You need ... to put an enormous amount of rehearsal scrolls. I do not insist that it will be later. He takes the scrolls, shifts and says, "someday industrious monk find my work hard, ring."That is, if you move the scrolls, then these words will sound abstract. This is work. Do you understand? His lively tone - it can not be anywhere listening. Need ... liveliness of your words. They should not be because of your listening, and as a result of your being.399 You have to feel the existence of this cell and the difficulty of this great work Pimen. Then - "One final tale - and chronicle" "over mine." "Chronicle" can not be casually say. Here all the time to feel the importance of this record. ...That's the horror of the director and the actor and the actor with the director, because it was only get better actor, and it interrupts the director cry: here is not good, there will not sit down, do not do that. I always bring examples, give now. How I hated Stanislavsky, when he played Baron Tuzenbach!TUZENBACH comes out, goes to the piano, sits down for him and begins to speak. But I was starting out, I returned as Stanislavsky. I was seething. Then I did not realize that Stanislavsky was right.But then, when I became a director, and at the same time playing, I realized that when Baron TUZENBACH went to the piano, we get the impression that he does not say a word, and read them. We get the impression that what we say what we think - should pronounce the word, and not to read. After all, words are the result of what we have thought.And at the time I did not, and Stanislavsky I returned each time. Ten times nothing worked. Then he went out of the auditorium to the stage, threw me a piece of paper and said,"You go to the piano, say, the first three words, and suddenly seeing this piece of paper, you her rose and, going to a place where you have to sit, you expand the paper and talk further." It really helped. It turned out that it was necessary. Or was the case: I have no quiver at one centime, and the words I'm looking for, so they sounded anxious. It is impossible.Then he gives me a stoppered bottle of wine and a corkscrew, and said: "You say the monologue and thus open the bottle." Indeed, when I began to do it, then got into a position that made that drop quiver, which was with me longer. I bought it in the struggle with the difficulty in otkuporke bottle of wine.I did this quite experimental - I used to know how to uncork a bottle. Then I hated Stanislavski hated bottle, download the film Ru-Ba-Ru
and hated, hated by everyone in the world - and I found myself in a situation where there were obstacles, and then in his monologue, I found the tone of truth.
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After all stupid talk about himself: "I was in military school ..."But when I started this monologue, and saw a piece of paper, and bent down to pick it up, it was a lively gesture. After all, we live experience, we all bring to the stage their experiences, and this gesture when I picked a piece of paper, turned on the conditioned reflex, which I remembered.