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Now, in the second stage of sound film, the situation is different.On the contrary, because of the fact that it is no longer audible to show and be visible, because it is independent of the visual image, visual image, in turn, allows for a new interpretation of the things being done to archaeological or rather stratigraphic slice, which should read:"Speeches to the rock not touch," - said in the film "Out of the darkness to the resistance."And in the "Dogs Fortini" ZhanKlod Bonn analyzes "large central gap," "telluric, geological and geophysical" sequence without the text, "landscape it is intended to be read, for it is the description of the place fighting, empty theater of war" in the visual image of the " read ", a new meaning, while the act of speech itselfitself becomes an autonomous imaging. Often pointed out that modern cinema - some obrazomblizhe to dumb than to the sound at the first stage:not only because sometimes it re-enters the titles, but also because it works by some of the means of silent films, making injections of written elements in the visual images (in terms notebooks, pisma1 РЎСЂ.: D an e y, no. 305, p . Also in connection with the film, "Moses and Aaron" - inter twist, Straub and Huillet this Bontanu, Bonittseru and Daneyu on.258, juillet 1975, p. 2 Bonnet Jean-Cla ude. В«TroiscineastesdutexteВ». В«CinematographeВ», no. 31, octobre 1977, p. 3. E and - at Straub constantly - epitaph or inscription on the stone, "plaques, monuments dead tablichkamis street names ...") However, to compare modern cinema with a mute to a greater extent than with the first stage of the sound, kovogo, inappropriate. For a silent film, we were present at the two types of images, one of which is visible, and the other - to read, or if one of the two elements of the image.And now a visual image to be read as a whole, as titles and injections are only letters, dotted some stratigraphic layer or bind variables in between the layers, the transitions from one layer to the next word, readability in contemporary cinema visual image, the "duty" to read This image is no longerkakomuto refer to a specific element, as well as to the global impact of the speech act on the visible image. The point here is that the speech act took place in a different place and gained autonomy, whose archeology and stratigraphy, in turn, shows a visual image - that is, he finds reading regarding it as a whole, and his alone.Consequently, the visual aesthetics of the new way with the property's paintings or sculptural qualities depend on some kind of geologic and tectonic potential, as in the rocks of Cezanne. That is an extremely frequently occurs in Straub visual image gives sob1 Narboni, no. 275, p.Pascal Bonittser wrote about the "download the film Patrol
and fossilized inscriptions, leads the viewer into dyaschih stupor": "we are dealing with piles E - say Straub and tone ...For example, initiation В«Fur Holger MeinsВ», natsa Rapa on piling up plans and represents the epigraph to "Moses and Aaron," in the end, gets to the Strauss utmost importance in the film.2 Of course, in the form of inscriptions were Tym hour in the first stage of sound film - but more often they "were translirova" with your voice.