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At first glance, the quality required has what Bergson calls "obrazomvospominaniem." Of course, already obrazyvospominaniya intervene in the automatic recognition:their place in the interval between the excitation and response, as they thus contribute to adjusting the engine mechanism and enhance it with the psychological reasons. But then it turns out that the automatic recognition they intervene only incidentally and secondarily, whereas recognition careful they prevail:recently and is due to them. In other words, obrazyvospominaniya generate a whole new meaning of subjectivity. We have seen that subjectivity is manifested even in obrazedvizhenii:It occurs when there is a gap between download the film Marguerite Volant
and perceived movement and exercise, action and reaction, arousal and response, and obrazompertseptsiey obrazomdeystviem.And if the emotion is also one of the dimensions of the subjectivity of the first kind, the reason for this is that it belongs to an interval, it is an "internal", as though it is, but does not fill and overflow.In a second kind of subjectivity obrazvospominanie fills the gap and actually overwhelms him, so that by the perception that image brings us individually - rather than renew it at the family movement. Obrazvospominanie benefit from the gap and suggests it, as it is placed, but it is of a different nature.Consequently, subjectivity takes on new meaning, and the engine is not material, but spiritual and temporal: it is " added" to the matter, and no longer stretches it, it obrazvospominanie and not obrazdvizhenie '. The relationship between the current image and emerge in obrazomvospominaniem flashback'e.This is precisely one vicious circle that goes from the present to the past, and then takes us back to the present. Or perhaps - as in the film Carne "The Day Begins" - is a set of disks, each of which runs its own zone of memories, and then returns all the more profound and hopeless condition of the present situation.Carne hero at the end of each round is in the hotel room, surrounded by police, each time he is getting closer to a fatal outcome. Be that as it may, it is clear that the flashback technique is conditional and circumstantial:of it usually tells the viewer influx, and entered his images often overlap or klishiruyutsya with raster. It's sort of a sign: "Attention! Remembrance. " MM, p. 213-220. Eng. per., p.180 344 345 It is a pity KinoObrazvremya, therefore, may indicate a psychological reason conditional admission, although the causality is still similar to the sensorimotor determinism and, despite their laps, only claims to promote a linear narrative. Flashback ^ problem is the following:he must find his own need somewhere else, in the same way as obrazyvospominaniya otkudato should receive more internal features of the past.
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Need to tell the story in this was impossible.Therefore, need to justify something or navyazralo flashback, and notes or authenticate obraza.-memories. The answer to this is very Carne is distinct:destiny is beyond the scope of determinism and cause-connection, it draws some "superlinear", simultaneously with necessary flashback and marking obrazyvospominaniya past.TDK, the film "The Day Begins" haunting melody emerges from the depths of time to justify a flashback, and "anger" takes a tragic hero back in time so that he could indulge in the past.