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Subtract, subtract, and again subtract everything that is not relevant to the motion. X y = Mozzhukhin thinks about food. As required.Imagine a very ordinary photo very ordinary street. Which of its many signals we want to emphasize, noting the others? The author tells us the direction of the search under the photograph or signature, or the context of the cycle, where she entered.If we have kinokadr same street, depending on the nature of painting, nauchnopopulyarnoy, documentary or fiction, we include different search engines are programmed in the brain, and in the context of previous and next frame support on the narration, if any, We read of the unmistakable signal that tens trehchetyrehthe only one which ing in this case is necessary. What is called "evil identity", "protocol", "naturalistic copy" actually turns out to be fine message, not bearing a specific signal. "Images" can not prepare for the future, obrazotvorchestvo - this is smyslotvorchestvo.Frame "just" a bad street, not because withdrawn "without sentiment", without kakogoto mythical makeweight "artistry." It is bad because it does not give preference to any one of the many signals that inevitably contained in it. The wealth of empirical life here merged into the "white noise."Turn on the same frame into the rack phrase, make this unit a common phrase structure of a cinematographic work, and who knows, the picture is "simply" the street can get specific, the protocol does not make sense.In one case, we read it as a "distance" in the other - as "evening", in the third it would mean "beautiful cobblestone street," or "car of the century."In nauchnopopulyarnom video or satirical edition of "wick" all these signals will circumlocution, and the audience should be fished from the same frame a different meaning, for example, "clumsiness download the film National Geographic: Вся Правда о Марихуане The truth about marihuana
and unplanned constructions" or "linen, deface balconies, because this quarter is no laundry."This, incidentally, means that the dogs as such, no "live", or even illusory, on the canvas screen does not happen. Whether we take the old Djulbars, consider whether the film "To me, Mukhtar!" Take it, finally, pretty strays from the "My Uncle" by Jacques Tati - anywhere, never in the same frame in front of us was not "just" a dog, a dog itself. Compiled another language alphabet can draw lop- eared puppy on white, neutral background and sign clearly: В«the dogВ» or В«der HundВ».Already multiplier, let it portray us only dog вЂ‹вЂ‹still has to deal with the fact that the main signal of the frame will be download the film National Geographic: Вся Правда о Марихуане The truth about marihuana
and accompanied by such signals as "puppy", "Airedale", "one person", "animal," mammal "," master's keeper good ". Miraculous artist, photographic film is even harder. Watch the film National Geographic: Вся Правда о Марихуане The truth about marihuana in excellent quality online
. Mongrel, prikornuvshaya the fence ... Bloodhound, rubbing his knee conductor ... Boy, hung on a leash ... Which of the Abyss signals inherent in each of these frames should bring to the consciousness of the viewer? And what a complex system of filtration and vykadrovki to indulge in the audience to understand what is to be understood, not paying attention to what you should not pay it.This system starts at the stage of the plot, it continues and ends on stage, the selection of actors takes, the selection of options for the transition and comparisons with scoring.