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Fairy tales of the Viennese wood
WATCH THE FILM LADY CAROLINE LAMB ONLINE The manuscript also ambivalent in his time on stage.LaGrange leads his kniguistoriyu, its value is sacred - nothing in life and in the actions of people not to be missed, all observed and noted for being a great roster of our deeds. The presence of the book as such action immediately stain some breathing eternity nesuetnosti life.People do not pay attention to their chroniclers, but there is always someone who once put on their pages or black cross, or the royal lily. And as if the play is threaded through-autonomous action - records in Lagrange mysterious green light of his lantern any major developments PaleRoyal theater.Manuscripts exist in the second, utilitarian function - the play, the text, which gives rise to the play, theater, art. Manuscripts scattered in Moliere apartment in disarray and strictly classified on the table at the Kabbalah in its basement. Here in a dark dungeon to bring together all the texts of Moliere - and "Tartuffe" and "Don Giovanni" and "The Imaginary Invalid" ....They, these silent, burning hands manuscript incite frenzied, furious hatred of their author, they are seeking to act - to break the people, pull up the recognition, tends to predatelst436 vu, do anything to permanently destroy and forget them, and took them, for it is recorded in the words of rebellion, a free spirit, talent.Thus, the principle of double theater Bulgakov creates a new relationship with the space of the subject areas and people. The subject is not only a sign of non-real relationships, but also as an indicator of the theatrical space. This dual function makes it extraordinarily capacious stage presence.When the subject is beginning to act in its indirect, neugilitarnoy function, it just "works" for the stylistic understanding situations, as back-theatrical situation. Starting from this, one can say that life, in what passes there Moliere, all the time as it eats at the theater, he borrows the language.There are strange feedback, where the illusion, the game, the theater becomes the only real and saving human existence and life itself - the death. In this subject, along with the space, not only as a theater styled living situation, but bearish on its seriousness, depth, of course."Ritual realism" Bulgakov allows to divide spheres of life of the artist, mark may be temporary, but the only way to survive in this bad, Lifelike, false, taken a "theater." The playwright is unable to document their story, without creating a spatial image and the object world.The whole essence of the theater, where the external behavior is never an accurate reflection of his inner life and inner thoughts, which takes effect fruitfulness of the opposition inside and outside, must also possess the selected alignment and the objective world.For the most part he embodies, makes visible, impact on the audience all the background and implications of any role of any size or level.
LOOK ONLINE This, of course, does not diminish the importance of all the other components of acting technique and does not replace the actor thought, efficiency, temperament, is contagious.But the subject allows, first, to identify the most complex nuances of relations between people, secondly, to create a basis for scenic metaphor.