227 Projected "shining wheel of life." How, then, films satisfy the longing of the isolated individual? Its susceptibility to impressions realnozhiznennyh transient phenomena, changing on the screen, it's like a flaneur of the nineteenth century.Judging by the survey, it makes the strongest impression is the flow of real images. Along with the side for them fragmentary incidents such reality as taxis, buildings, passers-by, inanimate objects, individuals, apparently excite his senses and provide food for his dreams.Premises bars are fraught with the unknown adventure; casual gatherings promise new contacts with people; sudden change places fraught with unforeseen opportunities.Inherent reality movies preference cameras allows the viewer to fill his lonely soul huddled constrained environment in which the naked scheme of things threaten to displace the things themselves, fill it with pictures of real life - a sparkling, multi-valued, boundless.Obviously, weakly linked to each other on-screen image, which he, of course, free to combine differently, bring great satisfaction dreamer, because they offer him an escape from reality in the illusory world of concrete things, stunning and unusual sensations opportunities.Everything said so far proves that pleasure delivered by film audiences, do not go and do not necessarily come from their plot.In the words of George Schaper, "except sometimes in the middle of the film, when we clear the whole story and we know in advance where to stretch his pathetic thread, we suddenly encountered such a feeling that was the main screen image, and she" story "has become of secondary importance ?"The state of isolation amateur movie releases not so much spectacle cheyto personal destiny, capable, more likely, once again plunge it into despair of loneliness as the kind of person among their own kind, the kind of people to communicate with each other. This audience attracted by the possibility of drama more than its content. Omnipotent as a child.Taking advantage of these opportunities, the viewer satisfies another wish. As already mentioned, Hofmannsthal believes that dormant in ki228 nozrntelya raised dreams of his childhood stored in the recesses of the subconscious."As long as he draws from his eyes glowing screen tysyachegrannuyu picture of life all its own innermost being to shake up the deepest roots" 29, writes Hofmannsthal. If we assume that he is right, moviegoer again becomes a child - in the sense that it rules the world the magic of dreams, escalating the true reality., smoky sun
. This is confirmed by some of the statements of German moviegoers interviewed Wilhelm. "I can be everywhere, all you have to stand like a god-screen world" - says studentpsiholog.And in the words of one teacher, "you're kind of all-seeing gosioda God, and you have the feeling that nothing escapes from you, do you understand everything before the end of" The joy that gives them both an imaginary omnipotence is perhaps symptomatic of the present state of affairs in our society.