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Thus, the speaker may be able to see weather maps, of which he speaks.Providing matching perspective lines and weight problems associated with the introduction of two-dimensional graphics in the image, are straightforward than trying to create a realistic composite of two separate images.Often used in advance to make a record of the second plan or because of lack of space in the studio, or because of the limited budget. A typical example of the composition is making a film about the life of politicians. The script requires that the officer was in the empty House of Commons.Because it takes a large frame size, it would be too expensive to build the scenery of the House of Commons, so one is taken from the records of the House of Commons and the interior is displayed on a white screen, against which the actor plays a necessary stage.Composite image combines the space captured by the camera on the intended site of action, with the space of the studio, in which the actor. The problem is that in the studio, working actor, to create a space that would be identical to the interior space of filming House of Commons.If the resulting composite image needs to convince the viewer that the foreground and background frame inseparable - that is, that they are in one piece and both dropped from the same point, then to the smallest detail must be the same linear perspective of both images.That achievement matches prospects lines and masses of the two images, especially when the background was made in advance and it is impossible to change, often causes the most problems when shooting at hromakee. This problem is further exacerbated if the actor is moving towards the camera or the front-end of it. If the corresponding Ward.Compose the shot, in the movies and on television and Figure 3) The object in the background, and b) an object in the foreground to the background of a blue screen, and c) association of the background and foreground, and d) the height of the camera to the object in the foreground is too small, and e) the height camera to the object in the foreground is too high.interaction no prospects, it seems that the actor is in a space that is separated from the background. What, in fact, is in reality. Providing matching perspective lines and the mass is the most important requirement for discrete compound images in the foreground and the background.Camera height, angle of view and distance to the camera as described in the chapter on the run, one of the perceptual techniques that are used to determine the depth, is the estimation of apparent download the film Retrum
and speed, increase or decrease the size of the object when it is closer or farther away from us, as well as appearance parallel lines thatconverge to a single point on the horizon and disappear. Another indicator of the depth of an atmospheric perspective, or the prospect of air.This is an optical effect download the film Retrum
and caused by the absorption of light mist hanging in the air, dust or humidity, so that with increasing distance from the viewer lose color saturation and golubeyut, blurs the lines between colors.Binocular vision allows us to estimate the depth due to differences in the image seen through our eyes in two different ways.