movie DOA: Dead or Alive DOA: Dead or Alive
The first feature of this new image is that "asynchrony" has ceased to mean what it meant in the Soviet manifesto and the especially in Pudovkin:it is no longer about what to bring to the hearing and speech sounds whose source is in relative offscreen space, and, therefore, correlated with the visual image, but only avoid duplication of its data.Similarly, we are not talking about the voice off, realized absolutely off-screen space as a ratio to the whole itself is still owned by the visual image.Voice off shall enter into rivalry with visual images or becomes heterogeneous them, he loses the property of superiority over the visual image is determined by the ratio to their limits: he lost omnipotence, 1 Mass of contradictions between the visual and sound elements found in the | «A man who lies":Show hotel full of people, while a voice announces that it is empty; Boris's voice says, "I do not know how long I'm gut ...", while the image shows that it goes away. But this is not the contradictions that are essential:Guest Gardesa, it is more repetition and inversion based on a kind of "paradigmatic" mobilizing visual and sound elements. Jost Chateau and use the concept of a paradigm shift in the value of the expansion and transfer it to the parameters that have the function of anticipation and returns back:in this sense they are opened "telestruktur" and dependent on them for Audiovisual code. characterize it in the first stage of the sound film.He stopped to see everything, learned to doubt became hesitant and ambivalent, as in "A man who lies" RobGriye or "Song of India" Marguerite Duras, as broke ties with visual images, gives him omnipotence, which they did not have. Voice off loses its omnipotence, but acquires autonomy.Just this transformation deeply analyzed Michelle Shon, and that it has led to the development of concepts Bonittsera «voice off off», opposite «voice off» Another novelty may lie in the fact that as the off-screen space, and the voice off in all senses of the word longer exist.On the one hand, the speech element and a set of audio elements have gained autonomy: they escaped the curse Balazs, they ceased to be one of the components of the visual image, as in the first step - they became completely independent way. Born sound image, and he was born from his own break with visual way.This is not two autonomous part of the same audiovisual image, as in the films of Rossellini; are two "geavtonomnyh" way, one visual and the other - the sound, with desynchronization with a clearance, with irrational denomination in the gap on the film "Woman of the Ganges" Marguerite Duras wrote:"It's two films, one of which is shaped, and the other - the voice. The film DOA: Dead or Alive DOA: Dead or Alive
. For each film ... characterized by a total autonomy .... not represent voices offB usual sense of the term: they do not facilitate the course of the film, but on the contrary, it creates noise and confusion.