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Fairy tales of the Viennese wood
LOOK ONLINE - He had a way to catch at the bar" Stedikama "and turn me this way and that. Somehow I said to him:"Sly, if you have time to grab, I'll Vrezh." The next day he again jumped, I hit him, and he fell. "The next day, Brown and Milsom curiously watched Kubrick's hand reached for the device - and jerked." Listen, could you take a little to the left? "- Hesitantly asked director .Since Kubrick first saw the infomercial Brown, he invented an improved model "Universal II", in which the camera is not placed on stabilizing the platform, and underneath that enables shooting with a lower height. It was used, taking Danny back as he ran around the corridors of the hotel on a tricycle."I watch the film Mister Pitkin online and tried to run after him bent - told Brown - and after a three-minute survey so out of breath that could not be said for what I need to bury the ceremony. Besides, at this rate, I could not keep the lens less than eighteen inches above the floor. "Kubrick suggested using cinematography wheel chair, which he helped design for "A Clockwork Orange." When Brown sat down, the lens was only a few inches from the floor.With this structure all went fine, and it has improved Kubrick, setting place behind Brown bandwagon for the sound engineer and Doug Milsoma, recruited as otrabotchika hum. Chair quickly altered in unstable camera platform.Kubrick watch the film Mister Pitkin online and picked ultra-accurate speedometer, so that duplicates can be accurately reproduced, regardless of how much they've been taken. The device worked so well that Kubrick decided to equip the same way their big dollies Moviola and Ellemak.Meanwhile, the chair on which rode three or four people, experienced dangerous overload, especially when Kubrick watch the film Mister Pitkin online and wanted to do panning simultaneously with Brown or another operator, and watch the film Mister Pitkin online and added to the construction of the weight. Not surprisingly, once the tire burst and almost did not happen is a serious matter.Kubrick was ordered to pick up fatter tires and forbidden to climb on the rickety structure more than two of the people. The shooting continued. When finished editing, Kubrick began to apply to music.He once again decided not specially written music and take it from the anthology of contemporary classical music, mostly Eastern European.At the time, Gyorgy Ligeti, upset wrong, in his opinion, the use of their music in the "2001", sued the "MGM", but now, having calmed down, allowed Kubrick to use for "Glow" excerpts from his "Lontano".Kubrick also used fragments from the works of Bartok's "Music for Strings", Percussion and Celecta, but basically took the music from the works of Polish composer Krzysztof Penderecki.
LOOK ONLINE His melodies always fit into the movie, he had a great influence on the Hollywood composers, particularly in the prolific Jerry Goldsmith.Penderecki ominous score for chorus and especially his works for strings of sounds were a counterpoint to the scenes in which Torrance obsessively pursues Wendy and Danny throughout the hotel with an ax in his hand - the orchestra that shudders with horror, as if it beats in hysterics.Penderecki was taken out and the music for the opening sequence, shot from a helicopter, flying over the tranquil lakes and rare mountain roads.