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Fairy tales of the Viennese wood
FILM OWL "The Strike", the first feature film by Eisenstein, very close to the "Kino" Dziga Vertov. Thus, download the film Owl and Eisenstein came to the cinema because he download the film Owl and considered it "the current stage of the theater.""In fact, the theater as an independent unit in the revolutionary construction, the revolutionary theater as a problem - dropped ... Absurdly perfect plow. Write out the tractor. " He went to the movies a few years later by Dziga Vertov and Kuleshov and began by saying that the film was to extend to his theory of montage of attractions.According to this theory, download the film Owl and pointed Eisenstein, in movies are important, not demonstrated by the facts, and the combination of emotional audience reactions. So theoretically and practically unthinkable without structure syuzhetnologicheskoy connection, causing a chain of necessary unconditioned reflexes will mounter associated with the given phenomena.In the result, a new chain of conditioned reflexes, mating with these phenomena. This is the mounting on a thematic effect, that is performance agitzadaniya. "Outside the" Agita ", - emphasized Eisenstein - no, rather, should not be a movie." In "The Strike", he in fact based on the following principles:1) down with the individual shapes, 2) Down individualnuyutsep events. Pulling out as the hero's personality and the very essence of "intrigifabuly" emphasizes Eisenstein, are the products of an individualistic worldview and are incompatible with the class approach to cinema.download the film Owl and Eisenstein, as noted by Lebedev, I fully agree with Р±РѕРіРґР°РЅРѕРІСЃРєРѕРїСЂРѕР»РµС‚РєСѓР»СЊС‚РѕРІСЃРєРёРјРё "collectivist" units, on the one hand, and with the method of "montage of attractions" - on the other. After the movie "Battleship" download the film Owl and Potemkin ", which, although the director, and considered it a victory of the principle is interesting that much earlier, in 1913, Mayakovsky wrote:"The theater itself brought himself to death, and send their heritage cinema. A film making industry sector naive realism and artistry with Chekhov and Gorky, and open the way to the theater of the future, neskovannomu arts actor. "- Mayakovsky, Collected Works, Vol I, M., 1955."Montage of attractions", moving away from one of its most controversial provisions - denying the story, Eisenstein developed the theory of "intelligent cinema", the idea of вЂ‹вЂ‹the "cinema of thought," what he calls the "blue bird" conceptual cinema, the echoes of which we find in his subsequent work, even when he has to renounce andsome really moves.
WATCH THE FILM OWL ONLINE He seeks to open new paths, new laws, new forms that differ from traditional ones, to find ways to transfer means the movie is not just emotions and feelings, but also the political, scientific, and philosophical concepts."Cinematography - he says - it's time to begin to operate with abstract words, reducible to a particular concept." The scope of the new film is a direct adaptation options class useful concepts, techniques, tactics and practical slogans, without the aid suspicious baggage and psychological drama of the past.Dualism spheres "feelings" and "understanding" cinema must put an end to "restore science to its sensuality ... intellectual process - his ardor and passion.