WATCH THE FILM THE SCANDALOUS INCIDENT IN BRIKMILLE IN EXCELLENT QUALITY ONLINE
But Pasolini adds, is a language-langue ... reality."Descriptive science of reality" - is misunderstood nature of semiology, and it goes beyond the verbal and non-verbal 'existing language-langage'eft В».Is not he meant that obrazdvizhenie represents not only the first articulation with respect to changes or to becoming expressing movement, but also the second articulation in relation to objects, between which it occurs, so these objects become integral parts of the image ?In this case, we will argue in vain Pasolini, that the object - it's just a consultant, and the image - a portion of the signifier: it has become an object units of the image, and at the same time obrazdvizhenie become a reality, "speaking" through obekty1.In this sense, the film continually reached langage'a features, with a great variety of ways: for example, the object is a function of Kazan's behavior, RenГ© object - mental function for Ozu - a formal function, and at Dovzhenko and his follower Parajanov - financial function, severe matter, which raises the spirit.In essence, langue reality - it does not even langage.This system obrazadvizheniya, in the first part of our study, we saw that it is download the film The scandalous incident in Brikmille
and determined by the vertical and horizontal axis, which have nothing to do with the paradigm and syntagm, as part of 'it is written the whole second part of the book Pasolini В«L' experience heretiqueВ» , Payot Pasolini shows the conditions under which real objectsshould be considered as part of the image, and the image - part of reality. He refuses to talk about the movie supposedly gives "Capturing Reality": this is the reality - and all "film shows the reality through reality", "I always stay in the reality," without interrupting the operation of symbolic or linguistic system.Critics Pasolini did not understand exactly study the conditions leading up to the film: film is formed by the conditions that exist de jure, but de facto it does not exist outside of a movie. So, in fact, an object can only be in the form of the referent, and the image - only chemto analog and send the codes.However, nothing prevents the film de facto surpass himself and become a de jure movie, in a movie like "prakod" which, regardless of what else the system of language-langage'a, create from real objects - the phonemes of the image, and of the image - moneme reality.Pasolini's thesis as a whole has no meaning if we neglect its study "the legal environment." If there is good philosophical comparison, the Pasolini, perhaps, be called Neo-while Metz and his disciples are Kantians. lyayut two "process."On the one hand, it expresses obrazdvizhenie changing unit and occurs between two objects: a process of differentiation. So, obrazdvizhenie has two faces, according to commend them whole or objects between which it passes. Whole constantly divided between the objects and the objects together into a whole:"Whole" varies from one to another. On the other hand, includes obrazdvizhenie intervals, and if we relate it to kakimnibud interval, then there will be a distinct variety of images along with the signs by which they are formed, each in itself and in relation to one another.