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Fairy tales of the Viennese wood
movie La Orca manuscripts scattered in Moliere apartment in disarray and strictly classified on the table at the Kabbalah in its basement. Here in a dark dungeon gathered together all the texts Moliere - and "Tartuffe" and "Don Giovanni" and "The Imaginary Invalid" ....They, these dumb-burning hands manuscript incite furious, furious hatred of their author, they encourage La Orca movie watch online in excellent quality and act - Breaking people pull recognition declining to predatelst436 sheet, do anything to permanently destroy and forget them, and their website, because it is fixed inwords rebellion, free spirit, talent. Thus, the principle of the double theater Bulgakov creates a new relationship with the objective sphere space and man. Subject is not only a sign of immaterial relations, but also as an indicator of the theatrical space. This twofold function makes unusually capacious his presence on stage.When the subject begins to act in its indirect, neugilitarnoy function, it just "works" for stylistic understanding situations as backup theatrical situation. Based on this, we can say that life in which there is traversed Moliere, all the time as it eats at the theater, he borrows your language.There are strange feedbacks, where illusion game, theater and become the only real saving of human existence, and as such is life - death. When this thing together with the space not only for the theater stylize life situation, but bearish on its severity, depth and naturalness."Ritual realism" Bulgakov allows to divide spheres of being an artist, label may be temporary, but the only way to survive in this bad, lifelike, untruthful, borrowed "theater." Playwright unable to document their story, without creating its spatial image and the objective world.The whole essence of the theater, where the external human behavior is never an exact reflection of his inner life and inner thoughts, which shall enter into force fruitful internal and external opposition, requires mandatory selected and the aligned objective world.Mainly he embodies, makes visible, impact on the audience all the background and subtext of any role of any scale and level. It certainly does not diminish the importance of all the other components of acting technique and not a substitute for acting thoughts, efficiency, temperament, infectiousness.But the subject allows, first, to identify the complex nuances of human relations, secondly, to create the basis for a scenic metaphor. Things and objects in the play and in the play are constantly dual existence, as representatives of the concrete world, of which no man can be removed.
movie La Orca They are nevertheless in the stage action are beginning to leave their particular value. Shklovsky using the term, we can say that there is a new "Convention", ie a new implicit contract between the actor and theater person perceives.With the help of the subject begins construction of a new semantic center, which carries other information already in the auditorium.