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About the "House Shchepkina" I hope there can be no two opinions.We know what a great job and how significant covenants, they left behind, but at every step with modern actors violated. In the "House Shchepkina" forged a very definite relationship to the formulation, and the game, and to the repertoire ...In the plays we know what a powerful, transformative effect had architectural principles of the great masters of Gonzaga. Now, how these principles with complete lack of principle of this Little Theatre? Gelzer, except Rolls are in the line of succession due to Gonzaga and his school?In order to maintain this tradition, you think you need to see a DOBUZHINSKY or Brailovsky? No. If the current composition of the Little Theatre declares himself custodian of the original tradition of "House Shchepkin," they should know who to contact him. But he does not know, and that's for that, I do not like him. The second:I love "House Shchepkin," but today I ask the leaders to respond to each of the Maly Theatre of love "House Shchepkina" - tell me, who is guilty of that Ermolov from year to year were forced to play Nevezhina, Timkovsky, Persiyaninovu, Alexandrov, Potekhina Sumbatov , VI. NemirovichaDanchenko, and anyone else of their ilk?Great tragic actress raped and humiliated his talent to translate into images of this whole drama trash. I am told that in addition to the repertoire of these were Shakespeare, Schiller, Lope de Vega, - but the glory of "House Shchepkina" Is this repertoire on the line? Why forgotten peculiar pressure: Gogol - SuhovoKobylin - Ostrovsky?And do so would be performed Ostrovsky, as it is performed now, if this move was not forgotten?In Alexandria theater lost the key to the door of Shakespeare, Calderon, Lermontov, Pushkin (because you know the famous portrait of 22 Karatygina in "Hamlet" - looks like this outfit on those robes torchbearers who are selected for the perpetrators of the Danish prince costume stores, keep cherished);the Maly Theatre of death four Sadovsky and Lensky barbarous hand imitators Ostrovsky tightly shut doors to the traditions Shchepkina. I blame those who, under the guise of tradition alleged fetish, does not know the true way to preserve tradition Shchepkina Shumsky, Sadovsky, Rybakov, Lenski. Third: "The House Shchepkina" without the "Inspector" Gogol?"House Shchepkina" without "Death Tarelkin"? "House Shchepkina" without "Thunderstorms"? .. Little Theatre, I maintain systematic and destroying the "House Shchepkina" if it tries to implement its repertoire such pieces that have to be sent to other theaters, those referred to as if they are bad, and they are download the film Maria Mirabela
and entrusted to my care.I was "afraid to trust" Small and Large theater? Watch the film Maria Mirabela online
. ..But from 1908 to 1918 in St. Petersburg, on the stages of Alexandria and Mariinsky theaters only what I did was carefully rebuilding principles Gonzaga - Karatygina - Pushkin, and, of course, I would not allow such negligence, as an invitation to stage rezhisseramodernista "Sunbird "at the Bolshoi Theatre.Is protection of traditions and Noverre Petipa?