FILM MARGUERITE VOLANT
This is a sign, it is the sign of the function itself.But while the characters take on their own mothers in obrazedvizhenii until they form individual expressive features of a certain matter in motion, they are at risk of "self-fulfilling themselves" more and generality, so that they blend with the language.Representation of time extracted from obrazadvizheniya only through associations and generalizations or through the concept. Such ambiguity sensorimotor circuits factor abstraction.And only when the sign opens directly time when time itself becomes a matter of signal type, becoming a temporary, coincides with the property, single, taken separately from the motor association.Togdato and realized covenant Tarkovsky, who sought to "cinema managed to fix the time of its index, download the film Marguerite Volant
and perceived by the senses." Movie, in fact, has always done just that, but the realization came to him only in the course of its evolution, and the crisis has obrazadvizheniya.In the words of Nietzsche, something new, for example, a new art can never reveal its essence is at the source, but that was in the beginning can be revealed only at the turn of their own development. Chapter III of the memories of reverie Bergson distinguishes between two kinds of "recognition."Habitual or automatic, recognition works by extension: perception is extended in the usual motions, movements extend perception, extracting useful results. Most often occurs through movement sensorimotor recognition: formed and accumulated motor mechanisms awakened by the very type of the object.We seem to be constantly moving away from the first Item figurative associations have transferred from one object to another, but we are still within the same plan. Very different from the first second type of recognition, recognition attentive. Then I refuse to renew their own perception or it can not be extended.My movements are more subtle and different nature, go around the object and return to it to highlight some of its contours and extract "koekakie features." And we start all over download the film Marguerite Volant
and again to allocate features and contours, each time having to go back to the zero point.Now, various objects are added to each other in the same plane, and the object remains the same, but goes through different plans). In the first case, we perceive or sensorimotor image of the thing. In the second case, we make a pure optical image of the thing, we produce a description. 'Tarkovsky, В«De la figure cinematographiqueВ».- В«PositifВ», no. 249, decembre 1981: "Time is the bedrock of the movie, like the sound - in music and color in the painting. ... Installation does not give a new quality to the cinema ... "Wed Michel Shona comments on this text Tarkovsky. - В«Cahiers du cinemaВ», no. 358, avril 1984, p. 41:"His deep intuition essence of cinema seen in the fact that he refuses to assimilate its language, combining such units as the plan, images, sounds, and so on." 1 e g g s o n В«Matiere et memoireВ», p. 249-251. Eng.
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per., p. 224Atakzhe В«L'energiespirituelleВ». - В«L'effort intellectuelВ», p. 940-941.We quote the works of Bergson on so- called edition du Centenaire; links to publications on contemporary appear in parentheses.