Spatial plans still gravitated to clean obrazudvizheniyu, and this trend is quietly prevailed thanks to empower camera or spatial mobility. Installation time is moving or fixed plans.As Bergson said, things are never defined its original state, but always - hidden in this state trend. The term "plan" can be assigned to a fixed spatial Noah conditioning, slices of space or distance in relation to the camera:This is the opinion of Jean Mitry, and not only when he exposes the expression "planepizod" which, lo his opinion, does not make sense, but also when he sees trevellinge not one plan and sequence plans. In this case, the sequence of plans received his inheritance and movement, and durability.But since this concept was not enough defined, in order to highlight the unity of movement and duration needed to create a more accurate concepts: we see this in the case of "syntagmas" Christian Metz and "segments" Raymond Bellura.Yet, with our present point of view, the concept of the plan may have sufficient breadth and unity, to use it in its entirety projective, perspective and temporal sense.In fact, every unit refers to the unity of action, and the latter in itself covers a lot of passive exposure to the elements or undergoing plans as fixed spatial determination in this sense may well be set corresponding to the unity of the plan as a rolling slice or temporal perspective.Unity varies depending of type set, which it includes, but that it does not cease to be a correlative unity he set. There are several types of cases. In the first, the plan defines a continuous camera movement regardless OTG izme1 In e gs g of n, «Essai sur les donnees immediates de la conscience», p.55. Eng. trans., p. 70 Gilles D ele'z KinoObrazdvizhenie 71 tions angle and multiple points of view. In the second species of the unity of the plan is achieved continuity of wiring, and does not care whether it includes the unity of two or more successive plans, which also can be fixed.With the same success moving plans can Erotibot movie watch online
and allocated vsegonavsego using the material conditions and form a perfect unity depending on the nature of their connection:Such, for example, hitting the top two in "Citizen Kane" Orson Welles when the camera is literally pierces the window glass and penetrate into the large room, and it happens for the first time - under the cover of the rain that hits the glass and obscures it, and the second - during a thunderstorm, kogdasteklo broken otudara thunder.
In the third type of cases we are confronted with a fixed or fixed-up of long duration, with "planomepizodom" in which there is a deep structure of the frame:the plan contains all the spatial slices at once - from close-up to the distant but nonetheless has a certain unity, allowing to define it as an outline.