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This is due to the need to have one of the opposing plans, especially in the case where the background is unmovable object.Most directors, depending on your budget, choose to shoot such plans in the open air, satisfied approximate plans, and even more approximate than usual. .23 External kontrplany for shooting two actors lying around: the platform is used to simplify placing the camera at the actors.63 CALLS The two actors are the call, they are shown individually and then assemble the plans in parallel. But to achieve the impression of a lively conversation, the actors have to look in the opposite direction, especially in the episodes, which divide the screen into multiple frames.This is because the actors filmed separately and their plans are mounted. .24 When two people are talking on the phone, it is necessary that each plan their views were in opposite directions. pyutivoyolozhash DIALOGUES WITH TRACK PLANS When people talk to each other, not necessarily that their bodies were straight.Sometimes head instinctively inclined to express pleasure or embarrassment - a perfect opportunity to introduce the game to the opposing dialogue approximate composition plans. .25 Cast diagonally in opposite directions in each plan. 64 26 On the big screen, you can see all the advantages of diagonally.65 This effect can be achieved with any pair of cameras every position a triangular scheme, which has already been mentioned. The composition of the wide screen can also use this method. .26 Illustrates this example. People can behave totally differently when, during a conversation at each other. In rare cases, their bodies are aligned on the same line.Stick slightly to the side in relation to the partner psychologically beneficial. So, with two cameras external resistance can be removed actors straight or offset, leaving between them are full range.If the actors are straight, then the opposing cameras should be placed near the center line, formed their line of interest, not necessarily parallel to this line, which would represent the dominant actor in a better position. With luck you can get the screen diagonal composition of the two characters.The tip of the nose closest to the actor we must remain within the line of his profile. When between the actors left a short distance outwardly opposing cameras provide plans, as shown in. . Skin kontrplan shows a slight separation between the actors.On one of the plans is partly diagonal composition, but on the other over the shoulder camera shoots an actor standing back to them. If such a space between them are significant, then the camera should be placed outside the confrontation at a right angle, as shown in Fig.28 Plan and kontrplan 9SR stresses on fair distance between the actors. It happens that the camera when shooting external and internal conflict one of the cameras as it prevents, or stands in the path of one of the actors. Look online
. However, this method is correct, as the line of interest remains dominant.In these cases, the camera stays on one side of the line of interest.