c) Movement converge toward the center, or diverges from the center to the edges of the frame. PERSONAL addicted Some directors Many directors and editors prefer savings, arising due to the "movement within the image."Movement is removed so that the actor does not go out of frame in the foreground, and is not included in the second frame. GENERAL SUMMARY The most important points made in this chapter are as follows: The movement should be divided into at least two pieces. The change between frames should occur at the time of the movement.Changing the distance of the distance should be reflected in the change of personnel. There are two basic types of movement on the screen: the direction of the fixed point through or along the screen. When driving on the site of three variants of the principle of the triangular arrangement of the camera can be used for the filming of fragmented actions:kontrplan, angles and visual axis is common to all five shooting options. All presented techniques can be reversed at the transition from the plan to a plan I 2, or from 2 to plan plan I. For fragments filming motion picture must be divided into two or three sectors.Repeatable 61 move in the same sector of the frame in the same direction or in opposite directions. These directors believe that the movement of an object from the center to the edge, or on the contrary, more efficiently and more economically than the actual removal of the subject from the frame. The speed of movement of the object is not important.The chosen model remains unchanged. Using this technique, along with the above techniques and methods of shooting motion, you can achieve fast, economical and dynamic transition from 237,236 the plan into a plan to remove the continuous movement of the actor, animal or machine. Alternatively:the plot can be included in a frame or out of the frame - this method will be studied by us in the next chapter. .62 Movement begins and ends in the center, or it starts from one side and ends on the opposite side of the frame.CHAPTER 12 MOVEMENT IN AND OUT PLAN PLAN With this technique, the subject is in motion in the foreground or completely out of the frame, or remains in the frame, and then returns to the background. But for the second plan, there are two possibilities:either the subject included in the background on the side opposite the one where he has gone out, or it is already in the frame image at the center or at the edge. The three basic rules are summarized at the end of the preceding chapter also apply here, except for the possibility to continue the movement itself.When it comes to moving out of the frame, the change of plans takes place immediately after the character. you are a widow
. When it comes to moving out of the frame, then: The frame is cut short when the subject is already partly outside the frame. Plan a little delayed on the screen after the departure of the character.When a character enters the frame uses the opposite technique. In this case, used five versions of the triangular position of the camera: internal and external kontrplany, right angles, parallel to the camera and, finally, the overall visual axis for two or more consecutive plans.