FILM SS LAGER 5: L'INFERNO DELLE DONNE
" Carcassonne Niva Mankiewicz compared with Chabrol:"Far from solving the puzzle, return to the pro shloe often serves to emphasize it and even make a dull, denoting a mysterious chain of memory failures that preceded it." 2 Jean Narboni outlined other points of comparison with Fitzgerald Mankiewicz: В»Mankiewicz a la troisieme personneВ», Cahiers du cinema, no.153, mars В«Letter to Three Wives" and Harry in the memories of the "Barefoot Contessa." Perhaps, this is the question of questions.For all the talk of absolute justice theatrical nature of creativity Mankiewicz, it has and the novel element of relationship between these two elements and their original alloy, despite the fact that Mankiewicz takes full account of the cinematic specificity were analyzed enough.On the one hand, the novelistic element, the story, the fact that there is in the memory. In the words of Janet, the memory is actually guide the narrative. In essence, it is a voice that says, talking to himself, or whispering, telling about what download the film SS Lager 5: L'inferno delle donne
and happened.So there is a voiceover that accompanies the flashback. Often Mankiewicz this spiritual role of memory allocated substantially more or less connected with the other world: these are the ghost from the movie "The Ghost and Mrs. Muir," the stranger from the world of "The Reason for the gossip," Machines of "Snoop."In "A Letter to Three Wives" is a fourth friend, we will not see - she vaguely flashed once - but the other three, she said that the part with one of their husbands: her voiceover, hangs over the three flashback 'aMH. In any case, the voice acting the role of memory and crops flashback.But on the other hand, the fact that it "shows" what he says - also voices say, it appears the characters eyes and decor, but their essence is that they speak and sound. Here it is, the theatrical element, the dialogue between the characters that appear in the story - and sometimes a character has already arisen and he is the story.One flashesback'oB in the "Letter to Three Wives," there is a scene muzhaprofessora and dinner with the boss last zhenyreklamista all movements of the characters and the camera due to more rapid nature of their dialogue, and the separation of the two opposing sound sources: radio and classical music that annoys the professor.Consequently, the main thing here for the depth of relations between the Roma memory element as a vehicle of narrative and theatrical elements of dialogue, speech and sounds like manners characters. And it turns out that these internal relationships are always at Mankiewicz highly original determination.It is always a question of "derailment" deviation bifurcation. However, although in principle bifurcation can be detected only retrospectively, and with flashback'oB, there is always a character who anticipates or her grasp on the fly, even in order to subsequently use it for good or evil.In such scenes Mankiewicz excellent. And this applies not only to the role of Harry in "Barefoot Contessa", 348 Gilles Dele'z KinoObrazvremya 349 but also to the two great scenes from the movie "All About Eve." First kostyumershasekretarsha actress immediately realized the fraud Eve and its bifurcated nature:at the very moment when Eve dealt with false tales, she realized, while in another room, out of frame, and then download the film SS Lager 5: L'inferno delle donne
and entered the frame to look closely at Eve and briefly express their doubts.Subsequently devilishly tricky theater critic guessed another bifurcation occurring with Eve when she was trying to seduce a lover actress.