Biography Detective Erotica Sports Horror History Fantasy Tragicomedy Extreme Fantastic Melodrama Musical Drama Suspense Action Eastern Tragedy Cyberpunk Crime Military Documentary Anti-Utopia Mysticism Adventures Scientifically popular Accident Comedy Black comedy Animation Western Parody Fairy tales Family, children's Thriller Performance Karate
Fairy tales of the Viennese wood
LOOK ONLINE Who of Italian producers would accept the script "Coming Mr. Jordan" 7?But good ideas do not hold us and Dzavattini, for example, which contains all the information and data, of course, could have much porasskazat us on this subject. But our job is not to push producers to crazy adventures, but they sow doubt integrity of their intentions.The impression is that they were much bolder and more active under fascism, although we have no explanation for it. Where is the "Lux" time "shots" 8? The point is the cost? But is not the same proportion vyroeli and fees? And is not it a law for reimbursement?One concerns the postwar cinema screen does not win, so we will constantly encourage our producers to throw myopic calculations, or at least to show the vision, at least enough to please and hunt with the hounds, alternating so- called "Sure Bets" with movies, born under the sign of a brave mind and poetic feeling.Full confirmation of our innocence we see in "A Walk in the Clouds" Amato and producer Carlo Ponti in activity 10. Prepare to give Italy a new film that is different from the movie, in the spirit of the emerging swamp Ministry of Popular Culture under the supreme supervision of Luigi Freddi12, and other young people.Translation Novikova This study aims to identify the recent and distant history of Italian cinema roots of this phenomenon that, rebounding from these roots, to describe the general course of its development, the history of neorealist direction. The challenge, then, purely historical. We really believe in the "history" of art:the terms "romantic", "gothic", "baroque" and others for us not abstract category, but certain historical realities, stylistic effects, moments of life of the spirit. Neorealism and not fiction criticism, and a real phenomenon, with a history, of course, has its limits.Kalligrafizm Franco Venturini origins of neorealism We think that to this day the form of research, which has the best chance to find a critical definition of Italian neorealism, is the study of the history, the purpose of which is to determine the point of origin of this phenomenon in the history of Italian cinema.So far, only the opposite happened: the effort of criticism focused mainly on the presentation of the poetics of neorealism to the detriment not only chronological justification, and clarification of its style. In short, the critical study of the neo-realism lacked understanding of the most relevant historical nature of the problem.This omission - if not even talk about bias aesthetic judgments - explains the paucity of progress in the study of critical neorealism to date, and likewise explains how a priori skepticism of some critics, as well as unfounded apologetizm others.The term "kalligrafizm" - is, of course, just the appropriate term with which we intend to - without the slightest shade of neglect - highlight the products 1940-1943 period, which is associated with the names Kyarini1, Castellani, Lattuady and soldiers.It means the revival of criticism in the Italian film world and the awakening of a distinct cultural interests.