WATCH THE FILM THE RIGHT TO SADO MASO ONLINE
- Documentary party television today is clear. That it gives us the greatest proof of identity television, its specificity, its strengths.I think the film, embodying any event - from sports to performances politician - not compete with the direct transfer from the scene just because a television camera that allows everyone to be present at the location of the event, to be his witness.Yet even this, the most strength television while underutilized. You say, almost every day television brings us to the factory shop, a hockey or football game, the figure skating competition. During national holidays, we look at the Red Square parade or meet our astronauts. All this is true.Yet we still rarely use methods of direct observation, direct reporting, direct interviews. The geography of their generally poor, and do reports often monotonous or stretched. Referring to this outstanding event, literally flips the entire life of Moscow, and not only in Moscow, as arriving astronauts.Remember how exciting was the first program of the meeting of Yuri download the film The right to Sado Maso
and Gagarin. But that such an event, the demonstration of which takes a long time, there is a second, third, fourth time. What we see on the screen? Again Arrival and very monotonous comment.In other words, directors and commentators are on the beaten path, the image remains the same event, the audience know in advance what will the action. But this fact can show more interesting, stronger. I think that showing such events on television requires sampling, rigorous editing.Should diversify these reports, make the viewer not only an observer, but also a people's party meeting.And if we show a bird's eye street, crowded people, is not a sin to get down on the ground, talk to people, dam street, such as a driver, I hasten kudato and stopped his car to find out what download the film The right to Sado Maso
and prompted the student to postpone the textbooks, and the home hostess throw things and get to the throng.In short, it is necessary not only to inform the audience about the "protocol" of the event, but also to show the event in all its uniqueness, the vastness, depth. That allows TV as close to the person.Direct interviews, direct observation of life - this is what distinguishes the TV documentary on the documentary cinema. And we, as I said, still little use this feature. Even an interview with us, as a rule, pre- prepared. Meanwhile, not much more convincing zarepetirovannye interview.Our desire to prepare everything in advance, to be safe from the possibility of failure, our fear, so that, for example, the champion did not look the way we would like, or would say not quite smoothly leads to the fact that pre-written scripts for future interviews, talk of future projects .And the result is sad, because the basic principle is violated television - birth momentary thought.
Even in film restoration fact never amount to fact.But in the film, when you deal with the fact you have it anyway estetiziruete, you must estetizirovat it, because it will be shown as a kind of reminder of the fact that there was once.