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Chris Marker called kinoobraz laughing killer picture century.The film broke was common idea that the speaker is a person should not stay on the screen for more than five minutes, and confirmed the validity of the well-known truth that of all land surfaces on the most expressive - the surface of the human face.Monstrous in its impact confession German legionnaires as touching memories Marine Katyusha Mikhailova or Ural Bazetova steelmaker, after the story betonschitsy Dnieper Belik took place in the gallery of portraits of screen era, where we used to meet only the characters playing movies.But is it possible to apply aesthetic criteria to the documentary character, thereby recognizing that the prototype becomes an image on the screen? Is it possible to interpret the term "documentary art" in his non-figurative sense?These questions have caused a new wave of interest in the discovery of Soviet cinema 20s when first acquired Chronicle features artistry. "It appears that the accuracy of the footage and objectivity of its content does not exclude the poetic, subjective interpretation of the documentary material - reflected in the 1970 Lever.- This has been convincingly download the film Lost Worlds: Hitler's Supercity
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and collapsed "information" documentary genre boundaries. " Leave aside the author's bold assertion that the boundaries of the "completely collapsed."For many today, these limits are as immutable as the times when the defenders once and download the film Lost Worlds: Hitler's Supercity
and established lines of demarcation art rebelled against the invasion of their land protected, "hronikerakinoka" with the same ferocity as the appeals against members of Lef, said: "We have nothing to Thick wait, because we have our epic.Our epic - the newspaper. "On the other hand, the desire to penetrate the reality Vertov "an artistic purpose, to make imaginative discovery" by the faktografistami regarded as a betrayal of their principles, according to which every reporter "at the end of the pen download the film Lost Worlds: Hitler's Supercity
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and ignored Vertovadokumentalista.For decades, the lack of research on the documentary screen human character theorists and critics refer not to the shortcomings, and the peculiarities of this kind of creativity. "Newsreel, like documentaries, shows not only the individual and his inner conflicts, as its living environment", - claimed Krakauer."All of the documentary - truly, all art - fiction" - implicitly declared president of the association kinoobschestv UK Montague in the book "The World of Film" and further explained: "The bottom line is that documentary cinema does not deal with the person as such, but with other objects and processes.If these processes involving people, their presence is only required for performance of their functions, and this kind of activity, and not to analyze their individual properties or categories of human relations.