the film DOA: Dead or alive DOA: Dead or Alive
At the first - accurately from the place of beginning of the sound on above image from the first measure, and on the second - accurately at the place of completion of in accordance with the sequence frames, but with a the final chord of and his resound.Somewhere in the middle of the text at the time of the sound mixer are transferred from the first track to the second, and thus the last chord is in the desired location. Such same ways it is possible stretch the to music, adding bars of, or, repeating the her, passing on second track with the finale.If you had to drink organic coffee, which floated on the surface of large pieces nedomolotyh grains, then you 191 certainly feel uncomfortable, because the seeds after each sip into the mouth and spoil all the fun.Professionals in the image and likeness, and called carelessly clumsy mounted to a display and recorded music product "coarse." Try to work so that your labor is not called this a derogatory term. According to the channel "Culture" somehow passed the transmission of the great painter Rubens.At first was a piece of, who was telling about the era of and certain works of the artist. Voice critic not vpopad explained the content of the fine series. But behind the scenes there was music of his era. But this part is over, and the music stopped. On the art, the leading story of Rubens next.He sits on a chair in the studio silence turns to the audience. Styk between first and second chunks of transmission was so rude, that the was perceived by, as a failure into the abyss. The instantaneous disappearance of the music when the unexpected appearance of the narrator with his head exposed the clumsy work of the director.Episode description and age on the screen showing the works of the painter was made in the same style and suhomyatnaya information from the lips of an art studio - in the other. The first piece, we can say, from classical opera, and the second of the program "Time".In this program the music just might link different according to the method of presentation of the works give the viewer to feel the continuity of the course of the author's thought, if she supported the story of the studio. She would have has helped to the author find the desired for the continuation of of the story intonation, the proper style and genre transmission. But ...192 But, apparently, the entire transfer was made "coarse." Invited art, put him in the studio, we asked about Rubens. And he told it, not knowing and does not thinking about the fact, that at this moment will be seen on the screen and audible behind the scenes. Then under his the text of nasnimali several tens of cadres and koekak of their have mounted.Having enclosed to music the corresponding epoch, and has turned out the first piece of, who with grief in half was able to download a movie DOA: Dead or alive DOA: Dead or Alive
and swallow the viewer.
the film DOA: Dead or alive DOA:Dead or Alive
And «suhomyatku» from the studio one fell swoop cut short the timid sprouts of the sublime of style and is jammed on the halfway of perception.If would have the narrator have given listen to music, which will lead him from scene display epoch to of his to oral exposition of the of life and creativity Rubens, he would have changed the the entire tone of the story, stylistics of phrases, picked up other words of, for music led would have of his behind itself.