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But it is the very opposite of judgment proves that the front matter, which remains open and needs to be discussed.Discussion of this issue must begin with a consideration of the concept of realism, which offers us a Fellini. He says that you can create a realistic film, leaving aside the specific facts of the historical and social reality. Could agree with this, but if you approach the issue of the abstract.But with a particular approach, we will see that in Italy, a new cinematic realism emerged historically - the rising wave of experiences, feelings, hope and a new vision of the world, born in the struggle against fascism.Here is a film that we all admire, which invariably turn that brought international fame to Italian neo-realism, - one of the list indicates the correct position expressed by us:"Rome - Open City", "Payza", "thug", "One Day in the Life", "Bicycle Thieves," "Miracle in Milan", "earth shaking," "hard years", "Rome, 11 hours," " In the name of the law. "These films show us the reality of the Italian, who has long kept from the people, make us want to change the social order for years to suppress our people.That is why the poetics of neorealism - currents, especially the many who gave it in the postwar period - focused on a theme: the partisans of Rossellini, the download the film To kill a carp
and unemployed, pensioners and Dzavattini De Sica, Visconti, fishermen, simple workers De Santis. All of these elements of the historical process, from which we must build:it's part of history and at the same time an integral part of the life experience of each of us. But it was the magazine "Contemporanea" in its pages the first to talk about what neo-realism, in order to continue its development, should not limit yourself to just one post-war themes. We also wrote about the necessity of neorealism in realism.It is not necessary to go into the arguments that it is understood by the term;we just wanted to say that it is time to reveal the desire for life, her chronicle reflection merge with the great tradition of Italian and world realism, which in the literature are Manzoni and Verga, Balzac and Stendhal, Tolstoy, Gogol, and, in the film - Chaplin, Pudovkin and Vidor, Pabst and Stroheim in the first period of their creativity andpartly download the film To kill a carp
and Eisenstein. But we do not want to say - and we do not say - that it's time to throw neorealism to the dump, to completely abandon the experience neorealism, to bring ridicule his poetics. But will try to be more specific.Not only cinematic neorealism, but all the current Italian society emerged from the experience of the great anti-fascist struggle. One of the objectives of the struggle was to end the " monad", loneliness, feelings of scarcity, emotional callousness.Carlo Lidzani But we download the film To kill a carp
and started from the idea that human loneliness is not something fatal, is not some mystical, otherworldly forces generated by the sickness of the soul, and is a kind of spray disintegration of the personality, which causes human individual bourgeois society that turns people into closed ,download the film To kill a carp
and isolated part of the vast machine.