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Fairy tales of the Viennese wood
, the film team of female swimmers against the undead So here is done: large - slapped the door, and after that a slow, smooth movement of the carriage on loose snow. The coach does not move out of the frame. Here exactly is written carriage rolled away heavily through loose snow.Obviously, she moved at a fairly general terms, but Pushkin is not traced to the end of her path, he writes: "... rolled on the loose snow and disappeared around the corner," he writes: "... rolled on the soft snow. The doorman closed the door. " So we would have acted in the film in order to shorten the process of home:how to sit, how to set off as gone as gone, and so on. d. to do so: the door slams, the coach rolls, doorman shuts the door of the house. It - parallel actions forming mounting phrase. And if you turn to the doorman, who locked the door, you can not go back to coach. This installation path. So, "the doorman closed the door ..."Do you think what the next plan? With locations in Germany. Romm. Imagine - no! Pushkin makes witty: "The windows darkened." This unusually sharp cinematic vision. You see a close-up doorman and then the most common plan: the house lights are down. How economical!Just one of the plan to commemorate the past time, to focus on solitude Hermann. Only after the plan is "Hermann began walking around the deserted house." "He walked over to the lamp, looked at his watch - it was twenty minutes past eleven." What is the plan? From the place. Average. Romm. "I looked at the clock"? From the place. Close. Romm."It was twenty minutes past eleven?" From the place. Detail. Romm. "He was under the lamp, his eyes fixed on the watch, impatiently waiting for the remaining minutes" - what is it? From the place. Average. Romm. So it all worked in various German plans by size. Note:close-ups of Germany made under the lamp, the light, for it must be said that, although the literature is, in general, anyway, but still, when a person is under the lamp, and Pushkin himself clearly sees it, and the light falls on it is interesting and Hermann standing under a lamp with a clock in his hands, is artistically finished framea certain vision of the world. You see, we discussed with you 15 lines, and almost every word is absolutely natural. We can argue about any of these phrases, but if you get a grasp of them, it turns out that the combination of these, for example, words such as:"Carriage rolled away heavily through loose snow", where there are no superfluous words - it's a combination of unusually accurately expresses the content and size of the frame, its environment, its main notable features. After a point of coming here is the kind of stuff:"At exactly half past eleven Hermann he entered the Countess' porch and went into the brightly lit canopy." One or two is plan?
film team female swimmers against the undead from the field. Two. Romm. The porch outside and porch - inside, do you think, what is it? From the place. The two middle plan. Romm. Or view.Because Pushkin combines both frames in one sentence and ends her point. So - can view, with a sharp change in the light of the situation.