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This is a screen adaptation of the novel anti-fascist Elio Vittorini familiar to our readers, and represents one of the most "pure" neo-realist literature samples.Attractive images of movie enthusiasts - young anti-fascists, who dream about upgrading cinema in recent years, fascism came to life in the film "Magical Sail" by Gianfranco Mingotstsi in the TV movie "celluloid boy";in the latter among the professors of Rome Film Center, out of whom the future neo-realists, you can see the characters, reminiscent Kyarini Luigi and Umberto Barbaro, and among the students - some later prominent directors. How is download the film Lame Devil
and related to modern Italian neorealism film studies?We allow ourselves to answer this question cause extensive quotation from Armando Borrell "Neo-realism and Marxism", "Today has become a fashion to express formal and theoretical homage to neo-realism, and practically download the film Lame Devil
and pushed aside all that it meant, even the spiritual values not lost its significance today.All this happens in the context of download the film Lame Devil
and naked "trial" over biased culture and as overt campaign against Marxist culture.Now our eyes are trying to take revenge by those who hold the levers of power, and their lawyers, they are trying to take advantage of all belts, all means of influence in culture, to do away with all manifestations of its focus on the critical culture, the culture that advocates for human rights andmind, seek to replace its irrationalism, ontological loneliness, the statement of the status quo, internal dry, escapism, and the like ... And the more often results in a surprise - is the uncertainty, confusion and insanity known that we, alas! seen in the left culture of our country ..."Add that provincial magazine" Era "in which Borrelli cooperates with an annex released his book" Cinema of the South "- the only body that consistently uphold the legacy of neorealism.After spontaneous rebellion of young people in 1968 and appeared on the ideological arena, and in Italy the "new left" with their "movie kontestatsii" rejection of neo-realism has a "global" in nature:if before trying to refute the natural opponents of "right" - supporters burzhuaznotraditsionnogo movie clerical persecutors, adherents of the dark arts and irrational despair - now took the offensive and "left." Of course, it's not in academic research.Revision of the postwar history of Italian cinema for the "new left" coincided with the revision of political positions: neorealism in articles and speeches of many of his detractors associated with the new cultural policy ICP in film in the 40-50's. Needless to say, this view is wrong:Although many were members of the neo-realists ICP, gravitated to the activities of the Communist Party in the cultural field as a whole is the direction - either ideologically or organizationally - communism was not. A masters such as Rossellini, Jeremy, De Sica, Dzavattini, Kyarini generally were not associated with the communist movement, were not Communists.