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Fairy tales of the Viennese wood
WATCH THE FILM GA-REI: ZERO ONLINE While the nurse all the T home for you. You have to remember, as a moonlit night nurse told you the romantic tale, and your moon - Pp.91 moon your voobrazheniyabditelnosti languid pale disk dymkenevidimke your poetic dreams. Your "you heard Mademoiselle" was born not now, when you are twenty-six years old and you prima donna of the Bolshoi Theatre, but when you were a vigilant focus your tasks as sixteen. Your desire expressed verb want to be:"If I am Tatiana, I want to give my love," "I want to reveal to you that keeps my heart," "I want to explain to you that I am that the singer is talking about my song," "I'm waiting for love, I I do not find the place I was longing oppresses, I'm all full of foreboding. " Here's your mood, here's your tone of the first act.Do not put your voice, which, when processed, he posed, as it should be, if it is correct "your feeling. Feeling comes from the correct and proper action. And Olga? Her vigilance is your problem?It is as common to all the creative action of the internal voltage of feelings and thoughts, but the problem of the creative circle directly opposite yours. She had once thought. All her instincts excited. Her life is her happy, flying "now." It is all a whirlwind of joy, and a huge red ball of the moon;her encounter with a loved one continuous selfish personal perception minutes, a childish prank, a desire to tease everyone and everything and all find pleasure. Its "Mademoiselle heard you", "I want it to come soon," "shame to lose a minute apart," "I want to reach all around my gay happiness."And her tone of the first act, the energy, vigor, bezzlobie and simplicity. Not basit, terrify the listener, placing contralto notes: "I was a kid everyone calls" but give oveyu simple vigilance task: "Disperse Tanya and draw her into their circle of fun." Now we have found two common to all stages of creativity: the focus of attention and vigilance.Let's talk more, how to apply these first two steps to experiencing a pause on the stage. If you are into opera, rhythm you ready and you just have to break your music to pieces and, following its dynamics th; static, combined with her in harmony your individual tasks of physical movement or rest. Not less, but;greater clarity and a heightened attention to the need you are not playing. All your energy should be not only your creative steep, but increase to the pause you're inside it was like a stone wall. You do not need to look to the outside to strengthen your playing techniques, through physical activity, p.92 but a way to develop the mind that no extraneous thoughts, like that: what you look like now, like light falls on you, you do not look over from the light of Jupiter - could disturb your only now for you life - a life stage .Your whole life is now - just move your spirit by offering you the circumstances, and the rhythm keeps you in a framework in which you can easily establish harmony in itself, that is true creativity.
LOOK ONLINE If you're in the drama, it's difficult.