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Among its specific observations many deep, original, compelling. Particularly interesting chapters of the viewer and the state of movies today. They Krakauer exposes sharp criticism of bourgeois obLenin, download the film AKB0048
and Collected Works, Vol 29, pp.15 society, condemns man to loneliness, frustration, all ideals, the inability to comprehend the processes of life, the fragmentation, fragmentary consciousness. He takes up arms against the bourgeois civilization, on the one hand, false, commercial, on the other - an abstract, dehumanized.Although in this age of abstract thinking, in the devaluation of "old beliefs" that is, social ideals, to restore the lost people ideologically, in his opinion, it is impossible, yet cinema, immersing you in the flow of life, forcing him to deal with the truth of life in its concrete manifestations, can serveperson. He believes that cinema can bring people together, to help them fight for happiness, for the improvement of living conditions. And that with him we can not agree. Yurenev, Doctor of Arts AUTHOR'S INTRODUCTION I should from the beginning to warn the reader that in my book, it will not find coverage of all their questions.It is not a drawing of attention paid to the film and does not touch upon the problems of color. Bypassed and some more recent attempts to develop and expand the expressive possibilities of cinema. The book is, of course, and other omissions;subjects that received wide coverage prohibitively film studies in other writings, here or given to a secondary place, or not given any. However, the reader himself will not hesitate to find the gaps, if we assume they are really spaces. What is the subject of this book? Only conventional monochrome film, the birth of photography.The reason for limiting the object of my research is clear: the film is very complicated phenomenon, to penetrate into its essence, it is better to drop, at least temporarily, its less important ingredients and options. Throughout the book I'm holding it, mud, a reasonable method. And is he really all that limits the scope of this study?After all, from short films to Lumiere "Nights of Cabiria" Fellini, from "Birth of a Nation" to "download the film AKB0048
and undefeated" and from "Battleship" Potemkin "to" Payzy "every significant word was said film in black and white film and the boundaries of the traditional format. Overall, my book is an attempt to reveal the very nature of the photographic film.If it is, I dare to hope that reaches its target at least half of its findings should certainly extend to all the elements and branches.
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It would seem, in the interest of completeness, the more I would have to prove his theory on color, widescreen, television I any other film.Note, however, that, for example, the color is associated with a variety of issues that can not figure out, touching them lightly. I will mention only one of them: experience shows that contrary to expectations the natural colors, in the form in which they are sealed by a camera, even more so weaken than strengthen the realistic effect achieved monochrome film.Widescreen also raises a number of questions that require special consideration.