Where is the movie begins as art?It arises, first, from the work of the playwright, director and actor, the same theater, and, second, of creatively active dynamic combination of images, which is not identical to what occurs in nature, where our perception of determinate continuous contemplation, a forced perspective and t . onHere in the movie and there is the time gap between art and life, without which art is unthinkable. This, incidentally, is the reason that the work of art can be a non-fiction films, one in which the actor's art is absent, - the film chronicle, species, nauchnopopulyarny.His dynamic organization in itself is an artistic visual processing, aimed at creating an image. But in the figurative elements do not have one, because it is a full-scale movie. " Aesthetic tradition has not prepared us for the movie:we are still seen on the screen and moving the dog living material things! Meanwhile, the four-download the film Love in Paris
and legged friend, pictured silver bromide on celluloid film, and with the help of the projector has become a succession of light and dark spots on the screen surface, no more material than a dog, download the film Love in Paris
and painted paints on canvas.He is even less material, rather than plaster his brother, who, however, does not move, but it has kaknikak volume. In terms of the range download the film Love in Paris
and proposed by the viewer identities financial mathematics "menshebolshe" has no value. Film projector can be replaced by an electron beam that draws television lines.Holography allows the dog to go to the middle of your room. But in this case, "the distance between art and life," without which "the unthinkable creativity" undoubtedly continue.And assuming the feasibility in the distant future pans cinema telesnoosyazatelnyh forms even there it is certainly telesnoosyazatelnaya dog will not live as well as a living, because her appearance in front of me will not obey its own motivations, and the program is given in advance, even in large variety of options. Experienced cinematographer Macheret said Dmitrieva. But, arguing he live dog on the screen has implicitly. And protocol commit this most dogs for a "bad identity" download the film Love in Paris
and condemned.But added that there are times when the "identity" of the image of an object or substance is applied even some foreign value, and then, even in this, the very first stage of fixing the artist manages to capture "a certain human condition, the mood of the mind and feelings download the film Love in Paris
and reported by the viewer due with the author's intent. "Then we have not "second dog", and the thoughts and feelings of the artist about this same dog, his attitude towards her.Even outside, the simplest street can at Macheret, capture bored elementary, protocol, and can be cast differently when it is no longer "just" a street, but the image of the city in a gray vechereyuschego weather, with gusts oncoming autumn wind.