Neither the director does not give an accurate model of the actor playing.At best, the case. Director allows the actors to discover their own capabilities, which for him to remain unknown and. The game starts with a light internal push is so minimal that it is almost invisible. This is evident when comparing the game on the screen and on stage:good stage actor can make movies, but not necessarily vice versa. What's going on? I suggested to the imagination acting as follows: "It moves away from you." At this point, somewhere in the back of his mind is a slight movement.This is not only the actors - such as the movement begins with everyone, only neakterov it is too small to somehow prove himself the actor is more sensitive instrument, he has a pulse - in the film he immediately fixed lens, so that the first film pulse is sufficient.In the theater at the beginning of rehearsals, the momentum does not go beyond a light trembling. Even if the actor wants to strengthen its maximum psychological stress, there will be a short-circuit and ground. To this impulse seized the whole body, a general emancipation, or by God, either to reach a.That's etogoto exist rehearsal. In a sense, the game's terminology-mediumnstichna Grotowski. actor " permeated" permeated itself. In very young actors obstacles are easy driving, "permeation" can occur with surprising ease.As a result, they provide sophisticated and skillful embodiment, plunged into despair of those who for years perfecting their skills. But later these same actors form a barrier within ourselves. Children often play with an inimitable natural. Neaktery made director of life and look great on the screen.But the mature master process should be bilateral, excitement, from within, should help spur the outside. Sometimes thoughts and knowledge can help the actor to get rid of download the film Night Woman
and preconceived judgments, barring his way to a better understanding of the material, and sometimes - on the contrary.In order to understand the difficult role, the actor has to Conn exhaust its possibilities for great actors sometimes go even further. Saying the words, they also listen closely to the echoes arising in them. John Gielgud-magician. His performing arts goes far beyond the ordinary, standard, banal.His manner of speaking, his vocal cords, his sense of rhythm are a tool that he consciously developed in the creative process throughout life.His inner born aristocrat, his personal and social beliefs have defined many of his qualities, helped to realize the difference between values вЂ‹вЂ‹and PODLIEGPYMP counterfeiting and finally convinced that the opportunities screening, weeding, cleaning and selection are endless.
His art has always been more vocal than plastic:early in his career, he decided that his mind is more flexible than the body. In this he has limited himself in his acting material, but with the best of him by nature has done wonders.Not the speech itself, not the tunes, but the constant interaction between the formative mechanism of consciousness and makes his art so unique, so exciting and so is particularly meaningful.