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and give it to Kohl. Kohl for Vassa - the heir and successor of home affairs and Khrapovs Zheleznovs. "No, I will not give you Kolkuto! I'm not giving it"; "Kolya, I will not give you"; "Think what you can do against me?Nothing can. For you are the law - a non-existent person. The law knows you as revolutionary as fluent. Declare yourself? Go to jail. " And in response to a contemptuous remark Rachel, desperate to see his son, Vassa frankly picks up her thought: "It can not. I can do everything! Play - to play well! ". Zheleznova goes straight, giving open battle.Rachel for her enemy, the enemy Vopasny. And she does not hide his thoughts, on the contrary, expresses all the "direct and clear." But, of course, and in a direct dialogue can not Kill carp movie watch online in excellent quality
and ogranichiVvatsya text author.The word is not enriched range of thoughts of the heroine, the accuracy of its associations will sound pushy, intrusive. The text of the indirect dialogue in its direction does not coincide with the overtones, and sometimes opposed to it.Here, strong-willed heroes aspirations require decoding, they are hiding behind the outwardly reserved, secretive behavior, in a speech a lot of "ado", without, at first glance, directly related to the events of the play. Such dialogue vprisusch plays of Chekhov, Ibsen, Hauptmann, Maeterlinck.Yong also present in the plays of contemporary authors - Pink, Arbuzov, Roshchin, Volodin, Vampilov and others. As is well known, "undercurrent" indirect dialogue in the plays of Chekhov opened Stanislavsky. In the composition of some of the texts can also Kill carp movie watch online
and appear "circumlocution."But backed by precise connotations, saturated specific internal content, they actively influence the development of the overall theme of the composition, and simultaneously teach students rchutko monitor everything happening between people, not only for what they say.Efros wrote that love download movie Kill carp
and read Hemingway, which is especially important to understand not what they say, but what are silent heroes: "How interesting and anxious to follow the course of conversations Hemingway ...Just wondering and anxious as to monitor the flow and change the melody in contemporary music, when any almost imperceptible transition, missed you, can deprive you of understanding all that follows ...All connected hard full of deeply hidden essence of which may have never and will not be mentioned directly, but that is a sharp eye and the sensitive ears should be visible and Tsslyshna. " In connection with the indirect dialogue that arises in the composition, future filmmakers acquire the skills myshleshiya figurative and figurative speech on stage.
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Subject to the overall theme, the word pebrestaet often be equal to itself, it becomes polysemic, multi-valued. Philologists suggest two levels of expression in a work of art: the linguistic and metalinguistic, or linguistic and imaginative, extra-linguistic.Thin explorer style Bakhtin emphasized that it is necessary to learn the word "no exemptions from the dialogic communication" text ", namely in the area of the dialogic communication, that is, in real life the word. The word is not the thing, and ever moving, ever-changeable Wednesday dialogic communication.