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Fairy tales of the Viennese wood
film Abduction in Tyutyurlistane watch online I understand them, I used to be proud of them. But between my imagination and reality - the abyss, like most people. I've never been a man of action, I did not throw bombs and could not imitate those with whom he was often very close spiritually.I stayed until the end of a friend of Charles de Noaylem. Bumping in Paris, I have lunch or dinner with him. The last time he invited me to his house, where he first took fifty years ago. Everything looked different. MariLor died. On the walls, on the shelf there was nothing left of the old treasures. Charles was deaf, as I did, and it was difficult to communicate.We ate, barely talking to each other. America in 1930. "Golden Age" has not yet been released in theaters. Noayli equipped in his mansion in Paris, the first room to show "talking" movies. They allowed me to show their lack of "Golden Age" of the surrealists.Those were in full force, and before the start of the session in the bar began to be applied to the bottles, pouring the remains of the sink. The most desperate appeared, it seems, Tyrion and Tzara. Upon returning Noayli asked me how was the view - by the way, great, - and kindly kept silent regarding the devastated bottles.Through my film I saw Noaylyam representative "MetroGoldvinMayer" in Europe. Like many Americans, he loved to be in aristocratic circles. Once in his office, I heard the following: - I saw the "Golden Age", he did not like me. I personally do not understand it, but I still am impressed.I suggest you go to Hollywood and do it the best development in the world of American art. I am sending you back to pay for the road you are going to stay there for six months, receiving $ 250 a week, -. - Here one task: to watch how to make films. Then we'll figure out what to do with you. Very surprised, I asked for 48 hours to think it over.The same evening a meeting was to be held in Breton. Together with Aragon and Sadoul I was going to Kharkov at the International Congress of Revolutionary Writers. I spoke about made me an offer. Nobody did not discourage me.I signed a contract in December 1930, stood on the deck of the American ship "Leviathan", then the largest in the world. I made a wonderful trip in the company of the Spanish humorist Tono and his wife Leonora. Tono was invited to Hollywood to work on the Spanish version of American paintings.In 1930, the cinema was speaking, and immediately lost its universal character. The silent films was enough to change the captions, depending on the country in which they were shown. And now had to shoot in the same scenery, the same lighting different variants - with French and Spanish actors.
in the film Abduction Tyutyurlistane This inflow of foreign writers and Hollywood actors to write dialogues and perform them in their own language. I was in love with America before his meeting with her. I liked everything - I like movies, skyscrapers and even the form of the police.In a perfect ecstasy, I spent the first five days in New York at the "Algonquin". To me it was attached argentinetsperevodchik, since I did not know a word poangliyski.