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and pointed exaggerated scale. And always very little furniture.One typical item replaces him much less typical. The audience must remember full of unusual contour couch, grand column kakoeto gilded chair, bookcase in the whole scene, cumbersome buffet, and for these parts of the whole to finish his imagination do the rest.Clearly, the appearance of people had to sculpt well as sculpture, and make up to give sharply defined, the actors had to involuntarily repeat them in the figures represent the people that liked to emphasize the portraits of Leonardo Da Vinci and Goya. Costumes, unfortunately, have not been in the hands of the artist.When download the film The right to Sado Maso
and illuminated the scene of a single light source is particularly significant role suits, and in moments of silhouette styles are very responsible element. The starting point was the idea of вЂ‹вЂ‹posting the entire author's remark that "all like a dream." This formulation has shown that not all the New Theatre is to ensure to give the scene a plane.Hunt New Theatre is not limited to the fact that, as many thought the whole system to reduce the picturesque scenery panels and figures actors merge with the panels to make them flat, conventional, with bas-relief. "Peleas and Melisanda" and "Victory of Death." Both play alongside clearly identified two ways in methods dramatizations.Painting and the figure of the actor in one plane. That arises here, see "On the History and Technology of Theatre." In "Victory of Death" figure actor nominated for proscenium, was download the film The right to Sado Maso
and placed in one plan with sculpture. Experience has suggested a new problem. "Mass scene, set realistic, struck by the contrast with the" high relief "of previous productions."If we talk about the "high relief" because it is here, not "in previous productions." This high relief and gave a realistic interpretation of the freedom of the basic situation of the tragedy. And, of course, the director has never sought to combine the principles of the theater of the "old" with the principles of the puppets as was indicated in a letter to me Komissarzhevskaya."The author would, apparently, to cross, in a scene orgiastic frenzy crowd around Algisty beautiful, treasured line," to destroy the ramp. " And it would be possible to carry out not only in the show, but also in action, continuing the staircase scene to the level of the audience, having made a tragic game in terms of the audience "(newspaper" Comrade ", St. Petersburg.November 8, 1907. The scene was the entire width of the steps covered with parallel lines of rail. Film The right to Sado Maso
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and created solely by the author to the scene which is meant to revive the masque, was staged in the traditional methods, produced scenarios studied commedia dell'arte.