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Fairy tales of the Viennese wood
FILM RU-BA-RU Once, when I was giving a lecture on the subject, I was able to test his idea into practice.Fortunately, in the audience found a woman who had never read or seen "King Lear." I gave her the text of the first monologue Goneril and emphatically download the film Ru-Ba-Ru and asked to read it aloud as she understands it. She read the monologue is very simple, and its charming eloquence heard in full measure.Then I explained to her that she was reading a monologue bad woman and asked to read it again, but so that every word felt hypocritical Goneril. She tried to do it, and everyone saw how hard she has to fight against the order to lead, to put it in a musical interpretation of Shakespeare's lines:My love is not vyskazhesh words. You are dearer to me than air, light eyes, precious resources and all the treasures of the world, health, life, honor, and beauty. I love you, but never liked children Hitherto their fathers. Tongue numb from such feelings, and he captures the spirit of each rank can repeat this experience.Say monologue out loud, you will hear a fine speech notable given, which is used to talk to the big society, we women who feel comfortable and confident. As for the features of her character, the word monologue give an idea only of the outer shell, and we see that the shell of this elegant and attractive.But if you recall performances in which Goneril says the first line, entrenched as a villain, and then look at the text, you will discover in amazement that such an interpretation - nothing like the anticipation of the author's intention tragedy.download the film Ru-Ba-Ru and Indeed, at the time of the appearance on the scene Goperilya not playing "monster", and sincerely utters the words role play changing the internal dynamics and future scenes Goneriln villainy does not seem so rough, and flour Lear, such simplistic.Of course, by the end of the play Goneril actions make us realize that she a monster, but a monster now, many faces and irresistible. In live theater, every day we begin to rehearse with a check that has been done before, because we are never sure that you have reached a true understanding of the play.In inanimate theater is that someone was once understood and established once and for all how to play a particular classical piece. So we come to the crucial issue, which is called the problem rather vague style. Every work of art has its own style, without that it does not exist, every era has its own style, too.At the moment when we try to fix this or that style, we condemn ourselves for death. I well remember how, shortly after the Beijing Opera in LOEGDON came her opponent - Chinese opera troupe from the island of Taiwan.The Beijing company was not yet divorced from its roots and feed every night again revived the ancient specimens of his art, Taiwanese actor who showed the same old patterns copied from memory: kakimito details neglected, spectacular places highlighted, the meaning is not worried - not recreate happened.Even unusual exotic style does not interfere with their own eyes to see the difference between the living and the dead art.