WATCH THE FILM LITTLE KRISHNA - VRINDAVAN LOVER ONLINE
But what to do with the flow of marches and enthusiasm? What to do with? Whatever it was, it was necessary to begin installation. Just at that time the group came Valya Kulagina.Until Kulagina worked only Tanya Ivanova - she was in charge and the image and sound, and kontratipami, and orders, and the marks and generally do everything for everyone. One could only wonder how fragile girl withstand this load. Valentina Kulagina - lovely editor and a wonderful man - it became the soul of our team.She was full of optimism and mental vigor, and I really needed, and that and the other. So, I download the film Little Krishna - Vrindavan Lover
and started to mount. It turned out that all previous difficulties were only a prelude. Here teperto began genuine anguish.I collected and analyzed the episodes it back in pieces, rearranged them dozens of times, walked around the other heads of the whole picture - that in the end, in the beginning, in the first series, then the second, then the material is accumulated in a tight group, blown by quite other parts.The main thing is, I still could not quite explain what I'm looking for what to achieve, to explain it really was not easy. Here's a simple example: how to deal with a sequence of events. If the film and photographs on the history of fascism gaping holes that fill nothing, except that the formal replies.Example, there is the burning of books, but there is no burning of the Reichstag, is Auschwitz and Ghetto forties, but not the first camp, organized by Hitler immediately, as soon as he became Chancellor, there is not a single frame of arrest, not the defeat of the Communist Party and the Social Democracy, the defeat of the trade unions;Hitler's first appearance is in the government, but there is no conspiracy of financiers, there are no shots of industry bigwigs at the time. How to avoid these fatal holes?It was decided to completely abandon the historical time series, break it everywhere, and deliberately, highly stressed - time to throw it back and forth, and if you fold serial piece, then break it all means that the viewer is not watching the course of events, but only for development of complex thought.At the same time it was necessary to decide on the course of the emotional, the rhythm pattern. I came here to the need to push the shots and sequences as contrasting as contradictory as possible, push them unexpectedly sharp blow. Say, from the lyrics to the atrocities of the grotesque atrocities, and laughter - once again to the most terrible.And so within each chapter.
Even though most chapters arise unexpectedly and though illogical, Third collect episodes in large dense blocks to each episode was an emotional blow bunch of thought. Collect the episodes on the principle of silent installation art - that art, not documentary - paintings.And that's dumb, dumb since the Soviet cinema showed the highest perfection of installation. The first thing I thought of the course of events in the "Battleship" Potemkin ": contrast transitions, energetic accumulation of close-ups, hyperbole events.That's it, I thought, we must build episodes, but only from a purely documentary material However, to build a strong episode, assembled from dozens of shots motley Chronicles, filmed by someone else the task, with the opposite end, a lot harder - but in principle it is possible .As a layout, or, say, a standard structural fabric of our film, I chose the first part of the picture.