The section groups films in genres. Genres of a motion-picture started to develop in the 1910-1920 years when began raise subject variety of films and their duration. Now will manufacture a large number of genres and cinema subgenres. The section on genres will help you to understand this diversity, to learn that itself represents this or that genre, to download or watch movies online of the genre which has pleasant to you. Large varieties of cinema are art (game), scientific and documentary. A basis of documentary cinema are real events, newsreels. The purpose of scientific cinema – training and the story about any achievements of science and technology. Art cinema – the biggest section of a motion-picture including more than 35 genres. You will find the short description of this or that genre, examples of the brightest works of a genre in the section. The frame from a film will help you to orient and find quickly a favourite genre, the favourite film of a genre.
СМОТРЕТЬ ФИЛЬМЫ ОНЛАЙН
Rarely spoke, but the movie is never... Oddly enough, we were completely drawn to the conversation. We work as one man. " This is the highest goal to which to aspire, but it most often unattainable. More on reading. It is not necessary to read avidly, all the "swallowing". It is important that something in my head was
and postponed. "Demons" is read twice in succession. First fast from start to finish.And the second time - at dvetri pages a day, even one sentence. What a pleasure - to read and stop to translate into something of their own, even trying out loud ... Of course, it is not with any literature. I, for example, it is hard to Proust. Started ... and quickly began to pass. Probably not an esthete ... However, the first brick has been laid. The second building block:monologue hypochondriac First you need to recall the definition of hypochondria. This - "the lowest level of melancholy disposition to thoughtfulness, to gloomy thoughts, the blues." Remember your state when you have a fever. This is not a state of delirium, but the thought is hard to connect, this requires effort, there is irritation to others.This is all familiar.
and Begin to read his text as if talking to himself in that state. You prevent replica partners? - Do not pay attention to them, miss, as if you have a monologue or a one-man show. I get very strange, illogical. Your task is to justify, to overcome this oddity.All the same, if not, you can not do without a partner ... Sling his lines himself. This decision prompted me life. When I was teaching role, then asked to submit a partner of his son. Now he is more and more busy, so I came out of this situation myself. True, there is a danger.I remember one artist played a solo performance, which for myself and set. To show the dialog, and to the audience his imaginary partner, he
and craned his neck, turned his head, to change the tone, timbre. When in profile to the audience - it is soft, melodious. When in full face - rough, demonic. But I'm not talking about the external and an internal justification.Not the "dissimilarity similar", but of "dissimilar similarity." My method - this is just an exercise technique, but I do know: 1) technology - this is the whole people, and 2) if such a "hypochondriac monologue" during rehearsals turn out, then I got the role.
СКАЧАТЬ ФИЛЬМЫ БЕСПЛАТНО
For this reason, it is easy to understand why most to the neorealism have young directors.But this movement is carried away for a well and old directors, experienced crafts people, who, however, do not always stand the test just because they have not managed the internal demand.That, perhaps, "Shusha" by De Sica was
and created under the influence of morbid desire to show the boys of Italian petty criminals and thieves, competing with each other because of blacks, which they clean the boots?Maybe this is still one of the most courageous and passionate performances for children, terrible accusation society, rather, of a civilization that every twenty years unleashes more terrible wars, much of an offering of troubles and hardships falls on innocent and defenseless children?Blaming inhuman prison systems, which only multiply evil? The charge comes from those who are able to understand teenagers, on who even in their misdeeds provoked adults can find poetry and innocent purity.De Sica film may not have such power, as the films of Rossellini, but it has a warm human sympathy, the most thoughtful and thorough understanding of the drama of his characters. His soul is in the other strings, but the spiritual position in the face of the sad reality of post-war is the same as that of Rossellini;the same and the motive of the director to this reality.Coarse brutality, which for so many years ensanguine our country and were witnessed by children and adolescents, first startled, and then almost got used to it, as if it were the natural conditions of life, shockingly evident in the final film where a character kills his friend belt blows.Also "Shusha" in his mental confusion, agitation, was not free of flaws, "grammar," The political significance of neorealist films of Rossellini and De Sica can not be
and called political and ideological in the software sense: moral stance derives from the reality show .Maybe look at this reality, and realize it is in a way meant to take a political position, just as hypocritical to hide it or distort. However, all those who took the path of neo-realism, even if it did not serve kakoynibud Party, made a significant contribution to the idea of вЂ‹вЂ‹social renewal."The sun still rises" rejects, "Tragic Hunt" De Santis, "wayward youth" Jeremy and even "difficult years" Dzampy, if people do not show how the main character, occupy a critical position in relation to the corruption of bourgeois society and its cowardly conformism and degeneration.Neo-realism and neorealism different styles now beginning to take on shades depending on the temperament of a director, a satirical take on the accents, to go in different directions in search of a certain style, which each director chooses according to his personality.Attempts directors like Blazetti and Camerini, join in this movement, remain fruitless.