Western Melodrama Karate Drama Fantastic Fairy tales Parody Scientifically popular Comedy Animation Crime History Suspense Performance Action Accident Military Cyberpunk Mysticism Sports Extreme Black comedy Family, children's Musical Detective Horror Erotica Eastern Biography Tragicomedy Fantasy Tragedy Thriller Adventures Documentary Anti-Utopia
Fairy tales of the Viennese wood
LOOK ONLINE Send me a postcard in Berlin: How long will you still be here, whether there someday in Berlin. I would like to see you. Did not want to disturb your rest, not that you would have stopped in a jam. Write to me in Berlin as: Charilottenburg. Marchstrafie, 4 - 5, Grand Hotel am Knie.Hence I am leaving on Friday. Food, to Hamburg for two days, then in Berlin. Out soon in Moscow. Whether you have any requests in Moscow? Comply with pleasure. I repeat, very, very much want to see you. I'll tell you about the "Lizistratu" in your theater, and you tell me about the American theater. Well, I hope to see you soon.Hi Maria Petrovna and children. I respect you and love you Meyerhold II October 26, 1923 Moscow heartfelt congratulations grateful pupil Meyerhold III October 27, 1923Moscow Art Theatre and its creator - the great master of the scene that opened the possibility of Russian art director, his keen ringleaders send greetings Theatre Workshops Theatre and Vsevolod Meyerhold. "LESВ» I. SPEECH AT Performance Talk February 18, 1924 New Russian theater, obviously absorbed the healthy elements of the theater of Shakespeare.Experience vaccination of these elements have already been made by Pushkin: in his "Boris Godunov," in particular, sounds much popular trend, and a typical breakdown of the play into scenes. The theater has the right to discrepancy plays. Salvini and Rossi is not in awe of Shakespeare, and the first thing is to work on the viewer. In the flowering period at the theater had its own playwright;plays were altered under the influence of life. For the playwright, director and actor most importantly - to consider the state of the hall. It is not true that we have to give exactly what I wrote Ostrovsky. If Ostrovsky risen, he should be happy that his works are not in a way that requires a new era.Ostrovsky was in the grip of art scene of his time, from which we have made great progress. However, in our formulation of the "Forests" more responsible views Ostrovsky. In his note on the reform of theater schools, he recommends learning to play the guitar, singing duets, trios and choruses.Alternation of comic and dramatic Shakespeare and Spanish playwrights gives the action of particular tension. We have to pull together to the theater all the best techniques truly theatrical eras. So- called "workflows" in "Forest" - not the ones in the future theater. We are still very far from him, we are still on the carpet of traditionalism.Comes to life only that operates truly theatrical techniques. The law of the theater - the impact on the viewer. "Listen, Moscow!" - Performed by Eisenstein, who studied at our school - the shift to a new theater, but in this production - especially theatrical methods: use the techniques of Vakhtangov's production of "Gadibuka" and Vakhtangov borrowed them from the past.It is necessary to know the wave of the present.
WATCH THE FILM SS LAGER 5: L'INFERNO DELLE DONNE ONLINE 56 Neschastlivtsev Ostrovsky - not in the center of the play; Aksyusha - not a petty bourgeois - it is in the same environment, as Catherine in "The Storm." Neschastlivtsev plays an auxiliary role to the Aksyusha.