masses of the two continents on both sides of the Atlantic - ItalianSchool. This school is distinguished by its harsh sincerity of the U.S., always a bit sophisticated, to give pleasure to all the viewers and all censorship.