FILM LA DONNA LUPO
Perhaps some light shed on this sensation to be extremely subtle remark that Laytes inadvertently drop a one of the pages of his memoirs:Marilyn, she writes, "was in need of it, like a corpse - in the grave." Discernment of this observation is difficult to overestimate, for in the nature of game, in the depths of the psyche actor lurks something more deep and secret, magic, charms, spells, necrophilia.In most peals of merriment, what he experiences on stage, you hear a faint echo of the howling of hungry vampire. For just as the vampire clings to the body, is a good actor in the flesh depicted character translates into it settles into his role.And if the role before it is really great, it can not achieve this without taking some preliminary steps, who, in fact, akin to magical rites - meditation, conspiracy, evoking spirits.And what is the very exercise "sensory memory" - this, perhaps, the most effective practices of methods - but the resurrection of all the details, colors and impressions eventually all gone through in the past experience?Resorting to it, the actor is trying just to relive past experiences in order to move into the soul of a character whose role he plays.And therefore, in the relationship between teacher dramatic skill and actor, as long as it is not a formality, less in common with the traditional relationship between teacher and student, between a coach and an athlete, rather than with the invisible eyes of the mother, the witch to the flow from a prostitute.In other words, the superstitious fear of Marilyn before Natasha Laytes logical in its own way: it is the fear of death, dared to change one witch to another;and therefore can hardly be surprised that during the filming of new movies with Marilyn fellow professional and technical staff, no less than was once Natasha Laytes, hate Paul Strasberg - this stocky fat woman, which is on the sidelines with a download the film La donna lupo
and wicked irony will be called "black fungus ".Equally not surprising and that, showing excessive to say the tyrannical, concern for the welfare - and being - his charge, Paula Strasberg zealously and not selflessly serves Monroe, not worse watchdog venturing from that anyone who wants to her approach, and preventing direct contact with theby any who wish to install them - neither give nor take dressed in a black witch, blocking the way of everything: good and evil. On set, there is no one hateful it, it - the eternal target of speculation and low vulgar gossip. Even when it is praised, these praises heard undisguised hostility.Here's how it speaks of, for example, Joshua Logan, " hearted Jewish mother, and from which the eyes and tips and warnings for all occasions - not otchegolibo only out of love and self-interest." From such love and greed fit to run away. Backhanded compliment witch, is not it?This does not mean that Marilyn suddenly turned into a sacrificial lamb. The point, rather, that she is not averse to playing in their own practice to resort to tricks bordering on magic:is it not significant that on the set she often behaves like a sleepwalker, tacitly mobilizing the resources needed to clear a given episode.By the way, even sociologists note that it is in the left-wing theater groups that emphasize urgent social issues, emerging like a kind of black magic, even remotely perceived as such Strasberg and those around him.Be that as it may, the comparison with the Actors Studio dungeons that acting triumphs achieved by the transmigration of souls, it is not entirely inappropriate.