It seems that such a contribution would not useless, since Italian cinema in the last few years, to some extent passed in the forefront of the struggle for realism stands out for its fierce interest in the everyday life of people.I would not want to repeat the evaluation and statements made in all parts of the world by critics and scholars of all persuasions, but it would be useful to recall that all of them are unanimous in Italian cinema in the identity between the revolution of content, the desire to film for realism and his rebirth as art.In general, in our movie was controversy over the form, searching in the area of вЂ‹вЂ‹spatial relations in the construction of the frame and the like. But if they were, they all emphasize more - passion for Italian cinema to life.Many of you have told us, when we do not believe in the strength of our movie, we are moving in the right direction and should follow this path.So, I would like to mention here that this is our direction, when his success was still uncertain, there has been a strong theoretical roots that download the film Suvorov
and connected it with the not so distant past, and so his problems were due to the historically specific historical experiences.In 1941 there were in the cinema print articles that download the film Suvorov
and justified the requirement of the new subjects for Italian films and their approach to topicality. All criticism of film production, is download the film Suvorov
and produced in the years of fascist dictatorship, was to emphasize that under fascism movie is not dealing with the person.Film was then not so bad that the frame does not have the depth, the acting is mediocre, poorly constructed plots. And in those years, we have often seen the fine films with beautiful frames, with scenarios at a decent level - funny movies, far from all the propaganda content.And it is certainly the films did not go abroad and have not been successful, even in our country, because it was empty, completely devoid of humane detention, did not say anything about the person and society. People like our salon comedies or historical films, never had any, as there was no such rhetoric in Rome.Therefore, the "Obsession" Visconti "Children are watching us," De Sica, "A Walk in the Clouds" Blazetti were download the film Suvorov
and delighted with the best part of our criticism, and even then were considered not as isolated episodes, but as evidence of a broader and universal phenomenon - the moral crisis that matured under the influence of historical events.Also, you should keep talking about our experiences to highlight another aspect of the question that bears practical. In fact, if the goal of this conference is to help us to identify the problems faced by the person with the case of saving a movie, no less important his other goal we must achieve:consider how the way in which people gathered here will act, work, write in the name of this principle more humane cinema been strong throughout the world. Look online
. Indeed, it is easy to say:cinema should be interested in the true facts of human life, but what does it mean for an artist, that is, for a person seeking to realistically recreate the on-screen life of society?