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But the superiority of "Henry V» lies, of course, no more "cinematic", which would be under it or understand, not even in the fact that Olivier this time applied color. The use of color is not "better" Black and white film.There will be Watch Online
and appear artistically perfect Black and white films, as many artistically perfect works and gave us a silent movie. However, the color can be on a par with sound movie download Lame Devil
and to provide more opportunities to the director of artistic expression."Henry V» implies Watch Online
and is considered one of the first experiments in this direction. Affects how a person so deep culture as Savin, maybe not bothering evidence, stating that "Henry V» - «striking example of cinematic craftsmanship."Even if the color applied Olivier had only decorative and illustrative value judgment Savinio still would not have sounded more than a bitter word.English director feels the need for this new means of artistic expression, it is not based on the idea of the chromatic movie, the same with painting - even assuming that such an idea is feasible.Color in cinema need more movie watch online Lame Devil
and considered as a "major factor" among others "see generally. Renato Giani report on the theme" Art in Cinema "in the jury . «Cinema», Milano, a.Ill, I960, № factors "as an element dominates the other means of expression and at the same time is not subordinate to them here, we repeat, the same law that governs sound and Black and white film.With the help of color in "Henry V» director seeks above all to create, together with other elements, and along with them the atmosphere of the XV century - the situation in which there is hiking Henry. "The possibilities of painting in color movies are primarily in the fact that it teaches you how to use color."Therefore, in our case it was necessary to be inspired by the paintings of the XV century and based on them to create a "chromatic theme" that would be transmitted not only the atmosphere, environment, but also conducive to deep penetration into the psychology and feelings of the characters.This is achieved by using not only "tsvetovsimvolov", but also the color chords and encounters, gamma and tone of close-ups, associative editing colors. Towards achieving this goal, there are two main difficulties. The first of these, however, has already been overcome: we are referring to the fact mentioned by Spottiswoode.Olivier, as we have seen, used primarily installation without cutting, which, however, does not affect the .vnutrennem rhythm of the film.
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and overcome the second obstacle, which is not limited, as indicated by Olivier himself:that is, that the paintings of the XV century static, plane, devoid of perspective. "In the time of Henry V artist drew attention to a particular part of the picture eye-catching pieces.On the screen we were his endeavors' acquainted achieve harmony between colors and shapes of costumes and the background against which the characters appear to allocate one or the other of them € using color contrasts. "To see the course of events hudozhnikazhivopistsa eye, Olivier refused volume models and gave backdrops, painted by hand. However, in "Henry V» markedly influence painting of other ages and other schools - for example, the Flemish: Egidio Bonfante, «Enrico V» «II colore nel film», a cura di Guido Aristarco.- «Sequenze», Parma, a.I, 1949, N together with DerGezom we find van Eyck, and Seicento, in some detail, while showing which is widely used chiaroscuro - the influence of Caravaggio, and finally even the English Romanticism: Panoramic on plans accompanying the words the Duke of Burgundy, we see two fixed children.