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Fairy tales of the Viennese wood
LOOK ONLINE The result is a reduction in the amount of "air" front-end and the inability to compensate for the decrease.The reverse situation creates the opposite problem. When the horizon line is low, the camera is located above the background level of the eyes, and the actor is moving towards the camera foreground creates a situation in which the amount of "air" front-end increases significantly.For a more acceptable result foreground camera can do very little or nothing at all. The solution to these problems is possible only by changing the background so that it matches the required action in the foreground and / or a change of the production on it.This is a serious problem that can be avoided by pre-planning filmmaking.It is important to remember that the height of the lens, the angle of view, distance to the camera on the subject and camera tilt, which lifts the background, to be used instead hromakeya will download the film Porwanie w Tiutiurlistanie and constrain and influence any subsequent action in the foreground.CONCLUSIONS imperceptibly introduction of one image to another requires a flawless electronic switching, achieved with appropriate lighting the background and foreground, proper installation and operation of switching equipment, the correspondence between the mood and atmosphere of action in the background and the foreground, which is reached atwith lighting, sets, costumes and make-up artist in the foreground, the correspondence between the size, position and movements of the artist in the foreground and a view in the background, which is achieved by applying the relevant provisions of the camera and lens, as well as production activities.Ensuring compliance of linear perspective and outlook of the masses - is a very important requirement for creating independent Ward. Picture Composition for Film and Television appreciable compound images in the foreground and the background.If the resultant composite image to convince the viewer that the two actions on the foreground and background are inseparable - that is, that they are by and watched from one point of view, the linear perspective of both images must be equal to the smallest detail. The ratio of size of the subject depends on the distance from the camera.On the angle of the lens depends on how the object fills the frame. To movements of the actors towards the lens or from be realistic, must be the same height and tilt cameras foreground and background.CONCLUSION It is natural that during the development of new skills or skills we are looking for the basic rules and guidelines for the identification and assessment of progress. Cinematography - is basically the skill, but the great masters of turning it into an unusual and creative action.To balance between blind adherence to what has been learned by heart, and violent excesses of individual self-expression must be a balance between the dogmatic statement "always done it that way" and anarchist statement "I almost do not know what I want to achieve, but it happens as a result of the creative, muddled, new,the original work.