Meanwhile, it reveals the central idea picture reinforces it. Tarkovsky is saying to the audience:Here, young people, male and female, they would love each other, and if not for the war, everything could be fine - would love. But this method - the viewer an invitation to think, to guess about something - this is just one of the signs of a "cinema of thought," but it is not a decisive feature.We talked about Tarkovsky, but if you take the very young, those who are just now coming to an independent way, the assertion that they are mostly working in the direction of the "cinema of thought," is especially true. I, on the contrary, it seems that if something is missing, and our young directors, this latitude generalizations.We have many young people who are still not solved - if they do not have the courage - to go on the high road of development nodes, the major issues of our time. Yet many of them are already on the shoulder. - Young directors, of which you have just spoken, mostly gravitate to films chamber plan.It does not limit their searches, it does not lead to broad generalizations? - I never allow myself to throw a stone at the Chamber theme. In my biography was one weird episode.In 1936, a respected Vsevolod Vishnevsky I made a statement that the Soviet film industry is clearly divided into two camps - the monumental cinema and chamber. Go to first he reckoned Eisenstein, Dovzhenko, Pudovkin, Dzigan, Vasilyev brothers. The second - and I seem to Reisman.Vsevolod Vishnevsky hit me with all the force of his fiery temperament and being seriously proposed to exterminate "kamernikov." It was a very disappointing article that I will remember for a lifetime. My next picture was "download the film Legionnaire
and Lenin in October" Reisman - "Last Night." Not long ago, Reisman made a "Communist."On the other hand, we know of cases when the "chamber" of the picture sounded MONUMENTAL voice. For example, "Baltic Deputy" Zarchi and Heifits by genre - chamber picture, and the meaning it has grown far into the chamber!Yes, you can give more than one example of Soviet films and foreign films that can be called chamber and which made a great job, moved our art forward. The younger generation is now gaining momentum.I have not yet seen the new picture Hutsieva, but the idea of вЂ‹вЂ‹her, I know, I know some of the decisions, and I believe that this film - Hutsieva out on the high road of large forms. The stronger is the Soviet artist to his feet, the more he feels the need to speak out to the end.And you have to be very attentive to the process of growth ... When I see that youth brings a new vision, new ideas, I rejoice, for I believe that this will grow someday great art form.- Resolution of the Central Committee of the CPSU "On measures to improve management development artistic cinema" will play an invaluable role in the further development and prosperity of the Soviet cinema. Look online
. On a bold extension of talent directors to increase their skills and creativity given a special place in the new party documents.It focuses on specific ways to ensure that in the near future were removed shortcomings still hinder our filmmakers, to determine the most favorable conditions for a fruitful creative collaboration of artists films, including artists from different generations.Working together, mature masters and young people are losing the undeniable inherent distinctiveness, the differences of attitude and style.