FILM THE RIGHT TO SADO MASO
So the first warning cameraman whatever he was shooting, always the same:just do not look into the machine! If we see in the material living creature that looked into the apparatus, the frame is immediately rejected and thrown out. Only in rare cases, a straight actor look into the machine in the picture kakoynibud climax when the director seems to want to throw out the action on the screen in the auditorium.When I mount the film " Lenin", a huge amount of precious documentary material shot during the February Revolution, had to reject because of the fact that the people that filled the streets, soldiers, workers download the film The right to Sado Maso
and welcomed the cameramen, with smiles looking into the unit and the filmmakers were waving hands.These frames are on screen at once made a spectacle frivolous, like destroying the illusion of authenticity majestic film documents the revolution.The laws of television in this respect are directly opposite, and we did not bother, if the TV show, say, a football match spectators noticed a TV camera, dismiss it or smile.As for announcers, commentators, and of all people speaking to the audience from the TV screen, there is the effect of communication is particularly important: because the audience knows that talking to him does this man, at this very moment standing in front of a television camera.It not only does not disappoint glance directed at him from the screen, on the contrary, he was offended and angry if a person with a television screen does not meet his gaze. That is why the television is impressed with a live report from the scene of action, such as coverage of sports matches.Spectator excitedly watching such matches. The reason is that the game actually takes place in this time and in the way it shows the TV. Television surveillance device is hidden, as in the movie, but clearly, openly. This open reportage match can watch without boredom hour and a half or two.I have known cases of heart attacks at the TV screens in the climactic moments of important matches. But try taking this match on the entire film from start to finish and in this form to show it to, say, a movie theater chronicles. He will be unbearable and boring long.In download the film The right to Sado Maso
and filmed chronicle viewer requires another - the viewer requires confiscation spectacle madeness his compositional accuracy. He demands that have been selected and installed only the most spectacular moments.In the documentary film requires special cinematic spectacle of rhythm and tempo, concentration effects, thoughtful dramatic their distribution.
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And if the most spectacular goal will be scored in the ninth minute, the documentary will end this motion picture is a goal.But the TV unit for nearly a half hour after a spectacular goal attempts otkvitat will show him that it is impossible for the cinema, dramatic is not justified. Cinema - is primarily a selection, while the TV - direct observation.In the area of вЂ‹вЂ‹live reporting and communication with the audience, I see one of the main directions of the mighty future of television.