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This can be avoided by specifying certain payment dates. For example, the payment of $ 10,000 upon approval by rolling up or February 5.Customer can not agree to this, but in this case it is necessary to argue. Can I request additional payments in addition to the principal amount? The contract specified the total cost of the finished film, and as soon as it is recorded on paper, that's all you get. I have already warned of the exceptional care in the preparation of estimates.If the number of shooting days makes me doubt or if the sponsor wants to include in the film is something which I'm not sure, I try to make to the contract provision on additional charges. This condition can be:"The customer pays extra shooting days in the amount of $ 1,000 per day, and an additional film used to shoot in those days." Neither vjjje, no sponsor В° RU such a condition is not very much. But sometimes it is the only way to keep your money or your head.When working on a video film should be spelled out using various clever special effects. These tricks can, as I have said, be incredibly expensive, and we need to be sure that the contract amount is enough to pay them.If you are concerned that at the very end of the production period, the customer will bring down upon you the brilliant idea of вЂ‹вЂ‹using expensive computer effects, protect yourself the condition of the additional payment. Agreement.The contract should specify the name of the customer representative who is responsible for coordinating the various stages of the film. Try to keep it was someone you know, knowing boleemenee production, whose opinion can be respected.In most cases, this is a customer representative with whom you have discussed the idea and concept of the film, but not always. Customer may designate a staff member of senior management. From now rely on luck. If this is a smart, intelligent man, you are all right. If on the contrary, as it happens, no problem can not do.So knock on wood, but rather insist on a project to harmonize with the mediator, you know. Insurance. I mentioned insurance as the budget and the responsibility of cinematographer. Sometimes, you can partially or completely shift this burden on the shoulders of the customer.Companies and TV channels have insurance policies covering the full production. You only have to make sure that your movie is included in the list of their insurance. Even if it does not, the customer runs the risk of too many people, signing a contract for a movie, so it can take on the insurance of the film up to receive check copies.You will need to insure the crew and equipment, but all the same money will be saved. Look online
. Sobstvennost. From the beginning, we need to agree on their rights to the film. Even working under contract as prodyuserarezhissera, you have a reason to have certain rights to the final product.There are additional rights and benefits when selling abroad. The Charter of the Directors Guild of America has strict provisions for obtaining directors fees at distributor transactions having to do with their films.If you contract for a joint venture with public TV, you will have a standard contract.