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Fairy tales of the Viennese wood
FILM PORWANIE W TIUTIURLISTANIE But then, in the same theater of plastic was a necessary means of expression. Salvini in Othello or Hamlet has always amazed us with its plasticity.Plastic really was, but not about this kind plastic I say. That plastic is strictly aligned with the words spoken. I'm talking about "plastic that does not match the words." What does "plastic does not correspond to the words"? Two people are talking about the weather, about art, about the apartments.Third, watching them from the side - if, of course, more or less sensitive, keen - to talk about those two things are not related to their relationship, can determine exactly who these two people: friends, enemies, lovers.And they can find it in the way that two people conversing hands make such movements are in these positions, so looks down, it makes it possible to determine their relationships. That is because, in speaking of the weather, art, etc., the two men make movements that do not match the words.And etimto movements that do not meet him, watching and determines who speak: friends, enemies, lovers ... Bridges the director of the viewer to the actor.The findings, according to the author's will, the scene of friends, enemies, lovers, directed movements and postures should give a figure to help the viewer to not only listen to their words, but also penetrate into the inner, hidden dialogue.And if the director, going deeper into the theme author, heard the music of inner dialogue, it is an offer for him those plastic movement, which, in his view, can force the viewer to perceive this internal dialogue is the way to hear the director and actors. Gestures, postures, attitudes, silent define truth of relations between people. The word is not all talk.So - you need a pattern of movements on the stage to catch the viewer in the position of vigilant observer, to give it into the hands of the same material, which was given two talking third observed, - the material through which the viewer could unravel the emotional experiences of the characters. The words to the ear, plastic eyes.Thus, the viewer's imagination is working under the pressure of two impressions: visual and auditory. And the difference between the old and the new theater is that in the last words of plastic and subject - each own rhythm, sometimes being in non-compliance. It should not, however, think that you should always correspond to the words just do not plastic.Phrase can make plastic, very appropriate word, but it is as much natural as coincidence logical stress with a poetic in verse. 2) Paintings Maeterlinck archaic. These names, as the icons.
FILM PORWANIE W TIUTIURLISTANIE Arkel, as in the picture Ambrogio Borgognone. Gothic vaults.Wooden statues, sculpted and shiny, like rosewood. And you want a symmetrical distribution of the actors, as they wanted to Perugino, for it expresses the most Divinity universe."Women, effeminate boys and meek tired old men can best serve as an expression of dreamy, soft feelings," the transfer of which Perugino sought. Do not you have Maeterlinck?