It is undoubtedly chgo this film theory proposed by Krakauer, very similar to the other views expressed recently in kinoliterature. First of all, it brings to mind the theory of the provisions put forward by Arnheim and Richter.Arnheim did not find assembly "foundation", "characteristics" movie, he, on the contrary, defended the importance of the individual pieces, frames.Richter, albeit with reservations, believed that the story may have a movie with a cinematic point of view of artistic value, but only if they are dedicated to a simple "natural" subjects and are based on very vigilantly observing life, are a kind of realistic reportage.Although Krakauer, moreover, argues that art is a means of artistic expression, which can be regarded as a complete contrast to the pictures, and hence the film, it is clear that he has in mind at all "mock" in the sense in which Raggyanti invests in the concept of "spectacle."This interpretation is reminiscent of the positions expressed by Kyarini, and even earlier advanced by Grierson and Dzavattini. "Life surprise ...". This expression is very fond Dzavattini. Immediate "history", taken directly from the daily reality; episodes of life for them and piling; material reality;random, unexpected - all elements that underpin Dzavattini poetics.The greatest merit of neo-realism, argues, as we know, this Italian film theorist, is that it only applies to those who are close to us in time and space, in order for the disclosure of which is necessary to become a particle of living tissue of national life, increasing in geometric Italians progression familiarity with each other, theirunderstanding. Although Dzavattini screenwriter who wrote "even too many scenarios," he wants to filmmakers emerged from film studios in the world with a Movie Camera targeted, but without finished scripts in your pocket. "Intentional should not be anything other than the nature of interest, visual acuity, breadth of outlook ...What they come back in the evening? One stood on a street corner; another found himself on the meadow, where, for example, the children play; third used up all the film that he was taking cultivated land farmer;fourth accidentally went behind kakimto man and shows us his walk, where he is going, what its most simple habits, "278 279 The following paradoxical statement explains what he thinks and what he wanted to Dzavattini:"We would have to movie Vidocq watch online in excellent quality
and shoot" Chronicle ", a newsreel about ourselves and about other people as much as we brush our teeth, that is, each the day. "The man who says, who works, his daily life, the words and deeds will never be deemed worthy to take even three lines in the newspaper, but which have an important place in human life, everywhere are constantly asking us what we intend to him to do.
Gamma such meetings, the possibility of such a "stalking", "peeping through the keyhole" truly unlimited.