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Film Violence Women's Prison Rather, it describes the phenomenon, rather than interpret it, staying at "the level of information" and only partially passing on the "level of values". The author is aware that a move that he makes to the study of "cinema of Tarkovsky," the original, though not forswear future from the next.The author tried to be objective description to to see what he sees, not slipping supple arrangements to Andrei Tarkovsky's views on the movie, which by themselves are interesting enough to study, but it is not 242 identical practice director.The author tried to limit ourselves with "monitoring" sweet heart motion film directed by observation rather than Tarkovsky look at yourself, this is a special theme. Much has changed over the years. I would not now insist on the term "metaphor".On the other hand, harsh self-determination Tarkovsky there have been significant deviation angles. Instead of "fact", "surveillance" was the idea of the image that is built on the ability to pass off as his sense of observation of the object. Instead, the objective "imprinted time '" individual flow of time. "Rather than chronicle as an ideal film, the movie, which "is not confined to the visual side, but only hints at something, extending beyond the frame", a film that "more than he gives us directly, empirically."I still keep thinking and much more reasonable than before, that the films of Andrei Tarkovsky can not be taken to "the level of information," the plot, historical accuracy, even themes. With over every other film he goes to "the level of significance."The interpretation belongs to each viewer, depending on his experience, attitudes, "bias", says the director. The range of possible interpretations of the unusually wide, stretched, but not unlimited.It is limited to the structures proposed by the imagination, the structure of motives, chronotope, a special "poetic" image of the structure, which was discussed above. I will not go back to the "metaphor". I'll tell you another film Tarkovsky through semiotic. Sometimes the "level of values" cries out for yourself:wall at the end of the "Mirror", which contains mirrors of different sizes and species, all of the mirrors of life, a high degree of semiotic. The same can be said about the hand dispensing ptitsudushu that soars over the field, where there is an old house, fence and ruined, who came to the dilapidated state of the well.Not to mention the final, "Nostalgia", which unites the two main characters Tarkovsky: the house and the church. Semiotic movies in general and, in fact, the entire "Tarkovsky's film" as a more holistic "whole".I tried Film Violence Women's Prison Watch Online and to describe, "catalog" in the first approximation, his motives, methods, techniques.You can download movie Violence Women's Prison and to interpret them in any inherent spectator coordinate system, from which became the conventional wisdom of psychoanalysis to sociology, history, religion, symbolism, down to its own "semiology "Tarkovsky.
Film Violence Women's Prison The following approach can be traced to the usual substitutions, transfers of values, and so on. D. In his world. One way or another, but his movie directed as much to the world of ideas as to the "visible world". The symbolism is not only a particular trend in art takogoto time and certainly not a bad word.