Therefore Milonov in "Forest" is transformed in our Father Eugene.We took the seventies, when I was a restructuring of economic forms, and as a result our Vosmibratov not a simple merchant, and the person who is involved in this case. Aksyusha we argue with Gurmyzhskoy. We have made it a Protestant, who rebelled against Gurmyzhskoy.We became friendly with Peter Aksyusha to show that he is no longer Vosmibratovym. We all - the development of economic forms in the seventies of the XIX century - took a textbook Pokrovsky. In this work we have moved, because we've learned the audience, and because we have learned a revolutionary repertoire - it became easier to go for the classics.We did not take the classics the way they took the Vakhtangov Theater, as he picked up "Hamlet." It was an unprincipled approach. In this performance, there are some good moments, but overall the show leaves the viewer cold because the garden pile up, not to talk about Hamlet that could tell.It is good that the Chamber Theatre moved to the new repertoire. We wish him a successful recovery, and it's good that he was turning away from estetskih approaches from rumnevschiny. Question. Whether it is necessary to start with re-cast? Answer. If this is done only on the stage, it is not enough.It is necessary that the actor was a new man, he must buy new, revolutionary skills. It is a big process that needs to be addressed in depth. Question. Actor in his work on the role should go from movement to thought or the thought of the movement? Answer. So it is impossible to say. It is too primitive postanovnovka issue.Of course, always, no matter what was done on the stage, always thinking download the film Revansa
and ahead. I understand your question is this: when practicing a role, we must first delve into the psychological substance or to have 282 this psychological substance to come by examining the movement? Thought should always be in front. Here it is possible to refer to James.He tells an amazing event for which caught and held in practice. The man pretended that he fled, fearing that he was being chased by a dog. No dog, but it ran like a dog chasing after him. When a man, " scared dog" ran, he really scared. Such is the nature of reflex.One jerk reflex other touches. This peculiarity of the nervous system. You put the question: If I accepted the position saddened man, I can not grieve. Therefore, we do not say, as did one time Art Theatre:we play a sad spectacle, if you please, wander through the dark alleys, accumulate collected, focused inner confidence. We simply say, please, do not think, do not be concerned - we will build a staging so that they will have to configure those provisions respectively physical, in which we will have to put.My concern as rezhiseerabyomehanista that the actor was healthy, the nerves were in order to make it a good mood. Film Revansa
. Nothing that sad spectacle play - be merry, not focused internally, because it can lead to neurasthenia, made nervous because the special force manipulation to introduce themselves to the world.We say this: if I'll put you in the position of a sad man, and the phrase will sad.