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Fairy tales of the Viennese wood
LOOK ONLINE ") Therefore, with respect to timing noise - an indispensable condition of parallelism. We see and hear her dog barking.While advocating the avarice of artistic media, Claire objects to this parallelism, seeing it duplicates the effect of: "It does not matter whether we hear the sound of applause, if we see applauding hands" However, parallelism is not always the life and our perception of sounds.Range of individual acoustic impressions depends on the psychological state of the person. It is appropriate here, by the way, remember Pudovkin, who stated that he heard a cry for help, we do not hear the traffic noise, passing before our eyes. What if these street noise yet included in the soundtrack?Similar audio excesses characteristic of many films. Sometimes the mechanical application of the method of parallelism leads to a distortion of reality in our habitual perception. But in general, parallel synchronous noise, as well as a parallel synchronous speech, aesthetically acceptable in those films that sets the tone of the image.Criticism of Clare to redundant parallelism is not entirely fair. On the one hand, it recognizes sound film, but can not understand that duplicate the noise it is inevitable. In addition, in their objections to them he was too scrupulous, judging at least by his own example:clapping, perhaps, do not matter, but they certainly do not affect the interests of viewers to the staff applauding hands. Duplicate noise can perform almost the same function, which performs a good musical accompaniment - lead us to a deeper communion with the visual images of the film. Counterpoint. Synchronicity.Synchronous communication noises in counterpoint with the image sources reveal some aspects of the material world, not expressed by the staff. In the scene of dialogue from "Othello" footsteps Iago and the Moor is not just duplicate what we already see, and clearly contributes to the fact that we saw the really happening on screen.Similarly, in the final episode of the film 180 "Payza" crying poor child is hobbling on unsteady legs of corpses chemto complements its image. As a genuine expression of helpless fear and desperation cry this is one of those characterizing the noise that meant Flaherty, speaking of the wind whistling in the Northland.In addition, as a direct expression of this horrific nature of child crying throws a bright light on the appearance of the child. The image on the screen becomes the depth, and the viewer more inclined to react to it - crying so removes it from the peace of mind that he empathizes with his whole being childish grief.
WATCH THE FILM NATIONAL GEOGRAPHIC: ВСЯ ПРАВДА О МАРИХУАНЕ THE TRUTH ABOUT MARIHUANA IN EXCELLENT QUALITY ONLINE Asynchrony.In 1929, after the Rene Clair download the film National Geographic: Вся Правда о Марихуане The truth about marihuana and looked first American zvukovyefilmy, he found a good following scene from "Broadway Melody": we hear the car door slam, and this time we see excited face Bessie Love, watching out the window for that happening on the street;we do not see, but on the soundtrack can guess that the car drives off. The beauty of this short scene, according to Claire, is that it captures the attention of the face of actress and also reports the event, which is in silent films would show the individual frame.