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Fairy tales of the Viennese wood
WATCH THE FILM EROBOT IN EXCELLENT QUALITY ONLINE It seems that exactly the same things and the natural perception. But this illusion is corrected to the perception, because of the conditions that make it possible for the perception of the subject. But in cinema perception correction 'В«L'evolution creatriceВ», p. 753.We quote Bergson texts on so-download the film Erobot and called "the centennial edition", in parentheses denote the pagination of modern editions of each book. 42 Gilles D, 43 ele'z KinoObrazdvizhenie it possible synchronous appearance of the image, but the viewer sees the displayed unconditionally.In short, the movie does not add to the image of the movement, and gives us directly obrazdvizhenie. Despite the fact that it gives us a slice, the slice that is mobile, it is not a download the film Erobot and fixed slice of the abstract movement. Again, very interesting, that Bergson, we can say, discovered the existence of these movable sections, or "obrazovdvizheny."And he opened them up to "Creative Evolution," and before the official birth of the film - in 1896, the book "Matter and Memory". The opening of "obrazadvizheniya" perceived outside the natural perception, was a wonderful discovery of the first chapter, "Matter and Memory." It should be assumed that ten years later Bergson forgotten about him?Or he gave some illusion, which turned the idea of вЂ‹вЂ‹the things already at its origin? It is known that things and people are forced to "hide" doomed "hide" before the manifest. How could it be otherwise?After all, they are cropping up among many, in which previously were not included, and therefore, not to be rejected, to bring to the forefront the qualities of the set, which they retain.So the essence of things never seen in her appearance, but always - in the "middle" of its existence, in the process of its development, after her powers grow stronger.And that Bergson knew better than anyone else, because he download the film Erobot and transformed philosophy, raised the question of the "new" rather than the question of eternity, for example, he argued that new life could not have come at its source, as the first life had to imitate matter ... Is it not the same things, and with the cinema?Is cinema in its early years was forced to simulate natural perception? What was then the state of things in the movie? On the one hand, the survey was fixed, which means that the spatial and formal stillness of the plan;On the other hand, the camera " mixed" with the projection unit and worked with the abstract and uniform time.
WATCH THE FILM EROBOT IN EXCELLENT QUALITY ONLINE The evolution of cinema, finding his own essence or novelty were due to installation, mobile cameras and recording a loss depending on the projection.After that the plan is no longer a spatial category, becoming over time, became a movable sections. Here togdato film and found those "obrazydvizheniya" the first chapter of "Matter and Memory." It should be noted that the first point of Bergson's movement is more complicated than it seems at first.On the one hand, it is a criticism of all sorts of attempts to restore movement with covered space, that is, by applying fixed instant slices on abstract time.On the other hand, in the first Bergsonian thesis laid criticism of cinema, revealing how one of these illusory attempts, as an attempt, marking the culmination of an illusion.