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More specifically, the imagination to recognize in them a more real and substantial than the world perceived by the senses.Besides surrealists understandably favor the theatricality, an example of which can be donkey carcasses grand pianos in the film "Un Chien Andalou" and the snow- covered courtyard in the "blood of a poet."But we have seen in chapter five is that movies of this type - that is theatrical imagination - for all his originality is not always the movies. On this question of them could be considered download the film viv
and settled, not whether surrealist films a characteristic feature that distinguishes them from most of the films, using materials of fantasy.Surreal interpretation assumes infinite superiority of the inner reality of the external. The main goal of the creator of this movie - give a visible display of the internal flow of life with all that it brings - with dreams, visions, etc. - without having to resort to the help of the plot or other rational methods.Not that the surrealists does deny that the "outer cover things epidermis reality ...is the raw material of the movie, "28 but they unanimously agree that this ephemeral material acquires significance only if it is subject to the disclosure of internal motivation and experiences of man down to their roots, leaving in the depths of the unconscious.Salvador Dali's happy - as expected - offers artists an opportunity to "systematize confusion and thus to contribute to the final discrediting of the world of reality" and of course, those movie buffs twenties which download the film viv
and inspired psychoanalysis, were convinced that the film is intended to serve as an expression of the innermost mechanismsour soul "30 and" to penetrate the depths of the unconscious, where ordered perceived image with all their associative ideas "Consequently, the directors consider the surreal direction reality cameras as a kind of storehouse of raw materials;they use only the phenomena of the external world in order to depict the flow of man's inner life. They are only interested in this reality. Questionable symbolism.But when the footage of natural or mock objects to denote internal events around which any surrealistic film, they would function as signs or symbols.But all the difficult task of disclosing the meaning of these events rests solely on the visual of the film - only in rare cases, it supports the poetic text that establishes some connection between frames and those dreams or visions, which should be viewed through them.(Every time the film is accompanied by verses such as inscriptions from the text of the poem Dane in "Starfish" - they do not fulfill their purpose in either of two ways: either they share the fate of music visible, become invisible accompaniment or prevail over the image and then reduce it to a purely exemplary role.) Even if the visuals the film is not always assume a symbolic meaning, the viewer inevitably takes them only so. In the literature there are many similar interpretations. Film viv
. About the film "Un Chien Andalou" Jacques Bryunius writes: "... in the scene in which the young man is ready to commit violence against the girl, all he drags ... at the end of two ropes ...- Traffic jams, melons, priests, pianos, stuffed donkey carrion - all memorable signs of his childhood and upbringing "As expected, the film" The Blood of the Poet " served as a pretext for an especially colorful remarks in the same vein.