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But Stanislavski gave us all free time, often taking for this watch from their own leisure. Often our classes, beginning at 12 am, ends at 2 am.We must remember how difficult it was then time, as everyone was cold and hungry, which reigned destruction cruel legacy of the first World War, to evaluate the self-sacrifice of both parties and the teachers and students.Many of the artists, despite the fact that they were) artists of the Bolshoi Theater, was completely undressed and ran into the studio to Konstantin Sergeyevich accidentally received their boots. Stanislavski usually forgot that he should eat and drink, how to forget about it during his studies and we, his Page.7 students, download the film viv
and carried away the flame of his eloquence and love of art. If you come to school a lot of people and a shortage of places on the chairs and sofas of his great room, then brought the carpet, and all sat on it on the floor.Every minute of flying in communion with Stanislavski, was a holiday, and the day seemed brighter and happier, because in the evening ahead for lessons with him.His faithful assistant, also for the first time in the studio free of charge and changed his case to the end, was his sister Zinaida S. Sokolov and his brother Vladimir Alexeyev, full attention and affection to us than most Stanislavski. Stanislavski never prepared for those conversations that are recorded by me.He has not adhered to the lecture method, and all that he had said, to translate immediately into practical examples, and his words flowed like a simple, lively conversation with his equals friends, is why I call them conversations. He did not exactly work out a plan that's just today it by all means hold us takuyuto conversation.He always went to the very real life, he taught to appreciate this, flying now, a moment of genius and sensitivity knew what mood his audience that concern artists is that they carry away most.This does not mean that Stanislavski did not have a plan, it was a proof of how thin he was able to orient itself and how it is oriented, the circumstances of the moment, the organic quality of the immutable plan that he put his knowledge to transfer to us.His conversations were always extremely fine of living exercises. As I remember, we were at the piano and download the film viv
and tried applying their efforts to the full attention, to create a range of creative public solitude, singing a duet of Tatyana and Olga in "Eugene download the film viv
and Onegin".Stanislavski strongly leads us to search for new, living inflections and colors in our voices, was at pains to reassure us in our quest, but we all moved down to us at the usual operatic cliches.Finally, he came up to us and stood next to us started that conversation that I have marked for N Seeing that we can not move away from the opera cliches, he gave us a time to forget about this unfortunate duo.He started talking about the concentration, was with us a few of the exercises, combined with the rhythm of breathing, the allocation of tasks to the various properties of each object in its attention.