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and say that the script is absolutely necessary, or, conversely, that it is useless Barbaro seems fairly equally absurd as wondering about whether or not to write a novel "in one breath," or according to the plan, in order, on separatechapters that make it. He points out that the script has a predominantly practical value. "Among other elements, speaking in favor of its use, we should not forget about the one that is generated by a specific feature of the film industry: the cooperation."In this regard, one would, however, argue that the films of Eisenstein and in varying degrees, were the result of co-operation.Anyway, Barbaro wrote that script can not be regarded as a spiritual act of making a film, regardless of its material production, since the film becomes so only after being delivered, and his previous literary presentation, no matter how detailed, thorough and accurate it may be, no way can not replace him.Can not Maria Mirabela movie watch online in excellent quality
and replace the film and the script is also written by already put the product in the same way and for the same reason that no literary of describing 14 "of the artist's canvases or symphony can not replace art or music.But, despite these statements, Barbaro more inclined to underestimate, but rather to emphasize the importance of the script, take him, if not the main, one of the most important elements of the film. It is also obvious from some of his later works, published in the already mentioned our collections and in the journal "Bianco e Nero".Consistently adhering to its principles, Barbaro as before based on the concept holistic nature of art and the collective nature of creativity and contrasts actors - literary and theater actor - an innovative element of the mise en scene of the theater - akteratvortsa in cinema."Non-professional actors in the film, only the author of which - its director, and stage actor, a renegade theater scene in the film, the author kotorogo- its screenwriter, is now fully justified in terms of aesthetics - says Barbaro - we oppose cinematic actor, who does not takes pre-existing and writtenartwork, as his colleagues in the scaffolding, and does not constitute in the eyes of the director and the operator only pure nature like a table or a tree, and in the ideological unity with other members of staff contributes to the creation of the future work of art. "However, Barbaro does not deny "amazing results" achieved by Russian, Murnau and his followers. On the contrary, the theory of film without actors, and therefore, the installation of execution were, he argues, "is an important and necessary step in the search for aesthetics film art;at the current stage of development of the aesthetic, that is in the conceptual design activities of a cinematic actor, many of the basic elements of this theory go back to. " Movie without actors needed in some CCA "Umbert o" Barbaro, L'attore cinematografico.- «Quadrivio», Roma, VHI.-singular cases, "is a proof and a reaffirmation of some of the provisions required in the practical activities of the professional actors and the governing of directors." For convenience and clarity, the Italian theorist analyzes the performance of a cinematic actor from two points of view:technically, that is professional, understood as the mastery of the means of expression and the ability to Maria Mirabela movie watch online in excellent quality
and own their own bodies, and on the inside, that is, when working on role in accordance with the work as a whole.