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Fairy tales of the Viennese wood
LOOK ONLINE Is not that the same fate awaits the current screen idol James Bond. 1 в‚¬ a fate already being accomplished:recently download the film The Meaning of Life and released fourth film of his adventures Lightning "), planned adaptation of Fleming's novels, seven more, while dozens filmovbliznetsov into production producers and television companies in the USA, Italy and other countries. Another conveyor dies running at full capacity.If we abstract from the James Bond films and the like, and try to identify some of the dominant trends in contemporary commercial cinema in general, and can be done here, in spite of its diversity, defined, and often similar conclusions.For these kind of producer's hallmarks - dominated not only in films Р°РЅС‚РёРіСѓРјР°РЅРёСЃС‚РёС‡РµСЃРєРёС‚РµРЅРґРµРЅС†РёРѕР·РЅС‹С…, but in the film "pure" entertainment. more difficult to present the viewer seriously mindless adventure or melodramatic stories. However the need for entertainment cinema as a means of recreation there.After all, is adjacent to the grave, "big" literary fiction. She gave birth to their heroes, and d'Artagnan or Sherlock Holmes are the same satellites already several generations. Not all pisatelibelletristy became classics of literature Villa. But as you know, Gorky was able to appreciate and, although they have through the paper. "Must be recognized and kinobelletristike, mindful of its specificity, that is up to her with an open mind and with the relevant criteria.Of course, in his best specimens such films not only entertain, but also to decorate life, enrich the aesthetic, contribute to a certain extent Enrichment viewers, because in its own way, too, reflect reality. However, these cases are rare and are exceptions.entertainment pictures are interesting mainly due to the skill that they demonstrate the playwright, director or actor.Ability to remain the master, where only important external effects and intricacies of fable where it's easy to slip to a mere artisan, can deliver the most creative satisfaction sometimes demanding sebe1 artists. This - not to mention again about the power of the checkbook - widely used by producers.On our screens were dozens of entertainment pictures, especially a lot of them happened at the Moscow International Film Festival and the Week of the French and Italian cinema. The attentive viewer can draw some conclusions. In particular, the specific role of ironic reception.They are now not only in comedy, but often in a "pure" adventure film, like "Fantomas" and "The Man from Rio", or melodramas like Danish "Sweet family."Author's grin on his own fables does not always save the film from banality or vulgarity, but it still captivates audiences and reflecting the desire of commercial cinema somehow catch up to the increased level of the audience.Besides Solid professionalism, say, Louis de Funes in "FantГґmas" or ZhanPolya Belmondo in "The Man from Rio" increases in obschemto low price of these gadgets, life is portrayed "through cinema." Thus, the irony - a distinctive feature of many paintings of the current commercial cinema.