The entire assembly sequence is the process of converting obliging barber person of Professor von Ashenbaha:from fatigue, a little confused to artificially "vzbodrennogo" uncomplicated makeup. In this case, the director begins and closes the close-up of the head of the hero download the film Legionnaire
and extended legato plastic that covers a series of parts - chin, eyebrows, eyes, lips Ashenbaha background.The combination of visual pattern creates complex melodic ornament contradictory character of the internal sense, woven out of temptation, hope, curiosity, self-irony, fatigue, humility.Its true living face, softly "of fragmented" by mega-plans and consistently vualiruemoe layers of paint to symbolize the complete helplessness, emotional fragility Ashenbaha background. One more example - the scene in Alexandrova Sloboda from the film "Ivan the Terrible" Eisenstein.The episode begins in the imperial palace, where ripped apart on the throne of Ivan the Terrible in anticipation messengers from Moscow. But download the film Legionnaire
and instead to pay homage to the king of infinite string of snowy plains moves people. Ivan the Terrible Triumph handed director at the climax scene with incredible plastic expression.The composition is built on a diagonal and powerful contrast: in the lower left corner of the frame panoramic scale shows a meandering "river folk" and the top right corner hangs profile of Ivan the Terrible.Such a counterpoint in a single collision intraframe composition and details of the long-distance plan provides a basis for modulation konkretnosobytiynogo level in the symbolic space of the event: it is not so much a profile of Ivan the Terrible as all-seeing eye, looks down from heaven on his flock.Cinematic plan is inseparable from the angle - another important means of plastic expression frame. Angle - the angle of the camera at the subject. Angle of orientation helps the viewer in event-space, revealing the camera positioning.In addition, the view reveals the specific features of the object, which can be seen only from a certain point of view. Finally, the angle can be fine epithet, that is, serve as a means of psychological characteristics of the hero, transfer it to an internal sense of self. There are five main perspectives: a bird's eye;2) high and 3) neutral, 4) low, 5) sloping. The exigencies of different angles intra songs in films of Eisenstein, that allows a bump-screen image. Example of how the camera angle you can pass the internal state of the character, is a frame of film Taricha "See you tomorrow."Heroine Lisa Malevich expelled from school - she is homeless and penniless. Look online
. Her humiliation and helplessness view camera transmits the top down: a small figure of a girl, showing from behind, alone and motionless "on the bottom" of the social hierarchy, symbolized by a ladder.The most important artistic technique of building space is intraframe proportion of light and shadow. Strictly speaking, the lighting defines quality moving pictures, because the effect of shooting is based on instantaneous overexposed film.But like all the technical properties filmeykerstva, light intensity at the same time serve as a means of aesthetic influence.