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On the contrary, the preaching of humility before the fatal doom, fate and death has always been organically alien to him.And indeed the "Blue Bird", written in the form of stories, "children's sleep", different from the earlier works of Maeterlinck, broke with the concept of the "theater of terror." These particular pieces were subtly feel the Stanislavsky.download the film Violenza in un carcere femminile
and Imbued with "mysticism author," as called for by the performers he almost meant to Stanislavsky find way to create a mysterious and magical atmosphere, to penetrate the naive, poetic world of children's fantasy. "The play is put us in bright, cheerful colors. Main principles productions humor and touching lyricism.Comic and dramatic elements in common with the fantastic ... Completeness stage technique Stanislavsky brought, I think, to form another all-time, "said Ow. NemirovichDanchenko on a production of" The Blue Bird "at the Moscow Art Theater in a conversation with an employee of the newspaper" Early Morning. "On shine directorial skill, taste, wealth fantasies "Blue Bird" can be attributed to the best productions of Stanislavsky.Overcoming the idealistic concept of Maeterlinck, Stanislavski created a buoyant performance, imbued with faith in man, and full of the finest poetry, and it provided him such a long life on the stage of the Moscow Art Theatre.Already in his speech Stanislavski aggressively against addiction to Maeterlinck banal theatrical techniques, to cheap effects, which may become a poetic tale of an ordinary extravaganza. This dispute with the author in the interpretation and application of the product of stage presentation with certainty affected and in the formulation.The materials of the fifth volume published "Notes" Stanislavski download the film Violenza in un carcere femminile
and called it "The season" and partially published in the journal "Russian Artist" in the years 19071908.In an addendum to the "early-season" types found in the archives of the Stanislavsky sketches that allow the reader to visualize the size and nature of this design is not complete Stanislavsky labor."The beginning of the season" is one of the earliest attempts to present their creative Stanislavski principles elaborated in his "system", and his first published work in this area. In these "notes" Stanislavsky raises a number of creative issues, he developed in the writings of the later years.It affects primarily dramatic art range of issues: the need for a stable stage-being, the need to study the various properties of artistic talent, determination stages of work on the role.In addition, the "beginning of the season," touched on the artistic ethics, theater education, and given the characteristics of individual types of modern theater.Create a "start to the season," preceded by a long work of Stanislavsky on a "grammar of Dramatic Art", a practical guide "novice actors, directors and students of School of Drama," called "Handbook dramatic actor."According to Stanislavski in handwritten outline introduction to "the beginning of the season," the need for more to share their experience with young artists and students led him to suspend work on the "grammar of Dramatic Art" and to express their views more accessible and popular in the form of a diary of the artist and the director.Stanislavski always said that "the system" is not a set once and for all established methods and rules that it is not a "cookbook", where you can get any recipe, but a whole culture in which it is necessary to grow, nurtured over the years, it being understood and creative sense."Handbook" was not download the film Violenza in un carcere femminile
and satisfied with Stanislavsky, as dry and condensed form of presentation "grammar" made it difficult digestion.In addition, the Stanislavsky really felt the danger that is not creative, and the formal, dogmatic adherence to its rules and tips can be harmful to students, to dry them "live, always moving, never calming" striving for creative research."The thought that this book can use to pin down and stifle free art, made me grow cold and throw the pen, he wrote in one of the versions of the preface to the" Handbook.