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Fairy tales of the Viennese wood
WATCH THE FILM PATROL ONLINE She walked limply down the left hand with a shawl and scarf trailing behind her on the floor, as barely alive, but still quivering flesh. I think it is not right those actors who diligently repeat shown director.Understand the idea - that's the main thing. In the words of Gogol: "The Artist important nail guess sitting in the head." He taught us how to read poetry. Poetry was his passion and eternal love. He said: "I do not need to express a person - a person must be a performer mramornonepodvizhnym. Only the voice, intonation, deeply hidden feelings and thoughts.The rhythm, the rhythm, the melody of the verse, especially inherent in every poetic passages. " I was lucky enough to be his partner in many productions of "Much Ado About Nothing", "Deep Roots," "The Lost Son" ... The best partner I did not know every word gave rise to reciprocal feeling and tone desired. Each of his improvisation engendered response improvisation.Simonov always told us that the profession of an actor - it is also a game, including a children's curiosity and naive perception and discovery of the world, the wisdom and cunning child. He was a model of modern theater director. "The development of the theater is always driven by the desire for a new ...The quest for new comes when an artist has a sense of modernity. But modern life is not just rhythmically flowing - she rushes ... Sense of the present - it is a deep knowledge of life, is to break the psychology of the Soviet people, necessarily, directly involved in the lives of the people ", - he said.We, the students of Ruben N., were forever in love with him. Eisenstein - in contrast to Simon - was a very different approach to work. He was not able to show how to play a particular scene, but he painted ...Yeah, he comes on set with a bunch of leaves from a notebook on which was traced in red and blue pencil shooting scene from different angles. The most surprising - these drawings as an actor would open grain role, he must now play in the frame.Not only the location of the frame in the scenery and staging, but it is the essence, the very "nail" the scene. And Ruben Simonov - a beacon torch and acting soul acting. How fortunate we, Vakhtangov, work with him at one time! Communicating with him, and we all became thinner, smarter, and more talented.I just had a feeling of bitterness and sadness that in the last years of his life I had little to work with. The last of his performances made without my participation. Although before his death, he decided to put the play "Coronation" Zorin and distributing it as one of the principal gave to me.We rehearsed "coronation" after his death, with Simonov, mentally devoting her memory of the great actor, director and teacher.
FILM PATROL " What always amazes Tselikovskaya notes - it's an amazing humility, the ability to remain in the shadows, speaking of his great teachers. For people, especially for actors - a rare and excellent quality.Yes, and it was just outstanding literary talent and acute observation, the ability to talk about the main, do not forget the details that enliven the picture, and at the same time it briefly and clearly.