per., p. 247 436 437 Gilles Dyez KinoObrazvremya it possible complex because it can interfere with tears, false memories and dreams - and especially because it involves the use of a certain language as a factor in its development. We do not consider the specificity of this factor.Confine ourselves to the statement that the sensorimotor schemes specifically deployed in the so- called "godologicheskom space" defined by the kind of force field, the opposition and tension between the forces discharge voltage according to the distribution of goals, constraints, resources, detours ...Corresponding abstract form is a Euclidean space, because it is an environment in which different types of discharge voltage according to the principle of economy, the so- called laws of extremes:for example, the simplest way most adekvatnrgo roundabout, the most effective speech of the minimum for the maximum result. Consequently, this narrative is presented as savings in a particular shape and obrazadeystviya godologicheskogo space, and in the abstract figure obrazadvizheniya and Euclidean space.In the movements and actions can be a mass of external abnormalities, fractures, inserts, overlays and expansions, but nevertheless they are all subject to the laws, is sent to the distribution centers of power in space.We can generally say that time is the indirect object of play to the extent to which it follows from the action depends on the traffic and out of the space. Therefore, no matter how upside down it may be, it is the principle of chronological.Quite different with narration crystalline, since it involves the collapse of sensorimotor circuits. Sensorimotor situation gave way to pure optical and sound, and the characters that have become "seeing" not applicable, no longer able or willing to respond to them: so they need to "see" the sense of the situation.This is the characteristic of Dostoevsky's novels, caught Kurosawa: In situations requiring immediate decision, "idiot" have the need to review the data on the issue, which is deeper and the situation requires even more urgent decisions.But Ozu, in neorealism and in films of the new wave vision is no longer added to the action of his background as a prerequisite, becoming the main - it uses up all the space and replaces the action. In such cases, the movement may tend to zero, and the character or even a plan - to stay put: fixed plan here as open again. But not the main thing, because movement can be made in an exaggerated form, to be continuous, to become the world or Brownian motion, marking time, leapfrog, many different scales of movement.It is important that the anomalies are the essence of the movement, not being accidents or options. This kingdom lzhesoglasovany download the film Marguerite Volant
and invented yet Dreyer other words, the crystal narrative violates complementarity godologicheskogo experienced and download the film Marguerite Volant
and described by Euclidean space.Having lost their sensory-motor connection, the specific area is not managed according to voltage and its resolution, consistent with the objectives, constraints, tools, and even devious ways.