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Fairy tales of the Viennese wood
WATCH THE FILM REVANSA ONLINE They are objects of permanent reorganization, where the new image can appear from any point of the previous image.Organization of space in such cases lose privileged areas, especially the privilege of verticality, the way still shows the location of the screen - at the expense of development, so to speak, omnidirectional space, constantly varying their own angles and coordinates, swap the vertical and horizontal.It appears that the screen itself - even if it is conditionally preserves the vertical position - no longer refers to the postures of man;but generates some information table, opaque surface on which is written "data", with the result that information supersedes nature and mozggorod, tre1 Ziberberg, unlike Benjamin, sent not from the idea of вЂ‹вЂ‹the reproducibility of art works of art, the idea of вЂ‹вЂ‹cinema as obrazadvizheniya :"For a long time came from the oft- repeated thesis that talk about the movie means to speak on the motion," the moving image, the mobile camera and installation. Ziberberg also believes that the culmination of this system was the work of Leni Riefenstahl and her "teacher, who was hiding behind the scenes.""But forget that, at the very cradle of cinema koechto stood still, and it is projected and transparency": this is a different type of way, having in mind the "slow and controlled movement" that can include contradictions in motion or in Hitler as a director . РЎСЂ.: В«SyberbergВ», a special issue of В«Cahiersdu cinemaВ», fevrier 1980, p. 1 Avg.: Kane Pa s with al, В«MabuseetlepouvoiiВ». В«Cahiersdu cinemaВ», no. 309, mars 2 O is not only technical, but also the phenomenological differences between the different types of images can be download the film Revansa and handled in the research ZhanPolya Farge in В«Cahiers du cinemaВ» and Dominic Belluara in a special issue В«Video art explorationsВ».In an article in the journal В«Revue d'esthetiqueВ» Edmond Kusho provides definitions of some of the properties numerically or digital images, which he calls В«immediaВ», because the funds in the real sense they are no longer. The main idea of вЂ‹вЂ‹this article is that in television there is no space or even an image, but only the most intense lines of the electron:"The most important concept to television - this time." 598 m Gilles D, elez KinoObrazvremya 599 TY eye displaces the eyes of nature.Finally, since the audio element gaining autonomy, with increasing clarity gives it the status of the image, two images - audio and visual - enter into complex relationships without subordination and even comparable and achieving the general limit to the extent that, as one gets to the limit of its own.In all these ways, the new spiritual automatism, in turn, refers to the new psychological automata. But we have not figured out the question - what is it, brain works, or, conversely, the ineffectiveness of the cerebellum?New automatism in itself does not mean anything if it does not serve as a powerful, dark and dedicated to the art of the will, and if he does not want to open by involuntary movements, this will still not inconsistent.Will to the original art we have already identified a change that affects the intelligible matter most movies, and this - replacement obrazadvizheniya obrazomvremenem.