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In the essay "National Theatre" Romain Rolland wrote in this regard:"People viewer does not naively, but because he is mentally healthy, wants to find confirmation in the theater" is inherent in every self-confidence in the ultimate victory of good ";and it's good that he keeps that confidence, because it is - necessary for life force and the first condition of progress "But at the same time, Romain Rolland was forced to admit that the romance - a" lion's skin, beneath which lies a nonentity, "that it" is satisfied very cheap effects "," like a harlequin in a bright dress "and" does notbother to think or learn or observe "that it" has no credibility, no integrity, "she's just" exploits the public. " "Come to terms with many things in life, and even despair in many ways, the people full of demanding a positive attitude to the characters of his dreams, and he suffers from a dismal outcome.Does this mean that he needs tearful melodrama with a successful end? Of course not. This crude lie affects people, as sleeping pills or drugs, contributing, like alcohol, keeping it routine. Vacation, we want from art, must not weaken the spiritual energy. On the contrary!"2 of the invention once for wickedness and blasphemy for chanting virtue, romance gradually undergone a dramatic change in the West, but its main features - the exaggerated image of human feelings and emotions, the cult of the case and rock as the supreme arbiter of people - remains secure.Even at remaking classic works of world literature bourgeois filmmakers manage to reduce everything to kakoynibud sentimentalnolyubovnoy trivial stories. So often happened, for example, the novels of "Anna Karenina" by Tolstoy, "Madame Bovary" by Flaubert, "one American tragedies Rolland Coll. Op. In 14 t, 1958, v. 14, p.2 Ibid, p. 185, 186, 232 - Diya "Dreiser," Extraction "Zola, etc., of which they thoroughly download the film komediya
and emasculated sotsialnoobschestvennoe content. As a result, they look on the screen to the extreme vulgarization blank. Sometimes the print is on pseudo melodramas that place and talented directors.The creator of "The Godfather," the popular films "Conversation," "Apocalypse Now" by Francis Ford Coppola released the 1982 melodrama "With all my heart," a year later shown out of competition at the XIII International Film Festival in Moscow.Leaving aside some of the gadgets that were used during filming the director, and a claim for stylistic aestheticism, it appears that the traditional canons download the film komediya
and handcuffed melodramatic possibilities Coppola always looking untrodden path. Hackneyed plot picture speaks for itself. ...Somewhere on the outskirts of Washington Las Vegas entertainment lives a young couple. Living together has become fresh for her, and the movie characters often quarrel because of trifles. Accidentally she meets handsome waiter. They come together and decide together even fly to exotic resort BoraBora.The hero, who works in a transport company, just happens to meet a beautiful mannequin. All love joy Arrange nicely posed musical numbers with songs and dances.