FILM LOVE IN PARIS
The characters are woven from strong threads of spiritual truth. And I have come to a very important conclusion for myself: Ostrovsky not tolerate parodies.I was conducted to see several performances by Ostrovsky with parody technique. Interludes were introduced, the actors were not the situation, and a few derisive attitude toward obsolescence problems with the subtext: we ourselves understand it worry you really can not, but fun to look at, especially if you are kind of stylizing a play, "modern" or "retro".Ostrowski was inserted into the frame and watched from a distance. It was done with great skill at times m. primarily ornamental, rather copiously invented comic situations in addition to the play. But the strange thing - getting cold and not funny. Experience has taught me - you can not read Pushkin to the music. He - the music.And when two of music at once, turns cacophony. Similarly here: Ostrovsky - a great comic writer. He laughs. And if you laugh laugh - humor vzaimounichtozhaetsya. Another one allusion. Ostrovsky many phrases aiming involuntarily to our current problems and shortcomings. Well, let's say, in the first scene of "The truth - well ..."Zybkina:" ... and he went out with injury in mind. Filitsata. Why the damage to his family? Zybkina. All ... the truth bluntly says. Filitsata. In sovershennyyto sense not to include? Zybkina. Learn ... poor people in order to have the title but a place to get, but what he uchilsyato "all took it for truth, all that believe." Funny? Sure.Then the impact on the divergence of what is download the film Love in Paris
and stated in public, and what is actually happening is that everyone is trying unconsciously to himself. And rightly so! And in the play to be funny. But! Allusion to remain involuntarily. In no case can not insist on it.We have clung desyatokdrugoy phrases and tie their threads to the consciousness and the problems of modern man. And the performance will be jerky spurts from one " plain language" phrases to another .. Voids are formed between them "uninteresting" of the text, they will hang a heavy load and would stop all of our skin.Because it is not the same for dozens of hints and winks we put Ostrovsky. Allusions acquires new meaning is not provided by the author, must remain an integral part of the text should not bulge. All these findings are related to what you do not have to be. So, cutting improper, I began to approach what we would like to seek and find the play.Moscow audiences in 1980 will see their city a hundred years ago. Film Love in Paris
. We will show no kuptsovlavochnikov and merchants - nearly capitalists. Not just rich, and very rich house, however, surrounded by "stone walls and iron gates." This state in miniature, where full power queen-Moor Barabosheva. In a state that has owners and slaves.And then there's rebels. We follow the fate of the protagonist - Plato rebel who did not want to be a slave. With some surprise, we note that his rebellion was over the fact that he just came from a slave to the master and he did not notice the stopped being a rebel.