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And behind the scenes, there is something almost ritualistic.Planning department of the Union Pyriev invited to lead hard- boiled film-maker Michael L. Ovruch. Ivan he knew from Kiev studio, that is, before the war. I called Michael L. " hardened" because few people knew the economy of cinema as he is.He worked as chief accountant studio and buhgalteromrevizorom the Ministry of Cinematography. In life he was a charming, elegant, as it seemed to me, old man.So, before each plenary Ovruch, wearing his best suit, sat at a table in the cafeteria, in front of him stood a glass of brandy, and hardly anyone of indigenous filmmakers - I mean other cities, in other republics - not up to him to clink with him, to drink brandy and fifty grams. And these rituals surrounded plenum.But most importantly, of course, was in the audience. I remember one of the plenary sessions, to whom in the "Crocodile" for some reason, was featured Basil Sukharevich - strictly speaking, film expert, but rather kinoreportera, essayist - on the theme: "Why Soviet cinema horror movies?"As an illustration, was not accompanied by a friendly cartoon Pyreva, who portrayed as a sort of ghost or genie who flies out of the bottle. Example of what Soviet cinema hitched to a harmful film was Kalatozov" Unsent Letter. "At the next plenary session of the UK theme" terror in the forest "became dominant.And at each plenary session attended by the then Minister of Culture, Ekaterina A. Furtseva. (She loved Pyreva. Pyriev also treated her very much kinder. Once he even - also at the plenary session, the platform - said: "Catherine A., but you spit in this ministry, all these cupola, go to us here.Life here, we love you, we will always support you. "What download the film Night Woman
and caused, of course, a good laugh and applause, and the smile of Catherine.) This time Furtseva was strict because the plenum is clearly split. Someone was behind Kalatozov, against someone. Everybody understood that Article Sukharevich custom.Made Mikhail Romm, spoke about the production, about the outrages that are happening in our industry, about the evils of the planning system, in which the advanced walk such directors, whom he did not want to remember, but Kalatozov suddenly written underachiever. Furtseva not like it. But everyone was waiting for the word in conclusion Ivan.And Pyriev stands and begins to criticize the "Unsent Letter", saying that too much violence in the film is really present. And here I am standing in the foyer of the White Hall and see how Pyriev Kalatozov and down from the stage and out into the foyer.
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Michael K., I must say, I've never seen furious. And then he says Pyreva:"You scoundrel, Ivan." "And you, Mishka, - wheezing Pyriev back, - a fool. Thee that, it hurts because I criticized you? But damn, this does not tell the CC that the Union of Cinematographers of factionalism." That is to say, bloodless version pyrevskogo guile. But there were times when Ivan, upholding the Union, and sometimes crossed the face.However, here we have to understand that he sincerely kakieto things in modern cinema, the young cinema of that time did not accept, they were not close to him.