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Fairy tales of the Viennese wood
If only the film Analytical ability of this tool lies in its unsurpassed accuracy of the method, "the space-" and, moreover, "objective", the shooting of the real world, or the space-world objects, or objects in the literal, not metaphorical or metaphysical sense.From a natural, inherent nature of the movie "realism" - Realism images - of course, supplemented by "installation", which has its own function - "synthesis" and also add "ideologization" but who "can not" and must never betray that is, to kill, this realism.Hence the inherent impossibility of translation into the specific language of cinema of all that is the fruit of fantastiko- "literary" thinking, ie slovesnokontseptualnogo, abstract and "ideal" that is "free" from the "real", or the space-objective world.Hence, also a new, different type of fantasy - "kinofantaziya" or "fantasy mounting", compared with the literary and fantasy art, music and so on.But it should be pointed out that the issue before us is not, as it may seem, a purely aesthetic issue or form, and is at the same time the issue of content or content. In short, we are able to respond to the question on the agenda of the conference:Does today's cinema of modern man with his problems?So first of all you can answer that the movie shows itself by virtue of its analytical techniques sui generis, which we discussed above, the most appropriate means of artistic expression to fix the precise scope contained in space and time real mixture of everyday life. A special kind of peculiar.modern man with his specific, real, specific problems: for example, the problems of work, is inextricably linked with our everyday life, because our life is a civilian and, therefore, mainly social;technical problems and moral progress, with all of their alternatives and the dynamics of contemporary daily struggle for progress, is also a struggle for solidarity between nations.In this regard, it is also necessary to remember the well-known character of the maximum impact on the audience, or the universality inherent realistic kinozrelischu, this collective means of artistic expression, and therefore democratic, like no other.And secondly, on the basis of the foregoing, we can say how and why in today's cinema, especially Italian, the current modern man really shows with all its problems.This is explained by the fact that Italian filmmakers working today, especially belonging to the direction, called "neo-realism" were able to prove in practice that they are guided in an effective rate of the spirit or soul or the essence of cinema that we have identified above as " analytical sui generis »,inherent in the photo image, thanks to which, by sintezamontazha born specifically cinematic image.