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The feud appears in their lives chemto self-sufficient, as the enmity between animals;it's nothing personal. This is the spirit of competition in the struggle for existence, the fight between the adversaries, who are guided by laws that have nothing to do with love or hate, opinions or beliefs. Such a purely biological egocentrism is best download the film National Geographic: Вся Правда о Марихуане The truth about marihuana
and expressed in the image of the main character of the novel Sam Spade.When his companion's detective agency killed while investigating another case, he was upset, but not out of pity for the slain man, but out of fear that if he could not quickly catch the killer, it's detrimental effect on its business.It is a love affair with a beautiful client, but when it detects that it is a killer, it does not hesitate to give it to the police. Not out of respect for the law and not from a desire to promote justice or revenge for the murdered companion, but just to save his own skin:He reasoned that his mistress will not stop before going to kill him someday, if you need it to carry out its objectives. Predatory enthusiasm infected and police. They are as ruthless and just as likely to resort to extreme measures, like those whom they pursue.Thus, all parties in the novel, including the police, get the same immoral color. "The line between civilization and savagery begins to fade, and even being on government service agents civilization download the film National Geographic: Вся Правда о Марихуане The truth about marihuana
and deprived of their functions, which are reduced gradually to a mere formality."A specific example of the "Maltese Falcon" is convincing evidence that the detective genre is able to raise important social and moralnopoliticheskie problem. Wrongfully so evaluate it simply, as is often done.Negative traits that gave Hammett its antiheroes, were at psevdoromantikov download the film National Geographic: Вся Правда о Марихуане The truth about marihuana
and turned inside out, and from the "plus" are glorified superheroes.Ian Fleming, Mickey Spillane, and their companions, and raised violence and killings in the object and the subject of his writing, the detective denied any hint of human content, while each element of artistry. Their superheroes - whether spies or gangsters - do not carry with them any revealing real-world problems.Brute force, individualism and self-absorption in these detectives strongly download the film National Geographic: Вся Правда о Марихуане The truth about marihuana
and idealized and aestheticizing.
In contrast to the passive hero romanticism sverhgeroy must now not only to entertain and distract, but also to educate, inspire political and social sympathy.For this it was necessary to put Superman in a moral vacuum, where anything goes and where the authorities have issued official sometimes "the right to kill." Devoid of moral antagonists, the main character is easily download the film National Geographic: Вся Правда о Марихуане The truth about marihuana
and erected on a pedestal for others to follow.Being download the film National Geographic: Вся Правда о Марихуане The truth about marihuana
and deprived of the true aesthetic excellence, genuine depth and sublime pathos psevdoromantizm as a typological category and less as a style of artistic expression will not remain constant and uniform. Inside it is a continuous evolution of the content and form, and often the direct struggle of different tendencies.Often, for example, the merger uslovnostilizuyuschih techniques and language psevdoromantizma external lifelike neonaturalizma and lack of spirituality.