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Fairy tales of the Viennese wood
FILM SS LAGER 5: L'INFERNO DELLE DONNE In each phrase to be built in the world quite certain size and binding angle, which is easy to feel and see the reader, you only want to take a good look at the phrase. This has already been mentioned, and I do not want to repeat.I can only say that Tolstoy - is an invaluable teaching aid for the study began cinematic installation, staging, and the composition mizankadra kinoepizoda. The direct influence of cinema on modern prose saying much. This influence of course, but that's what is remarkable:just those writers who most noticeably felt the impact of the movie, most of all for losing the film adaptation. "Cinematic" Hemingway strikes, he persistently download the film SS Lager 5: L'inferno delle donne and emphasized it, and yet it is one of the least suitable for the screen writers. American movies have tried many times to get him to the screen:has a picture of "Fiesta", there is a picture "Farewell to Arms", a picture made of the early stories, is "The Old Man and the Sea" - and it does not matter picture. Although the author praised production of "Old Man and the Sea", I think that the film is not only worse than the story - it's just a very bad film.Does not help even a charming and intelligent actor, like Spencer Tracy. It's not just that "cinematic" Hemingway's only apparent that his main reception - silence and cinema inevitably detailed.The point, I think, in that literature, seeing many of the lessons of modern cinema ... recycles this same "cinematic" in a purely literary device that is difficult to reverse translation into film language. The process becomes irreversible.A good film, in turn, takes the lessons of literature difficult, and not by direct means. Best shot - it is one that is very difficult, if not impossible, to describe. Recording of "Battleship" Potemkin "do not show the great picture. Chaplin's movies can not be recorded without loss of humor and depth of thought.If the film pochemulibo disappear greatness Eisenstein or Chaplin is unprovable. Lermontov or Chekhov remains high regardless of the set of bad, mediocre or good adaptations. The appearance of the author's voice and the inner monologue gave modern cinema weapon of great power.Free installation, free moving camera, observation of real life, non-scenic props - all made the film an indispensable tool for the study of modern times. I believe that in the seventh decade of life is the art of beginning released from direct imitation neighboring ancient arts in all its elements.I believe that even a good film dialogue is good only in the living utterance, and put down on paper should be made worse, much worse, literary worse, because it is not a theater, where the word embraces all, this film, where the word - it is only a part.
WATCH THE FILM SS LAGER 5: L'INFERNO DELLE DONNE ONLINE The human eye sees is ten times more than the ear can hear.So in life, so it should be a good movie. Modern cinema is seeking to increase the activity of the viewer to make his creative partner of what is happening on the screen. I think that this fundamental fact.