Extreme Horror Anti-Utopia History Tragedy Melodrama Karate Fantasy Thriller Drama Accident Western Documentary Fantastic Black comedy Action Suspense Crime Comedy Biography Scientifically popular Performance Sports Cyberpunk Musical Detective Mysticism Fairy tales Animation Erotica Military Tragicomedy Parody Family, children's Eastern Adventures
Fairy tales of the Viennese wood
WATCH THE FILM THE RIGHT TO SADO MASO ONLINE We know that in this scene wife debate.Here Stanislavski and suggested that the dispute, but in silence, without a word, pronouncing them to myself, mentally. First attempt to study was not particularly successful, and Stanislavski comes to help. - Tosses you, - he said - given circumstances on the play to support communication.You - he says to the actor playing Miller - are convinced that your same on pushing your daughter into the arms of Don Juan ... You want to save a daughter who fell in love with an unworthy person. You hoti attract those to the attention of his wife, want to see it all through your eyes. So "clutching" at her and get it all to see ...And you - refers to the Stanislavski "Mrs. Miller" - do not agree, you should be counter-actions. There should be a hitch, snap. And further Stanislavski explains that he means by the word. He says that much of human life is in daily activities and concerns. All this is done, usually mechanically.On the stage is taken as the very essence of life, its quintessence. Therefore, even when it comes to the performance of the most ordinary things, the actor has to remember 95 of the "coupling" with a partner of the "snap" of greater impact in communication - it is a great active internal action.After this digression studio participants held their silent dialogue is much more confident and convincing. - Well done! - Praised their Stanislavski. - While there was no hitch, you were uncomfortable, but now that you have found the communication, you become easy and pleasant. I am nothing more is needed. - And further appealed to all present already:- In order to start a physical activity, you should first consider the play to go on the right communication. To play a role in all organic processes, you do not need a text, you have to know the theme, the plot plays.Later, in his independent directorial practice, I often use this method of Stanislavsky, trying to establish a "hitch", the organic process of communication between artists and asked them to take individual pieces, and sometimes whole acts in silence, not saying the text aloud. The result is always receive effective.Actors maximum focus on the partner - and it helps them to forget about the audience present at the rehearsal, about all the everyday, working environment, helps to find truly creative state. Stage communication can take place, provided that: - there is material for communication - communication object is present;- The form of communication, that is, the means of communication methods - making selection of devices for communication. These four conditions Stanislavski considered necessary for the emergence of a genuine theatrical communication.In the last two conditions, he stayed in great detail in an effort to help future actors to master all the diversity of species, techniques, tools for communication.