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"91 - L'Herbier asked.Since the division of the world into fixed forms, according to Bergson, is a stage in the development of the consciousness of feeling to the idea, then, download the film Vijaypath
and indeed, in the Bergsonian categories, all his teachings can be understood precisely as immersion in protoconsciousness, at that stage of human history, when the man himself understand the language of nature.Cinema in the eyes of the early theorists carries the same dive to pervoistine not darkened the word and concept of the nature of the speech, which was given us in the absolute immediacy. A more complete study is this view of the movie gets to the theory of "photogenic."Chapter II photogenic Kinomysl at an early stage of its development naturally download the film Vijaypath
and relied on the traditional aesthetic issues and terminology.The legacy of classical aesthetics played a positive role in the active problematization many aspects of the new art, but it also clearly limited the ability of cinematic reflection.Bergson value lay in the fact that he first brought reflection on the film out of the old aesthetic vocabulary, which has since become kakogoto inhibit the development of thought. Concepts such as beauty and truth, in relation to the cinema were quickly exhausted.Bergson download the film Vijaypath
and managed to translate the very problematic "abstract", "synthetic", "ideal" in the almost instrumental plane cinematic practices, linking them to the movement inside the projector. Thus was made a very important step in the emancipation of kinomysli overall aesthetics, in developing their own specific kinoteorii.The main stumbling block early kinomysli - a problem overcome accidental, chance, their integration into the kind of integrity that is unique and provides a sense of presence in a literary text, which alone makes the collection of disparate elements in a literary text.This was described overcoming early theorists differently, but mostly as a kind of addition. This addition to the purely mechanical reproduction of photographs could be assigned differently - how to increase beauty ideal, aestheticizing movement or increase symbolism.The meaning of this gain is formulated in terms of the classical aesthetic, which, though sounded differently, in fact sent to chemuto single and elusive. Bergson only download the film Vijaypath
and designated this 38 39 increase in the categories of cinematic specificity, as an increase abstract movement apparatus.The formation of specific cinematic kinoteorii demanded decisive break with tradition and reformulation of the main problems kinomysli in different terms. This concept for the future of kinoteorii restatement was made to the concept photogenic.The word "photogenic" instead of a lexicon of classical aesthetics, though retained a download the film Vijaypath
and certain semantic ambiguity. But it is the word from the beginning of the twenties and was universally determined that semantic gain that occurs in the process of overcoming the particular, accidental.The new term, of course, did not abolish the very issues that still went back to the old aesthetic reflection, but it allowed her to specify, moving in a purely cinematic plane.Theory so photogenic, from our point of view, can be considered one of the first systematic attempts to rethink the old aesthetic problems in the plane kinoteorii.