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Fairy tales of the Viennese wood
movie Priest Two points are merged or closely approach each other, as in the scene of the lift "general line" that zigzags digits again make a conscious concept Here again, it should be noted that Eisenstein very dialektiziruet generalized aspect obrazadvizheniya and installation.The idea that the cinematic image works by figures, thereby restoring some kind of primitive thinking, common in many authors, for example, Epstein:even when European cinema showing content with dreams, fantasies and dreams, they lay claim to in order to raise the level of consciousness of unconscious mechanisms of thought is true that the ability of metaphorical movie repeatedly questioned.Jacobson noted that the movie metonymically rather than metaphorical, as the basis for its substitution is subscript and contiguity:it does not have the inherent property of the metaphor to ask one "subject" a verb or action of another entity but should sopolagat two subjects and, therefore, subordinate metaphor metonymy Cinema, unlike poetry, can not say, "listveyut hands"; it must first show the waving hands, and then - carried by the wind leaves.But the restriction of 1 Cf .: "separator and the Holy Grail", "not indifferent nature". - Coll. cit., 2 x Epstein, passim. This author often cites the example of a metaphor. 3 cm. The conversation with Jacobson, in which he introduces a lot of nuances in this regard: «Cinema, theorie, lectures». Co his part, Jean Mitry offers a complex concept:kinetic tography can not work with the metaphor, and works with the "metaphorical expression eat based on metonymy." This is true only in part. It is true, if we are like cinematic image statement.And it is not true if we take the cinematic image for what it is - obrazdvizhenie which may melt the movement by relating it to thank them whole metaphor of uniting the images), and divide the movement, correlating it with the objects between which it occurs.Therefore, it seems accurate statement that Griffith's montage metonimichen, but Eisenstein - metaphorical '.If we are talking about the fusion, we mean not only the imposition of staff, but also the emotional impression of, associations, which, according to Eisenstein, because dvaotchetlivo allocated image may have the same overtones, and therefore be a metaphor. The metaphor is precisely determined by the overtones of images.Sample authentic kinometafory we find in "-Stachke" Eisenstein: main informer host plant first show "reverse", ie. E. Upside down - and his enormous foot tower, two puff tube ending at the top of the screen a pool of water; then we see two smokestacks, which seemed to pierce the cloud.
movie Priest This is a metaphor sdvoynoy inversion as an informer showed at the beginning, and the show upside down. Lausitz and the cloud, legs and tubes have the same overtones: it is a metaphor, implemented through the installation.But movies can Priest Movie watch online in excellent quality and achieve figurative metaphors and without installation.