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His book, "Successful Writing film" makes these questions more confusion than clarity.The very name of it as pretentious, just as absurd and demonstrates the limited nature and the weakness of the study, which among other things stated that the basic law of the movie is the "action", action and rhythm, and not internal, and external - the movement of events and nesobyty.A download the film Ga-rei: Zero
and supposed "synthetic and rapid" nature film supposedly sets it apart from other works of art, analytical and descriptive, but because of the "slow." "Film is different from all other forms of art - says Margreyv - because his task - to attract the general public to very rapidly";so the movies need spectacular and successful ending. And further: "The film - the plot." It is clear that the film as an art has nothing to do with these allegations, if having kakimlibo value, only the production and commercial points of view.Given all this, the book "Successful writing film" can be described as a textbook for film enthusiasts. French "equivalent" of the book is В«On tourne lundiВ»;but its author Charles Ford is not trying to impose its work to the reader recipes of "how to write for the movies," as I do Moresby White and Fred Stoke's book В«The Right | Way to Write for the FilmsВ» and Adrian Brunel in " Film Script, the tecnique of a writing for the screen В».I completely different approach to the issue we eat В§ discovering the books of Soviet authors on the creation of | and the problems of the film script - see an interesting collection of I В«What we're working on screenplays" and "Building a screenplay" Yunakovsky. Books on the subject out in Mexico and Portugal:Ulyses Petit de Murat, В«El guion cinematografico, tecnica with historiaВ» and 17 Aristarko Ernesto de Sousa В«O argumento cinematografico. Como se escreve un filme В». Frankly pragmatic book Americans Walter Pitkin and William Marston's "The Art of sound painting."Proceeding from the premise that "men and women go to church to have fun and try different kinds of positive emotions," they see-very superficial and empirically - the emotions and feelings, dividing them into categories (basic emotions: consent, belief, feeling domination or subjugation, complex emotions:desire, satisfaction, passion, exciting interest, abnormal and unpleasant emotions: fear, anger, jealousy, hatred, etc.).Most authors interested in "exciting erotic" or "sex" as the basis of commercial principles "average taste", the film's success means to them, "pandering moral, immoral or nemoral instincts and desires of the masses." Of course, they are in favor of vulgar intrigue and "a large impact force happy endings."Does not stand up to criticism as' aesthetically advanced principle of "telegraphic" dialogue consisting of "guttural sounds, monosyllabic words, exclamations." Diametrically opposite built on the work of another American. In the book "Art and prudence" Mortimer J.Adler, assistant professor of philosophy at the University of Chicago, is trying to address in theory, moral, political and aesthetic issues movie due to the general problems of art.