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Fairy tales of the Viennese wood
FILM VIJAYPATH " Announcing fiction any intention to avoid "printing subjectivity" in the arts, the critic immediately proclaims that intention feasible in an area where "reality flows from object to its reproduction.""The image may be blurry, distorted, download the film Vijaypath and discolored, devoid of documentary value, but it works because of their genetic connection to the ontology depicted object, it is this very subject." So, putting an end to the illusion of one, we are prisoners of the other, and in fact - the same illusion."All the arts are download the film Vijaypath and based on the presence of the man in the photo, and only we can enjoy his absence" - exclaims Bazin.With all due respect to the subtle and paradoxical way of thinking download the film Vijaypath and talented French film criticism, there inevitably comes to mind the famous parable of oatmeal, I believe that if it were not for air, which prevents her forever, she could fly much higher and farther.As a direct development of the statements made in the polemical and gambling Bazin article "Ontology of the Photographic Image", released in 1945, they sound not only the many provisions of the "nature film" Krakauer, published in fifteen years, but the views of a number of current authors involved and uninvolved in film.Thus, turning to the quatrain Twardowski and claiming that they are going to be born a poet only on condition that he himself "all the cells of your being experienced feeling download the film Vijaypath and experienced soldatompehotintsem" literary critic Sarnoff believes such a condition it is not necessary for the filmmaker."Filmmakers seeking to achieve the same effect, no such feelings do not have to suffer - he writes. - Just operator removes the tank "with the top point" then the same moving tank "from the bottom point", then - large - Gun muzzle download the film Vijaypath and aimed directly at the camera ... And for every viewer freezes in horror looking ...as tossing the gun barrel, not looking kogonibud, namely his, aiming it straight to the soul. " With such an amazing view of the creative process born film criticism is easy to come to the conclusion follows from this:while in respect of the writer to his characters play an enormous role intimate features of his mental constitution, to create the movie "physiology of the soul" of the artist and may not participate. In other words, to be a filmmaker, you need to remove an object from the top first, and then from the bottom point.But if so, then why not agree with Carl Sandburg, once ironically argued that there is nothing easier than to be a writer, first you write a single word, then another ... Even less is required at times the author's presence in the live television broadcast.And, of course, "there's nothing simpler" than to take such a view of reality. However, the "objective camera, but the transmission is always subjective - warns against such illusions Wilczek.- And when the person leading the broadcast, mechanically connects us to life, he wants to or not, gives us the same idea as the filmmaker who has turned a locking device "flow of life" in a conscious method and hudozhnikformalist blindly smears the paint on the canvas who made his automatism "creative credo" ...Objectivity of the camera, in fact, turns out the worst kinds of subjectivity - chelovekarobota subjectivity, subjectivity dead.