Melodrama Adventures Fairy tales Suspense Fantasy Documentary Drama Crime Parody Performance Action Fantastic Military Accident Tragicomedy Anti-Utopia Animation Biography Karate Black comedy Horror Tragedy History Comedy Musical Detective Erotica Scientifically popular Mysticism Family, children's Cyberpunk Western Thriller Eastern Extreme Sports
Fairy tales of the Viennese wood
download movie Revenge Magidson in these years, have come to understand that it is the movement of the actor should determine the composition of the frame, and not vice versa, that is good, only the composition which allows the actor to feel the frame itself freely and naturally.No actor should follow the camera, afraid to break built composition, and the camera should follow the actor, without tying his mission movements.Obviously, the same attention to the actor explains the sharp rejection Magidson fashionable in the early 50s tyuley and smoke that created aerial perspective, softens rough local color, deepened the frame, but narrowed the area of action, preventing the actors.Revision Magidson own aesthetic positions was clearly linked to his premonition of the imminent birth of cinema, which we call "modern." In a speech about the film "Conspiracy of the doomed" Kalatozov he said:"The work is always in cooperation with the operator, I'm here for the first time had to see the man who so well knows how to read the script in terms of drama, to understand each image, to understand and find the right solution, the only solution that should be here. It should be noted as the expressive ability Magidson. "Precision fine dramatic expression of ideas - a necessary quality of any operator, but if dramaturgical material laid all dvetri paint and operator, respectively, but these colors and is, if the whole life material laid in the simplest scheme, sometimes the operator the ability to expose, to reveal the essenceonly underlines the weakness of the artistic, literary basis lifelessness. Such examples, unfortunately, is in the creative biography Magidson. Magidson was not a theoretician. He did not like public speaking, either orally or in print. He did not leave any books or published articles.Only recorded on random scraps of scraps of thoughts, impressions, judgments. His home archive, which we use, and far from any systematic, completeness, as well as his work and his life. "During my camera work - somehow he wrote - I had greater grief than joy.Joy always consider its future work, and last - sorry, because a lot of interesting ideas remain unrealized, and that, unfortunately, all taken pictures, even in those, such as "Bride", awarded a gold medal at the International Exhibition in Paris.More satisfying me of my works - "Three Songs of Lenin." In "Spring stream" I was able to convey a deep lyricism of Russian nature. There have been other studies, some luck, so I think: Petersburg "Lermontov", satirical portraits of Hitler's "New adventures of Svejk" and several others, but all of this - special cases. "Some findings in the films, many of which are forgotten even the filmmakers - this sums up Magidson perfectly conscious at the same time the power and possibilities of his talent.
film Revenge watch online Feeling some bitterness on the complexity of his creative destiny, sharing his frustration done, we at the same time we can not agree with these conclusions, because besides he called partial successes he was principled and serious achievements, enriching all Soviet cinema.