Here teperto started genuine anguish. I collected episodes and understand them back into pieces, rearrange them dozens of times, and other heads of walking across the picture - in the end, the beginning, the first of a series, then the second, then the material accumulates in a tight group, then spread on very other parts.The main thing is, I still could not quite explain what I'm looking for what I achieve, explaining that in fact it was not easy. Here is a simple example: how to deal with the sequence of events. If a film and photo documents on the history of fascism gaping holes that are filled with nothing, unless formal written explanations.For instance, there is the burning of books, but there is no burning of the Reichstag; Auschwitz and the ghetto have forties, but not the first camp organized by Hitler immediately, as soon as he became chancellor; No frame arrest, no destruction of the Communist Party and the Social Democracy, the defeat of the trade unions;is the first appearance of Hitler in the government, but there is no collusion financiers, there are no frames industry bigwigs of those years. How to avoid these harmful holes?It was decided to completely abandon the historical time series violate her everywhere and deliberately, especially stressed - Our movie watch online
and then throw time forward, then back, and if you add up serial piece, then it will certainly break the viewer to not followed the course of events, but only fordevelopment of complex thought. At the same time it was necessary to decide on the course of emotional, about the rhythm pattern. Here, I found it necessary to push shots and episodes so contrasting, so contradictory as soon as possible; Our movie watch online
and push them unexpectedly sharp blows.For example, from the lyrics to the atrocities of the grotesque atrocities; and laughter - once again to the most terrible. And so within each chapter. Yes, and most chapters let arise unexpectedly and though illogical, Third collect episodes in large dense blocks that each episode was an emotional blow and clot thoughts.Collect episodes on the principle of silent installation art - that art, not a documentary - paintings. And that's dumb, dumb for Soviet cinema showed the highest perfection of installation. First of all, I remembered the course of events in "Battleship" Potemkin ":contrast transitions, energetic accumulation of close-ups, hyperbole events.And so, I decided, it is necessary to build episodes, but only from a purely documentary material, however, to build a strong episode, collected from dozens of disparate frames Chronicle, taken on someone else's job, with the opposite end, a lot harder - but in principle it was possible .
as the layout, or, say, a reference structural fabric of our film, I chose the first part of the picture. The room darkens on-screen message "Ordinary Fascism" thud of the drum and the list of repositories and museums.The viewer is waiting for dark, disturbing or scary sight, but instead the first frame causes an unexpected smile: "Happy Cat". Go to children's drawings, children. Then - the students. Nothing grand, majestic no: students filmed with a hidden camera, they are simple to the extreme, sometimes funny.