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Fairy tales of the Viennese wood
WATCH THE FILM LA NAVE IN EXCELLENT QUALITY ONLINE The dialogue in the lead role.Switching the main semantic load a movie on it, of course, increases its similarity to the theater. "Spoken" movies or play theater plays, or pose a story in a theatrical manner.As a result, interest in the viewer automatically focuses on the actor that stands in this film as a creature, does not dissolve in their environment, and therefore ot148 dead nature walks into the background, however, the greatest danger to install it is not only the weakening of interest in life, filmed a movie camera, but and chemto completely different.This movie opens the realm of abstract reasoning, allows the film to pass all the turns and twists of sophisticated thinking, all the rational and poetic ideas, understanding and assessment of which does not depend on the visual means of expression.Cinema now available that could not cover even the silent movie theater - he is available and vibrant debate, and wit in the style of the show, and Hamlet monologues. But when the film was dominated by it, it inevitably gives rise to a certain system of thought and poetic images.They are largely the same nature as the painted love Proust memories of his grandmother, not admitting to her true appearance, in which it appears in the photo, came to his mind.Born by the language, the thoughts and images take on an independent psychological reality, which, established in the film, gives a photographic reality, the necessary cinema.The value of verbal reasoning, verbal poetry threatens to eclipse the meaning of the picture frame, to make them vague illustrations This is a very clearly expressed by Erwin Panofsky in his dramatic speech against a literary approach to the film."I can not think of a more erroneous statement about the movie than what I read in the article, Eric Russell Bentley, published in the spring issue of" Kenyon Review "for 1945, where he writes that" the potential of the sound film is different from adding an element of silent dialogue which can be poetry. " I would suggest to say:"The possibilities of sound film differs from the silent integration of visible movement of dialogue, which is why it is better not to be poetry" Balance. Directors who understand that spoken theatrical film, and yet are not inclined to reduce the role of spoken language, find an acceptable way out in an attempt to balance the role of words and images.Intermediate path chosen in his comedies, Frank Cairo and Preston Sturges, managed to oppose the exquisite dialogue interesting independently of the image - frivolous, comic situations, replenishes and balances witty remarks.149 Ollardays Nicoll, considering such a model of equilibrium film Max Reinhardt's "A Midsummer Night's Dream", resulting in the protection of the equal rights of "visual symbols" and "language" of a curious argument.According to Nicoll, Shakespeare addressed his dialogue the audience, who lived in a growing wealth of language, but not yet download the film La nave and accustomed to learning from books and so think of the living word is much sharper than the modern viewer.