Family, children's Detective Biography Crime Extreme Drama Mysticism Karate Fantastic Animation Military Suspense Sports Tragicomedy Western Fairy tales Adventures Cyberpunk Accident Melodrama Black comedy Documentary Scientifically popular Fantasy Musical Anti-Utopia Erotica Horror Action Performance History Parody Eastern Comedy Tragedy Thriller
Fairy tales of the Viennese wood
WATCH THE FILM SKRZYDLATE SWINIE IN EXCELLENT QUALITY ONLINE Movie time to handle abstract ideas, which would reduce to kakomulibo concrete concept, he said.And speaking of the "inner monologue", Eisenstein argued that the movie even more than literature, has the means to adequately convey thoughts careening into the troubled mind of man, that sound movies can recreate all the stages and the specific nature of the thinking process.Another possible objection. As we have seen, Krakauer says about reality, realism, nature, life, without making a clear distinction between a number of terms, and often uses without adequate differentiation of concepts such as plot and "summary", "history", the plot, theme, content .Each of them is a little different from the other, all of them, in fact, have the same value. However, in the framework of the Krakauer is more accurate to talk about naturalism, not realism.Luigi Vittorio Saltini rebuked Kyarini, author of "Art and Technology Cinema", in that it provides an assessment decadent naturalistic poetics of neorealism, according to which only the direct contact with the reality of the possibility of "creative process reality."Despite the objection that such processing is characteristic of all forms of art, he adds, Kyarini persists in his quest to make the immediacy of a mystical nature. Argued that if the "recycling" is preceded, filming, before a movie camera is not the reality and fiction - it's like automatic writing to defend him without prior mental work. This irrationalism.Similarly, one could say that the language of cinema itself is a poetic prose and excludes. As we can see, the modern film studies involve a variety of problems, and when the book was download the film Skrzydlate swinie and published Krakauer, speak a variety of often conflicting views of each other.Krakauer position represents fertile ground for disputes are controversial and some assessment of individual films and groups of works.According to his theory Krakauer underestimate films like "Hamlet" Olivier, "that make it impossible to see and catch the really all that can transmit only one movie," and overestimates police detective films - "genre, aspiring to reveal concealed material facts ". A place of honor in Krakauer takes Hitchcock '... No moving so confident as he, in the little-known border region, where, facts, circumstances, inner life mix and merge with outside. " Call for a return to a material fact, without a doubt, has to a download the film Skrzydlate swinie and certain cinema meaning and significance. Has its own value and naturalism.However, more important still as crucial is the question of realism in film. When the director asks and in his works the problem of artistic reflection of reality, then the dilemma of "Lumiere and Melies' is a pseudo.It is within the scope of the term "fan 19 Aristarko taziya", which is part of the concept of "real reality." Is it true that we have entered the era of "no confidence"?Everyone knows what "no confidence" says, for example, Nathalie Sarraute, and along with it, and other representatives of the "new novel"-from RobGriye to Byutor from Duras to Claude Simon, until Louise Belloc and Saporta.