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Fairy tales of the Viennese wood
film Mr. Pitkin When you watch "The fate of the poet", the expression "Stalinabad miracle" does not seem strange. It really gives the impression of a miracle. Complex historical setting, great scenery, costumes of a thousand years ago - everything is done at a high artistic and professional level.You can argue with some creative solutions director and author of the script - the largest Tajik writer Ulugzade can notice a high enough skill some actors, but for every filmmaker is undeniable that create a picture can be only in a major studio, well equipped with modern technology.But this is only one of the five pictures that made Stalinabad for the year in their "amateur" pavilions! It seems to me that the "Stalinabad miracle" reflected the great processes that occur today in the cultural development of the peoples of Central Asia. Until recently, such a miracle could not have happened.The conference raised a number of interesting and challenging questions, too, demonstrates the tremendous shifts that are taking place in our day. Many speakers, for example, demanded a total for all the republics of Central Asia and even scenic studio Actors Studio.Whether right or wrong proposal, the question itself shows how far the process of destruction of national narrow-mindedness, which was typical in the recent past, the intelligentsia of these republics, how to change the consciousness of workers of culture today.Very interesting at the conference was to analyze the state of our art of cinematography in general. Delegates of Kazakhstan and the Central Asian republics unanimously agreed that the shortcomings of their paintings is largely characterized by films and Ukraine, the Caucasus, Russian cinematography.It - didactics, inaccurate portrayal of life, the use of false dramatic effect, no real conflict, the lack of detailed and the observed character of modern man, without which it is impossible to address contemporary issues.I believe that a conference like the one held in Almaty, will serve as a good preparation for the great creative debate - it seems we will have to take place in the near future. We have a lot of outstanding issues, mainly in the field of modern subjects.Over the years, these issues have been discussed and solved only within the framework of Moscow and Leningrad cinema houses. We should strongly reconsider this practice. Who raised strong national teams of young filmmakers and their voice becomes more audible.
film Mr. Pitkin I would like to raise the issue of training. It must be admitted that here we are not agile. Shots screenwriter generally does not qualify. Only Alma-Ata studio hosted a scenario workshop, staffed by young writers.It is prepared in insufficient quantities directors. Annually VGIK received a maximum of two or three representatives from all the Central Asian republics.