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Fairy tales of the Viennese wood
LOOK ONLINE It is easy to say, "All you can translate on the screen." We know the musicians, who said: "Not everything can be set to music." That evidenced by the facts?We dare say that the music of Rameau lost much by associating themselves with a mediocre libretto, but it is obvious that the music of Gluck won the choice of texts. The only good libretto which used SenSans was "Samson and Delilah" - and it is better than any other inspired him;and we are confident that we can not say the same about Vincent d'Andy and " Wallenstein". Our brain is not divided into separate parts, adapted to specialized activities;nullity or mediocrity screenplay is really difficult to bear, it also makes it difficult to assess the quality of pure fotogenicheskie as toothache music of "Pelleas" or boorish speech - a good dinner.Can we hope that the result of the merger, the gradual restrictions subconscious 'sprouting' associations arise purely cinematic sensibility, how did - at least, so it seems - pure musical sensibility.Anyway you should not expect that the movie will be able to manifest it gdenibud outside exceptional works.On the screen, as in any other art, pure form of sprouts in the form of a flower and root, which it eats, can live long and produce such flowers only, subject to maintaining ties with the life and the spiritual and material activities, which brings with it new its interpretation. Section 6.Fader Jacques Pierre Berge MakOrlan Andre Marcel Carne, Jean Renoir. Cinema and literature. France was one of the countries where cinema and literature already in the 10-ies came into close contact and mutually enriching. Cinema, it download the film kannibal and seemed, did not leave anyone indifferent. His enemies were very eminent writers.The most famous use of "kinofobiya" Anatole France, who loved to dwell on the "vileness" films, which "shows the bourgeois does not dream at all, and his dream, or, in other words, a nightmare." Georges Duhamel called the film "a means to kill time for the illiterate", and Henri de Monterlan "one of the main factors making fools of the twentieth century.""Respectable" bourgeois literature in general, did not take the movie, except for a number of second-rate writers like Pierre Dekurselya or Tristan Bernard, brought to film a big fee. Louis Dellyuk described the situation: "You download the film kannibal and complain that French writers refer to the movie with contempt?Think better, what would happen if all of them with their delusions and manners were the cinema. A subtle, slow progress of our art now turn into a disorderly retreat. Is not it better friendship half a dozen literary talents, prescient? .. .These words Dellyuk prefaced text of one of these talents - prominent French writer Sidney Gabrielle Colette began writing about film in 1914, the author of that chronicles the journal DyamanBerzhe "Le Film", which afterwards will conduct himself Dellyuk.
LOOK ONLINE The influence of film on literature by no means exhaustive thematic borrowings.Cinema has to be interpreted as a synthetic art of the future.