Eastern Anti-Utopia Melodrama Detective Adventures Suspense Cyberpunk Comedy Accident Fantastic Scientifically popular Documentary Drama Tragicomedy Musical Sports Fairy tales Thriller Fantasy History Erotica Karate Extreme Horror Biography Parody Family, children's Action Animation Military Black comedy Performance Western Tragedy Mysticism Crime
Fairy tales of the Viennese wood
FILM SPROTT V?TMAS P?IKEST The figure gives the image of the emotional charge, and that doubles the sensual shock.Two points are merged or closely approach each other, as in the scene of lifting the "general line" when zigzag figures again make a conscious concept Here again, it should be noted that Eisenstein dialektiziruet very generalized aspect obrazadvizheniya and installation.The idea that the cinematic image is working with shapes, thereby restoring a kind of primitive thinking, is found in many authors, for example, Epstein:Even when European cinema showing content with dreams, fantasies and dreams, it claims to then to elevate to the level of consciousness of the unconscious mechanisms of thought is true, the metaphorical ability movie repeatedly questioned.Jacobson said that the movie metonimichno rather than metaphorically, because it is the basis for The descent substitution and contiguity:it has no intrinsic property of metaphor to ask one "subject" of a verb or action of another entity, and should sopolagat two entities and, therefore, subordinate metaphor metonymy Cinema, unlike poetry, can not say, "hands listveyut", it must first show waving his hands, and then - carried by the wind leaves. But a limit of 1 Wed:"The separator and the Holy Grail", "indifferent nature." - Coll. cit., x 2 download the film Sprott v?tmas p?ikest and Epstein, passim. This author frequently cites the example of a metaphor. 3 See interview with Jacobson, in which he introduces a lot of nuances in this regard: В«Cinema, theorie, lecturesВ». Co his part, Jean Mitry has complicated concept:kinetic matograf can not work with the metaphor, but it works with the "metaphorical eat based on metonymy." This is true only in part. It is true if we liken cinematic image statement.And it is not true if we take the cinematic image as it really is - obrazdvizhenie which can melt and movement by relating it to express them by a metaphor that unites the images), and divide the movement by relating it to the objects between which it occurs.Consequently, it seems an accurate statement that griffitovsky metonimichen installation, but Eisenstein - metaphorical '.If we're talking about fusion, we mean not only the imposition of staff, but also an emotional experience, associations, which, according to Eisenstein, because dvaotchetlivo allocated image can have the same overtones and, therefore, be a metaphor. The metaphor is precisely download the film Sprott v?tmas p?ikest and determined by the overtones of the images.An example of genuine kinometafory we find in "-strike" Eisenstein: the main host plant snitch first show "backwards", ie, upside down - and his huge feet rise, puff two pipes ending at the top of the screen a pool of water, then we see two smokestacks that seemed to pierce the clouds.It is a metaphor sdvoynoy inversion as an informer show in the beginning, and the show upside down. Puddle and a cloud, legs and tubes have the same overtone: it is a metaphor, implemented through installation.