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Then a remarkable switch in the middle, creating a picture of the hall - it's much larger and more significant than that Mayakovsky did in "The Bug", where it burns all.Tic in his brilliant play "Puss in Boots" real life turns into fiction and vice versa. Theatre requires it, the theater has its own laws and must speak the language of their laws, it does. Mayakovsky was reaching out to the past, to a remarkable playwright. Listening to this thing, we remember the great dramatists.This play must go as it is written. 218 II. FROM Live in First Model PRINTING October 30, 1929 ... The poet Vladimir Mayakovsky has shown us how important epigrammatic reception in drama.We see the difficulties that stand in the way of those playwrights who are contemptuous of this technique, as part of modern playwrights, taking Soviet themes and trying to resolve it radically different way, get off because I do not own this most difficult method - epigrammatic.Looking closely for a long time to Mayakovsky, I can see that this method biting epigrams, receiving an unusually vicious mockery of the phenomena to which it attacks, it applies primarily as a poet. So there is no long- winded, so always brief, accurate, figurative language.How often do we see on the stage play long, boring, dull, long-download the film Selena
and winded.Kaknibud to amuse, to entertain the audience, many modern dramatists weave a play that baletets then poshlovatenkuyu Muzychka then introduce kakienibud poems, which have no relation to the subject, kakuyunibud interlude, like the one in which "hoplite, we live in" Toller inserts director , causing neither here nor there to dance to deathscene, are making use of lighting effects. In all of this "theater" nonsense drowning always plays the main idea. The audience leaves the theater exhausted, both from myuzikholla. Mayakovsky was always extremely brief. He always knows what he derides, for which he makes fun of, and always know for whom he download the film Selena
and created the show.He is never anything extra. This is the first author I've never remade. I never dared to cross out his single word or make a permutation of the episodes. He always has everything in place. He is extremely compressed and stingy. His "bath" is much stronger than any of his previous plays.This is not to say that the former plays his weak, - and "Misteriyubuff" and "Bug" I really love - it plays great, but the new stuff their Mayakovsky further strengthened.It's so brilliantly mocked bureaucracy, derided a number of shortcomings of our life, all of which makes it extremely hot, with great wit. In this work, there is another twist. When we listen to him play, I remember MoliГЁre. Indeed, especially characteristic of Mayakovsky long monologue in which he heaps verbal material so brilliantly and with such wit, what we knew before only in Moliere.
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And then, despite the fact that "Bug" and "bath" are written in prose, in this prose before you grow a great poet.