FILM SKRZYDLATE SWINIE
Camera movement technique was worked out to the smallest detail prior to the shooting. We marked out area, and parcel numbers served us landmarks. Required to set the camera to the position of number 1, 2, and so on according to the course of dialogue.Furniture was on wheels, so it was possible to remove it to make way for the camera. Watch the filming was fun. It's amazing that everything was done quietly, and you record audio simultaneously. For a European, especially relieving in Paris or Rome, this unimaginable! And in Hollywood, this is unheard of! We had to lay a special coating on the floor.Early in the film, as you remember, two young men strangle the third and hide his body in the trunk. Is laconic dialogue. A few more words added, when they go to the living room and from there into the kitchen. We cleaned the walls on silent rails and light as needed grad or flared.I was so afraid that anything should we let fall through the first few minutes of footage could not even look at the site. The first eight minutes, everything went smoothly, and all of a sudden, when the camera panned to the killer pass to the chest, right in the focus illuminator was standing at the window. So what's the first take was ruined.It is curious how all duplicates made for each movie? That is, how many of them you have completed smoothly and how many had to make a copy? Ten days we rehearsed with the camera, actors and light. Eighteen days later filmed, including nine spent a retake because of too orange sun, which I mentioned.Eighteen days of shooting. Six entirely futile. And could you shoot in one day two full video? No, not really. Be that as it may, I refuse to consider "rope" just gamesmanship, especially if you take it in the context of your creativity: the director gives in to the temptation to merge all parts into a whole movie, in indissoluble act.From any point of view it is - another step forward in my artistic development. Nevertheless, weighing the pros and cons and the experience of the largest producers of the world, the classic assembly, counting their days with Griffith, withstood the test of time and is now in good health. Do you agree? Sure, movies need to install.As an experiment, "rope" can be forgiven, but to insist on applying the same technique to record "Under Capricorn" would be an obvious mistake. Before our conversation will become a thing away from the "rope", I want to note its meticulous realism.The soundtrack of the film fantastically realistic, especially at the end when James Stewart opens the window to shoot at night and raised the bottom becomes audible noise.
You put it very precisely: the noise is really "rising" from the bottom.To achieve this effect, I set the microphone on the sixth floor, placed at the bottom of the extras on the sidewalk and asked them to talk. Howl of police sirens have in your library. I asked the sound engineers, "What you will achieve sense of distance?" and I download the film Skrzydlate swinie
and answered: "First, a sound softly, then louder." I do not like this way.