Biography Horror Detective Cyberpunk Erotica Scientifically popular Fantasy Animation Crime Black comedy Musical Fairy tales Fantastic Sports Comedy Melodrama History Eastern Mysticism Adventures Drama Anti-Utopia Military Thriller Documentary Family, children's Western Performance Karate Accident Action Extreme Tragicomedy Parody Tragedy Suspense
Fairy tales of the Viennese wood
movie right on Sado Maso recently occurred very significant event: the picture "Anna on the Neck" was a great success with the audience. Do not underestimate the significance of this fact, because the picture - I am deeply convinced of this - does not possess advantages. The point, of course, not only in the fact that Ann stylistically distorted Chekhov.The literary work, going to the cinematic series, can not undergo very large changes. Least of all, I am inclined to blame Ann that he staged Chekhov place images, a more peculiar creativity Ostrovsky or SaltykovaSchedrina. That's not the essence of the matter.The fact that this film is not read by the idea, implicit in Chekhov's works and, as always happens in Chekhov, very deeply hidden. Chekhov in this little story says, in the state of despotism, which is based on fear, there are two categories of people - slaves and their masters.And when the servant who is afraid of everything and everyone, suddenly feels himself beginning to fear that he begin to depend on, it immediately goes to the slave mentality of the opposite mind of the despot. That is why Chekhov with such harshness, without any preparation would give Anna a phrase: "Get out, you fool" - immediately after the ball.Ann, Anna to turn in a nice, sentimental, freedom-loving virgin, longing, crying, did the main thing: he did not show it at first a slave, he turned her into a heroine in a restless victim. And why the sudden change of the girl - gross neglect of his family, pomykanie husband - nothing justifies firmly in the picture.The ideological meaning sharply broken. Having had time to gain the sympathy of the audience, Anna can not end up losing them, even when transformed into indifferent, immoral and cruel fashionable lady. The moral of the picture seems to me highly questionable, especially as depicted in dvoryanskochinovnichy light enough seductive tones.When Anna first Ann tries to escape from the house of her husband, it is - Katerina from "The Storm". But can you imagine what Catherine behave as Anna behaves in the final picture? With regard to the offense of Chekhov, the most disappointing to me that Ann gave his painting a variety of sentimental items.Most hated Chekhov sentiment, and the last thing he was able to "press the lacrimal glands." "Anna on the Neck" Chekhov - is the story of a very high taste. And "Anna on the Neck" Ann - this work is sentimental, designed for external effects and replete with scenes of low taste.If "Anna on the Neck" had such success with our audience's weight, it is not worth too much to talk about it.
movie right on Sado Maso We are so rare ekraniziruem our classics that every attempt to transfer them to the screen deserves support.The success of "Anna in the neck", as well as the exceptional success of the exhibition of the sculptor Erzya - This is the exhibition organized in Moscow in the summer of 1954 by the Organizing Committee of the Union of Soviet Artists and the Moscow Union of Artists. At the exhibition were displayed works by the sculptor in the 1908-1953 years.