This scene is difficult because it very intimate and humble circumstances it was necessary, without going beyond the material, to show the leader, find someone who has just decided the fate the proletarian revolution. These four episodes we shot the least, considering them as it peaks in the cast performed the role.When taking pictures of each episode, we also broke the usual cinematic order in which the light is removed by first staging an overall plan, and then placed in the same direction as the light of consolidation, and then - the opposite point, and so on. D.This makes the split episode illogical, unconnected pieces, alternating with an actor in a completely random order. Shchukin episodes we shot mostly in the order of their installation sequence, sacrificing time on the transposition of light, but for an actor to create a sense of continuity of behavior in this episode.Thus the lack of rehearsal time, we partially offset the specific, regular sequence in the shooting and also how they could use the benefits of working on a short piece.The principle of a short piece of trim in place we spent so consistent, that did not work exactly on the final text until the shooting. We have only done the whole pre-draft work, that is marked out staging, movement, thought through incentives and behavior of their external expression, analyzed and rough dialogue practiced it;final trim piece was left up to the shooting, the actor to take the most recent and direct execution. This does not mean that I am trying to deny the rehearsal period. Rehearsal period in the film, of course, highly desirable and useful, but it must be different from the rehearsal period in the theater.From my point of view, the rehearsals do not need to squeeze until the end of the execution of the role of the actor, the more that at a rehearsal in the movies when the continuous performance of the episode can never achieve complete accuracy of the game. Installation, kadrovka breakdown scenes work on separate pieces inevitably make their own adjustments later.Therefore, it is not necessary at the rehearsals "zamuchivat" scene, flirting her to bring the actor to the already familiar, difficult to overcome skill games in the piece. We must find a common solution of the episode, which is open until the end to all the main actor of his position and lead a specific finish within one frame immediately before shooting.It seems to me that with proper rehearsal single block during the actual shooting can be obtained from the actor a higher performance than that which he can give a large piece:focused on the implementation of one element, it will show all its power on a small segment of the role, provided always that the understanding of the role, the general arrangement of his with the director designed by his behavior, gait, gestures, mannerisms and express themselves fully understood it, and the director and worked out with sufficient care.The film Lies
. Did I mention that you need to grab a movie actor most recent and immediate implementation; the director is obliged to feel the line when the actor mastered the piece and not "torturing" it for yourself, it is able to perform with the greatest force.