FILM MARIA MIRABELA
.2 And opposite movement of the actor in the same part of the frame. Pause at the beginning of the background to connect the two movements. And actor out of the frame, moving from the center to the left in the first frame.The second plan begins with the actor in the right. And after a pause is on the left and stop at the center. Motion is in the same part of the frame in the opposite direction. If no delay resort to shooting at a right angle, then pause grind sometimes be omitted.From plan to plan, the rather abrupt transition, and the actor moved to opposite sides of the frame in each of the plans, only one trait: In a move sure to plan it occurs in a narrow central area. .2 On the background shows that brief movement in the central part.Both fragments movements converge in the center of the image. .3 The camera at the right angle:shooting motion, which is in the center of the frame in both plans 286 287 This solution is quite interesting from a visual point of view, is not only applicable to the two characters who meet, but also for the one-man show, which, for example, to help others to rise to a high place where he was. 4 Pause not.The abrupt transition from the first to the second plan. Movement in the first and second terms converge in the center of the frame. A and B are found in the center of the frame. And reaching out scene breaks in the movement, and provides the background to the position of the camera at the right angle, where the actor appears in a sharp picture. The beginning of the movement was in the first term.USE KONTRPLANOV When one actor is sitting, the other is to emphasize its movement in another part of the frame. Such an arrangement highlights the situation. Is that the movement is divided into fragments, and each fragment uses its own part of the frame. 288 .5 Fixed actor in this example, is excluded from the second plan.The speed factor is very important and must be taken into account in this type of survey. In the example shown in a small sector of the movement frame used in the first term.Such a solution similar to that which we discussed in Chapter 11, the case of 52, the difference is that there is an actor in the frame just to go from one side to the center.Using an approximate plan of the second plan, we are working for that entry in the frame actress gets faster, which means it spends less time trying to get through half of the frame than the previous plan. As we have download the film Maria Mirabela
and noted, both part of the same movement, divided into two plans should be the same speed.But approximate plan that increases the character and also increases the speed.
FILM MARIA MIRABELA
As an approximate plan is given with the aim of visual concentration, the increase in speed allows us to emphasize the slow motion of the previous 289 plan, which would be impossible in the reverse order.When the speed is reduced from plan to plan, we can not show a continuous movement. Despite the fact that the actor has to be deleted from the second plan, in most cases, there are situations where it is introduced into the shot going a location opposite sectors frame.